Alexandre Dumas

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Twenty Years After(1845), the sequel toThe Three Musketeers, is a supreme creation of suspense and heroic adventure. Two decades have passed since the musketeers triumphed over Cardinal Richelieu and Milady. Time has weakened their resolve, and dispersed their loyalties. But treasons and strategems still cry out for justice: civil war endangers the throne of France, while in England Cromwell threatens to send Charles I to the scaffold. Dumas brings his immortal quartet out of retirement to cross swords with time, the malevolence of men, and the forces of history. But their greatest test is a titanic struggle with the son of Milady, who wears the face of Evil. The only edition in print, David Coward sets both the author and his exciting tale in their historical and cultural contexts. About the Series:For over 100 yearsOxford World's Classicshas made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Memoirs about being sick are popular and everywhere and only ever contribute to pop narratives of illness as a single event or heroic struggle or journey. Visceral: Essays on Illness as Metaphor is not that. Visceral, to the extent that it is a memoir, is a record not of illness but of the research project being sick became. While rooted firmly in critical disability and queer practices, the use of personal narratives opens these approaches up to new ways of writing the body—ultimately a body that is at once theoretical and unavoidably physical. A body where everything is visceral, so theory must be too.From the gothic networks of healthcare bureaucracy and hospital philanthropy to the proliferation of wellness media, off-label usage of drugs, and running off to live a life with, these essays move fluidly through theoretical and physical anger, curiosity and surprise. Arguing for disability rights that attend to the theoretical as much as the physical, this is Illness Not As Metaphor, Being Sick and Time, and The Body in Actual Pain as one.A sick body of text that is—and is not—in direct correspondence to an actual sick body, Visceral is an unrelenting examination of chronic illness that turns towards the theoretical only to find itself in the realms of the biological and autobiographical: because how much theory can a body take?ABOUT THE AUTHORMaia Dolphin-Krute is a writer and artist based in Boston, having graduated from the School of the Museum of Fine Arts and Tufts University in 2014. She is the author of Ghostbodies: Towards a New Theory of Invalidism (Intellect/Chicago, 2017) and the chapbook Aron Ralston: States of Injury (glo worm press, 2016). Her essays and poetry have appeared or are forthcoming in American Chordata, Full-Stop, Gigantic Sequins and elsewhere, and her performances have been shown at venues including the Museum of Fine Arts, Boston, and Brigham and Women’s Hospital. She is also an Ideas Editor for The Deaf Poets Society, an online journal of deaf and disabled literature & art. Currently, Dolphin-Krute is engaged in a long-term project about the forms of freedom that become possible when continually modulated by physical experiences and material proximities; about how do you “live with.” More information about this and other projects can be found at Ghostbodies.

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Walter Taylor Field

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Codes of conduct; European policies; Civil drones; Safety and security; Creative industry

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Die Studie von Herrn Matsumoto vermittelt deutschen Lesern einen Überblick über das japanische Sozialversicherungsrecht. Ihre Einzigartigkeit liegt in der Perspektive, die dabei eingenommen wird: Über aktuelle Reformen in Japan wird vor dem Hintergrund der Reformen in Deutschland berichtet. Das ermöglicht nicht nur einen Vergleich der in Deutschland und Japan jeweils eingeschlagenen Wege. Sondern es eröffnet sich dem deutschen Leser, der „sein“ Recht zu kennen glaubt, ein ganz neuer Blickwinkel auf dieses Recht, nämlich der des ausländischen Beobachters von außen.

Ulysses S. (Ulysses Simpson) Grant

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zhtiji123

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Yichun Zhang

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OpenResty(aka. ngx_openresty) is a full-fledged web platform by integrating the standardNginxcore,LuaJIT, many carefully written Lua libraries, lots of high quality3rd-party Nginx modules, and most of their external dependencies. It is designed to help developers easily build scalable web applications, web services, and dynamic web gateways. By taking advantage of various well-designed Nginx modules (most of which are developed by theOpenRestyteam themselves),OpenRestyeffectively turns the nginx server into a powerful web app server, in which the web developers can use the Lua programming language to script various existing nginx C modules and Lua modules and construct extremely high-performance web applications that are capable to handle 10K ~ 1000K+ connections in a single box. This is an official guide on OpenResty programming written by the OpenResty creator,Yichun Zhang.You can updated versions from the book's website.The latest source of the book can be found in the GitHub repository.

Iskender Dirik

CC BY-NC-ND

Considered an attack on the very foundation of the social order and public morality, blasphemy has been and is still repressed as such. Recently, however, certain international events and identity claims have raised new questions about the forms, the nature and the lawfulness of speeches and images showing disrespect for religions, even in the satirical mode. By examining the contemporary manifestations of what is considered outrageous by religions, but also by considering the history and anthropology of the "unholy word" and its reception, the studies collected in this book provide a better understanding of how this category of religious and legal discourse has been constructed over time, with the aim of suppressing certain forms of protest against established religions and their symbols. For the repression of blasphemy shows the complexity of its social and judicial management, at the heart of the tension between freedom of conscience ("slanderer" and "defamation"), freedom of expression and censorship.