MOBILE VIDEOGRPAHY EN. MUHAMMAD HANAFI 2 MUHAMMAD HANAFI BIN HUSOP 017-716 5926 LECTURER FILMMAKE VIDEOEDITOR Pengalaman Industri NEW MEDIA DEVELOPER 1. Vision New Media/Double Vision - Video Editor 2.Mediaworks Production - Freelance Video Editor Program Filem dan Animasi Digital 3. Axis Line Production - Freelance Video Editor Kolej Kemahiran Tinggi MARA Rembau 2009 - sehingga kini. - Carefour Duniaku - Reality TV (Competition) - Kapten Boleh - Drama - Digital Video Editing - Studio Bintang Kecil - Realiti TV (Entertainment) - Digital Video Production - Geng Bas Sekolah - Drama - Digital Compositing & Visual Effects - Motion Capture Production - Babas 1001 Rasa - Realiti TV (Competition) - Kasut Tumit Tinggi - Drama Akademik - Sure Reach - Corporate Video 1. Ijazah Sarjana Muda Seni Gunaan (Kepujian) Sinematografi UNIMAS - 2007 Persijilan Profesional 2.Diploma Pendidikan (Teknologi Informasi) UIAM - 2013 1. Nuke Certified Artist (HKVFX - 2016) 2.Autodesk MAYA Certified Professional 2018 3. Intermediate & Advance Level - Narrative Film 3 Editing - FINAS 4 Directed By Steven Soderbergh Shooting Using Iphone 7 Michel Gondry, Spike Jonze, & Rian Johnson make film for Apple 5 MOBILE VIDEOGRPAHY INTRODUCTION VIDEO CAMERA APPS BASIC CAMERA COMPOSITION BASIC CAMERA ANGLE & SHOT TOOLS & DEVICES TIPS & TRICKS EDITING APPS DO & DONT 6 MOBILE VIDEOGRPAHY APPLE IPHONE 11 PRO SAMSUNG GALAXY S10 SONY XPERIA XZ3 GOOGLE PIXEL 3 XL HUAWEI P20 PRO https://www.movavi.com/learning-portal/best-phone-for-video-recording.html 7 STANDARD FILMMAKING STAGES PRE PRODUCTION PRODUCTION POST PRODUCTION 8 VIDEO CAMERA APPS 9 FILMIC PRO CINEMA FV5 PROMOVIE DJI GO MAVIS 10 BASIC CAMERA COMPOSITION 11 1. The Rules Of Third 12 2. BALANCE & SYMMETRY 13 2. SEIMBANG DAN SIMETRI 14 3. DEPTH OF FIELD 15 3. DEPTH OF FIELD 16 BASIC CAMERA ANGLE & SHOT 17 BIRD EYE VIEW HIGH ANGLE EYE LEVEL LOW ANGLE WORM AYE VIEW 18 19 TOOLS & DEVICE 20 Pocket Camera 360 camera 21 TIPS & TRICKS https://www.photographytalk.com/mobile-videography-tricks 22 High-Quality Sound The microphones on smartphones can’t pick up quality audio at a distance so you’ll want to buy a third-party mic. 23 Better Stabilization Gimbals Grip & Rig Tripod Selfie Sticks 24 Improve Lighting 25 #1: Shoot Reveal Shots Reveal shots add a little motion and mystery to your videos by hiding the subject of the sequence and slowly revealing it. Itʼs a simple move, too: just start the video sequence behind an object like a wall, a tree, or a car, and slowly move the camera out from behind the object to reveal the subject. Itʼs also a great way to transition from one shot sequence to the next. 26 #2: Learn How to Create In-Camera Transitions Transitions are important in video work because they allow you to move smoothly from one sequence of video to the next. So, rather than having an abrupt end to one shot and an abrupt beginning to the next, you can help the viewer connect the two scenes by using in-camera transitions. Transitions are simple with a smartphone, too. Simply panning up or down, left or right at the end of a sequence, and then matching the same movement to begin the next sequence, will achieve the effect youʼre going for. You can see some examples of this in Andyʼs video at about the 2:45 mark. https://www.youtube.com/watch?v=82keIqP3EMI 27 #3: Landscape is Better Than Portrait 28 #4: Give Time-Lapse a Try One of the great things about mobile phones is that many of them come with a time-lapse video option built right in. Thatʼs a huge advantage for mobile videographers because time-lapse videos are a nice way to add motion and excitement to a video sequence. Shooting time-lapses with a mobile phone is much easier if you have a gimbal to minimize camera shake or at the very least a tripod to give the phone a solid, stable base. The other secret to a good time-lapse sequence is to have tons of movement in the shot, be that people or cars passing by, clouds moving through the sky, a sunrise or sunset, and so forth. 29 #5: Try Different Frame Rates Phones these days typically offer different video resolutions. For example, the iPhone X can shoot 4K video at 30 fps and 60 fps (as well as 120 fps). The primary difference between these frame rates is that the faster the frame rate, the smoother the video will look. Where 30 fps is fairly close to what we experience with our eyes, 60 fps produces a vastly smoother motion in videos. Naturally, 120 fps produces an even smoother result. 30 #5: Try Different Frame Rates Additionally, if you want to experiment with slow-motion video, youʼll need to shoot at a higher frame rate. With that, you have a few tips for stepping up your mobile photography game. Give each of these tips a shot, work on your videography skills, and start creating awesome content! 31 ` mise-en-scene 32 camera angle Lighting body gesture props Sounds foreground ` mise-en-scene background Wardrobe camera color mode movement 33 EDITING APPS 34 MOBILE VIDEO EDITING PRO VIDEO EDITING MOBILE VIDEOGRPAHY INTRODUCTION VIDEO CAMERA APPS BASIC CAMERA COMPOSITION BASIC CAMERA ANGLE & SHOT TOOLS & DEVICES TIPS & TRICKS EDITING APPS DO & DONT 37 TERIMA KASIH 38
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