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Beginning with Chekhovâs Uncle Vanya, Passionate Amateurs tells a new story about modern theater: the story of a romantic attachment to theaterâs potential to produce surprising experiences of human community. Ridout argues that theater in modern capitalism can help us think afresh about notions of work, time, and freedom. Passionate Amateurs tells a new story about modern theater: the story of a romantic attachment to theaterâs potential to produce surprising experiences of human community. It begins with one of the first great plays of modern European theaterâChekhovâs Uncle Vanya in Moscowâand then crosses the 20th and 21st centuries to look at how its story plays out in Weimar Republic Berlin, in the Paris of the 1960s, and in a spectrum of contemporary performance in Europe and the United States. This is a work of historical materialist theater scholarship, which combines a materialism grounded in a socialist tradition of cultural studies with some of the insights developed in recent years by theorists of affect, and addresses some fundamental questions about the social function and political potential of theater within modern capitalism. Passionate Amateurs argues that theater in modern capitalism can help us think afresh about notions of work, time, and freedom. Its title concept is a theoretical and historical figure, someone whose work in theater is undertaken within capitalism, but motivated by a love that desires something different. In addition to its theoretical originality, it offers a significant new reading of a major Chekhov play, the most sustained scholarly engagement to date with Benjaminâs âProgram for a Proletarian Childrenâs Theatre,â the first major consideration of Godardâs La chinoise as a âtheatricalâ work, and the first chapter-length discussion of the work of The Nature Theatre of Oklahoma, an American company rapidly gaining a profile in the European theater scene. Passionate Amateurs contributes to the development of theater and performance studies in a way that moves beyond debates over the differences between theater and performance in order to tell a powerful, historically grounded story about what theater and performance are for in the modern world. Nicholas Ridout is Reader in Theatre and Performance Studies, Department of Drama, Queen Mary, University of London. This title was made Open Access by libraries from around the world through Knowledge Unlatched.
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Landes- und kulturkundliche Inhalte sowie interkulturelle bzw. kulturreflexive Aspekte sind fester Bestandteil des Fremdsprachenunterrichts. Doch wie sieht das in der Praxis und in Lehrmaterialien aus? Dieser Band bietet Grundlagen zur Lehrwerk- bzw. Landeskundeforschung und erkundet deren konkrete Umsetzung in einer kontextualisierten Lehrwerkanalyse. Untersucht werden frequent im schulischen Deutsch-als-Fremdsprache-Unterricht eingesetzte AnfĂ€nger-Lehrwerke fĂŒr Jugendliche aus Polen und den Niederlanden. Gelungene Beispiele fĂŒr die Umsetzung unterschiedlicher landeskundlicher Inhalte und Lernziele aus internationalen Lehrmaterialien bieten Anregungen fĂŒr ein breiteres Spektrum an landeskundlichen AktivitĂ€ten und Lernzielen, die direkt in die eigene Praxis umgesetzt werden können. Cultural content as well as intercultural and culture-reflective aspects are key concepts in foreign language pedagogy. But how are these key concepts reflected in teaching practice and teaching materials? This book provides a sound theoretical basis of research concerning both teaching materials and culture pedagogy. In a contextualized textbook analysis, the authors explore to what extent research insights are integrated into six frequently used Dutch and Polish course books for beginning adolescent learners of German. A selection of good practice examples from international teaching materials display the implementation of various cultural contents and provide input for a wide array of cultural activities and teaching objectives, which can be directly implemented in teaching practice.
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Products and services of the media industry can be digitized completely and distributed in electronic form. This fact makes the media industry more tangent to all innovations in information and communications technology than any other industries. The German Federal Ministry of Education and Research (BMBF) funds the Göttingen research project Mediaconomy, where changes in the media industry, which have been caused by internet technology, are being looked at from the point of view of different disciplines: library science, informatics, law, sociology and commercial information technology. In nine particular projects with focus on the mobile internet on the one hand and communications in sciences on the other hand explanatory models for phenomena of the internet economy are being developed.Produkte bzw. Leistungen der Medienbranche lassen sich vollstĂ€ndig digitalisieren und in digitalisierter Form distribuieren. Hierdurch ist die Medienbranche wie kaum eine andere von Innovationen der Informations- und Kommunikationstechnik tangiert. Das vom BMBF im Rahmen des Schwerpunktes Internetökonomie geförderte Göttinger Forschungsvorhaben Mediaconomy widmet sich den durch Internettechnologien hervorgerufenen VerĂ€nderungen in der Medienbranche aus der Sicht der fĂŒnf verschiedenen Disziplinen Bibliothekswissenschaft, Informatik, Jura, Soziologie und Wirtschaftsinformatik. In insgesamt neun Teilprojekten in den Analyseschwerpunkten Mobiles Internet einerseits und Wissenschaftskommunikation andererseits werden ErklĂ€rungsmodelle fĂŒr die PhĂ€nomene der Internetökonomie erarbeitet sowie Gestaltungsempfehlungen ausgesprochen. Das vorliegende Buch ist der erste Band der Reihe Göttinger Schriften zur Internetforschung. Darin werden in zwölf EinzelbeitrĂ€gen erste Ergebnisse der interdisziplinĂ€ren Forschung von Mediaconomy prĂ€sentiert.
Rich Hickey invented Clojure. This is a fork of the project to experiment with literate programming as a development and documentation technology. Every effort is made to give credit for any and all contributions. Clojure is a break with the past traditions of Lisp. This literate fork is a break with the past traditions of code development. As such it is intended as an experiment, not a replacement or competition with the official version of Clo jure. Most programmers are still locked into the idea of making a program out of a large pile of tiny files containing pieces of programs. They do not realize that this organization was forced by the fact that machines like the PDP 11 only had 8k of memory and a limit of 4k buffers in the editor. Thus there was a lot of machinery built up, such as overlay linkers, to try to reconstruct the whole program. The time has come to move into a more rational means of creating and main- taining programs. Knuth suggested we write programs like we write literature, with the idea that we are trying to communicate the ideas to other people. The fact that the machine can also run the programs is a useful side-effect but not important. Very few people have seen a literate program so this is intended as a complete working example, published in book form. The intent is that you can sit and read this book like any other novel. At the end of it you will be familiar with the ideas and how those ideas are actually expressed in the code. Well, I previously commented that Advocacy is Volunteering and then I managed to advocate moving clojure to literate form. Since I'm studying the details of the inner workings of Clojure this seemed to be the right time to experiment with a literate form. I have put together the beginnings of a Clojure in Small Pieces book. The book is hyperlinked so if your pdf reader supports it you can go to the index and find pieces of code or move from the table of contents to the appropriate code chunks. Chunking is very coarse-grained at the moment but will become smaller as more code is explained. The literate chunk machinery uses the previously posted code. The code has been lightly modified to fit into the page format. Clearly some of the developers have very wide screens. When rendered on a page in raw form the code runs off the side of the page. In the book you can see that I've split out portions of the code into the Red-Black section, the Seq section, and the Iterator section. I am also experimenting with parallel programming using both MPI and MapReduce (Hadoop). The idea is to build a multiple node Ants demo that has N independent ant colonies, one per parallel node, all being displayed on a single ant field. I would like the parallel form to be very close in spirit to Rich's original version so I'll have to document that in detail first. Note that the people named on the front cover are from the author tags in the source code. I have no idea who else might have worked on portions of the code. If you know, please let me know. Literature references are especially welcome. I have a few, such as the Multi-Version Concurrency Control papers, which will be added when I get to the STM section. In any case, this is purely an experiment in literate clojure. -- Tim Daly
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In a famous Parisian chess caf, a down-and-out, HIM, accosts a former acquaintance, ME, who has made good, more or less. They talk about chess, about genius, about good and evil, about music, they gossip about the society in which they move, one of extreme inequality, of corruption, of envy, and about the circle of hangers-on in which the down-and-out abides. The down-and-out from time to time is possessed with movements almost like spasms, in which he imitates, he gestures, he rants. And towards half past five, when the warning bell of the Opera sounds, they part, going their separate ways. Probably completed in 1772-73, Denis Diderot's Rameau's Nephew fascinated Goethe, Hegel, Engels and Freud in turn, achieving a literary-philosophical status that no other work by Diderot shares. This interactive, multi-media edition offers a brand new translation of Diderot's famous dialogue, and it also gives the reader much more. Portraits and biographies of the numerous individuals mentioned in the text, from minor actresses to senior government officials,enable the reader to see the people Diderot describes, and provide a window onto the complex social and political context that forms the backdrop to the dialogue. Links to musical pieces specially selected by Pascal Duc and performed by students of the Conservatoire nationale de musique, Paris, illuminate the wider musical context of the work, enlarging it far beyond its now widely understood relation to opra comique.
1st ser. History. Self-reliance. Compensation. Spiritual laws. Love. Friendship. Prudence. Heroism. The Over-soul. Circles. Intellect. Art.--2nd ser. The poet. Experience. Character. Manners. Gifts. Nature. Politics. Nominalist and realist. New England reformers.