RON SHAHAR: Eleven Israeli couples went to the biggest television game in the world, five of them remain on the path to the final. TONIGHT ON HAMEROTZ LAMILLION, ON THE WAY TO THE NINTH PIT STOP OF THE RACE: RON SHAHAR: The last couple may find themselves out of the race. INTRO RON SHAHAR: The teams are now on their way to their next destination in Bangkok, the home of Thai boxing, Sasiprapa. Bar and Inna, who received a Yield, will have to wait 30 minutes before they can enter the end point. INNA: What bad guys. BAR: It’s ganging up, just simply a mass lynching. RON SHAHAR: Whereas Tom and Adele have not yet completed the Detour task in the market. TOM: Please. ADELE: That's it, it's over. TOM: Let's get this over with... ADELE: Not finishing it. TOM: We will be last place. ADELE: No. TOM: Come on. ADELE: Not finishing it. RON SHAHAR: Now approaching the next destination are Akiva and Anaelle and Oren and Alon. Skip AKIVA: Here are the taxis. ANAELLE: Come on, come on. Skip ANAELLE: Fast, fast. (Thai) You have to get to…Sasiprapa. AKIVA: We are first, it seems to me, unless someone finished the shopping task before us. ANAELLE: Shoshi, but you have to be the best you can today, you have to be really sharp. C-ANAELLE: We don't rest on our laurels here and we don't reap the rewards easily, we work very, very, very hard. AKIVA: It throws you off balance, which happened yesterday. C-AKIVA: What happened in the Duel with the brothers is proof that the competition increases and devolves to personal lines. Anaelle, she cannot contain this evil. At home, when no one is listening, I call her my soul bird (extremely important person or thing, whose harming causes great sensitivity and pain). When I see someone hurt Anaelle like that I will return it with fire. I mean... C-ANAELLE: He doesn't turn the other cheek. C-AKIVA: I don't turn the other cheek, it spurs me on. Skip (first there) C-ALON: The race becomes more and more difficult and the tensions between the couples intensify. This unfortunate event with Akiva and Anaelle, I don't want to be a judge, I don't want to judge here, but I'm sure they had a very difficult experience here, but I, my mental price, paid for this event. ALON; Focus on the tasks, another two or three minutes to read to understand where the driver is taking. C-ALON: What is important now is to learn from mistakes and draw conclusions, because that is the lesson of this race in my eyes. Right now we are very motivated not to give up and do the work with the intention that it will pay off in the end. ALON: Sawadika. OREN: What is Sawadika? ALON: Thank you, hello. Hello. OREN: Soon he will drop us off here, he will think we have signaled that we have arrived. ALON: Not knowing impurity. AKIVA: Kapunkap. ANAELLE AND AKIVA, CURRENTLY IN FIRST PLACE Roadblock. ANAELLE: Who floats like a butterfly and stings like a bee? RON SHAHAR: A Roadblock task is a task that only one of the partners can perform. The team members must divide the Roadblock tasks equally between them throughout the entire race. In this Roadblock mission, the performing partner will have to enter the Thai boxing ring and have a fight against a local champion. The partner will first have to learn from a local champion a number of defensive and offensive exercises in Thai boxing, which is considered the national sport here. RON SHAHAR: After he feels ready he will enter the centre of the boxing ring, where he will have to apply the knowledge he has acquired against a tough boxer. The one who will judge his performance will be Nong Toom, the Thai lightweight champion who changed genders on the way to the title. Only after he successfully performs two exercises and remains with his teeth in his mouth will he receive the next clue. AKIVA: So I’ll do it? ANAELLE: Yes, I think so, better. AKIVA: Sawadika. ANAELLE: Come on, be calm. Sawadika. C-ANAELLE: As we entered the centre we saw a bunch of Thais there, each one a machine. I told myself that God will have mercy, just don't let them touch my Akiva. Skip C-AKIVA: I had to fight the Thai champion. C-AKIVA: It seems to me the Thai heavyweight champion. ANAELLE: Come on, what a hunk. Skip C-ANAELLE: No matter what Akiva wears, he'll be a gorgeous hunk, like what does it matter, shiny pants, black pants, hot pink pants, hottie. You can't change that, he might as well go with a uh...tomato on his head. C-AKIVA: You are something, you are something. ANAELLE: Shoshi, you’re a champion. Shoshi, Shoshi. C-AKIVA: In the first stage of the training I had to learn the exercises so that later I would be able to perform two of them accurately in front of the champion. It's not easy, it runs fast, it all has to be with very fast reactions. ANAELLE: Shoshi, he’s a bully. Skip ANAELLE: Come on, from the beginning, again. C-AKIVA: It has to be done in a good, correct and accurate way. Skip ANAELLE: Batman, Superman, what's his name? Skip ALON AND OREN, CURRENTLY IN SECOND PLACE ALON: Roadblock. Who floats like a butterfly and stings like a bee? OREN: I’ll do it. C-OREN: We arrived at a boxing ring that... C-ALON: Describe it. C-OREN: Yes, that's right, I thought... C-ALON: No, don't describe it, I'm about to pass out from the heat. Skip ALON: Do it slowly. C-OREN: I was taught some basic steps and then I had to apply those steps plus some choreography and then get in the ring and perform the actions against the Thai Muay Thai champion. OREN: One, two. ALON: No. Just legs, wait. OREN: Not just legs, now you need to combine hands. ALON: Second, do another leg exercise. Left, right, left. C-ALON: You were weak, you couldn't manage your legs, right, left, right, like I didn't understand what was so difficult. He had a cord between his legs and hands. OREN: One, two. ALON: Once more. C-OREN: As a child I would never fight, I had a very big mouth and I knew how to insult in an excellent way and annoy in an even better way. C-ALON: We saw it the other day. C-OREN: Yes, exactly, the day before it was possible to get this impression. ALON: Right, left, high. Learn the movements. C-OREN: Suddenly I have to learn how to fight and take hits which is something that is not my style at all. I matured at a very late age, at the age of 18 I matured. I was a very popular, accepted kid but...and I never got beaten up because I wasn't some big-mouthed thug. C-ALON: It is important for him to say that he was a popular kid. C-OREN: Right. C-ALON: It is. C-OREN: Although I was short. C-ALON: Creature, what is stuck. Skip C-OREN: After a short time I felt very confident in my two exercises, I saw Akiva training on the side and I knew I had an excellent opportunity to overtake him so I entered the ring. OREN “THE ACCEPTED” VS. THAI CHAMPION ALON: To his stomach, great. And up top, excellent. One more left. ALON: Turn over him, another turn over. Skip OSNAT: Driver, say shalom. OSNAT: You are charming, driver, you are stunning. Skip CARMIT: Are you Bangki or Bangkoki? C-OSNAT: Two weeks ago, if they had told us that we were going to be in the final five, I wouldn't have believed it. CARMIT: Come on, Bangkoki, come on. C-OSNAT: After all, we are elderly. C-CARMIT: Old-aged. C-OSNAT: We are middle aged. OSNAT: Ho, how beautiful. CARMIT: What a square, dear. OSNAT: How beautiful. CARMIT: Look, look. OSNAT: Yes, we will tell the head of the council to make us such monuments. CARMIT: A statue holding the lamp. C-OSNAT: We have a very good connection with the couples. C-CARMIT: Compared to Bar and Inna, who are not connected at all. The last two weeks. C-OSNAT: But very much, they are like...talking about the fact that we hate them... C-CARMIT: That’s not true. C-OSNAT: It’s not true, absolutely not true. C-CARMIT: Really not. Skip BAR: Cox, how are you feeling? INNA: Fine. Does this Yield stress you out? BAR: Truthfully, yes, a little. C-INNA: We had to pick up the pace after we realised we had a Yield. We knew there was a chance that we would arrive and the couples would pass in front of us and we would be left out. BAR: We have become somewhere, now, officially like, we have become the main punching bag of the contestants here in the race. Every man for himself, it’s like a jungle here, it's not something that... INNA: I'm so pissed at it, I'm hurt by it. BAR: It…yes. INNA: I can't help but take it personally, I can't. C-BAR: The fact that the other teams decided to gang up on you you is not up to you, it is their decision. The Yemenis can't see our face, Tom and Adele, I'm not getting into it at all. I mean now you can walk home from the game and be defeated just because of a social decision. OSNAT AND CARMIT, CURRENTLY IN THIRD PLACE OSNAT: Who floats like a butterfly and stings like a bee? It’s something about floating. Me? Come on, I’ll do it. In this Roadblock mission you will have to enter the boxing ring...Yoo. C-OSNAT: What now? How do I do Thai boxing with my hand? OSNAT: How is floating, from your mother, what does floating have anything to do with it? Come, come. Skip C-CARMIT: I made you a special ponytail like sumo. Skip C-CARMIT: It was what it is beautiful, you were only missing… C-OSNAT: It was funny to see me in boxer shorts and gloves. Dare anyone to come in front of me. OSNAT: You are with Yemen, Yemen, be careful! Skip OSNAT: Careful! Sorry. OSNAT: Rotten! C-CARMIT: I kept telling her to be careful not to hit, not even jokingly. Still, it's the hand, it's something that can cause her irreversible damage. Foot. C-OSNAT: Carmit is one of those who is more afraid of her body, take care, take care. C-CARMIT: Correct, correct. C-OSNAT: I'm not one of those, I'm what will happen now, live in the moment, I don't care what will happen tomorrow. OSNAT: What are you doing? C-CARMIT: Do you know what damage can be done to you? C-OSNAT: So she will be a little crooked. C-CARMIT: Ah, yes. C-OSNAT: I have a lot of things in my body that are already crooked, so just another, a crooked hand. Skip OSNAT: What? C-OSNAT: The main thing is, you can talk and do... that's the most important thing. C-CARMIT: Yes, right. TOM: I'm getting to the brink of insanity here, I'm on the brink of insanity here. ADELE: That you are crazy, everyone knows. TOM: Enough, I can't, I've been holding myself back for so long, let's get this over with, come on. ADELE: Not finishing it. TOM: So I can't anymore, let's go, I can't stay here. We are in last place. C-TOM: We actually know that we are in last place, with not easy feelings. ADELE: That's it, it's over. TOM: Do your part first. ADELE: Not doing it. I swore I would sit here. TOM: Enough with your bullshit. Come on. ADELE: I swear I'm here until now, no, I'm staying here. C-ADELE: Sometimes we come to disagreements and I will never give up and Tom will never give up. ADELE: I'm not going anywhere, forget it. That's it, these fights got on my nerves. TOM: Fine. ADELE: Too many fights. And I don't want to continue here. TOM: Do you know how much nerves this has already cost me? ADELE: I don't want to continue here. TOM: Even just from your speech yesterday. ADELE: And without you I don't want to continue. C-TOM: You're too aggressive with me, Adele, too much. C-ADELE: Yes? So I'm very aggressive with you, you probably don't know how aggressive you are with me, Tom. TOM: Adele. Adele. Hear Israel, Lord our God, I'm sorry I'm under pressure and I'm not talking to you nicely, I'm sorry. C-TOM: Did I talk to you badly once? ADELE: You spoke to me today in the most disgusting way you have spoken to me in these three years. C-ADELE: Have you ever spoken to me badly? No, never, you...never cursed, never spoke badly, you always speak nicely. Like what... C-TOM: I speak nicely all the time. TOM: Sorry for talking...from the bottom of my heart I'm sorry. I'm begging. Skip C-TOM: The sentence that my father always tells me is that only the strong know how to yield. Skip C-ADELE: Tom now slowly, it seems to me, learns that yielding is good and saying "you're right" is good. Let's hope he gets it later as well. ADELE: Bring her the 40, bring her the 40. Skip TOM: Great! Come, come, come. Sorry for everything, you are my life, my love, you know you are my life. Skip TOM AND ADELE, CURRENTLY IN LAST PLACE TOM: You have to get to Sasiprapa. Skip ADELE: Enough, enough. Never now that he’ll touch me, not even a kiss on the cheek, ever. C-ADELE: At home we sometimes fight a lot, sometimes we can fight...not fight for a week. C-TOM: Who will hear us here, everything is good and everything is going great. C-ADELE: Okay, but here a little less. ADELE: Enough, Tom, I'll spill it on you. C-TOM: I fight with you here much more than at home. C-ADELE: Definitely not. Definitely not. At home we are a thousand times more numerous. ADELE: Tell me, do you want me to slap you? Stop! Enough! TOM: Are you insane? What is this slapping? What, did you become violent too? ADELE: Yes, I've become everything. ADELE: Enough, enough… C-ADELE: I think the show really strengthened our relationship, I think the show did more in the segment... C-TOM: What strengthening, really, something else. TOM: Just a kiss, what? What did I do? C-ADELE: I'm talking about strengthening, about sacrifice, about the fact that we got to know each other better, about the fact that we were abroad together, about the fact that we were in extreme situations together. I'm talking about our relationship, that we got closer, that we were together 24 hours a day, that we got to know each other more than we did for three years together. What’s wrong with you? What, you don't notice? What, are you blind? C-TOM: Fine. “SHOSHI” THE HUNK VS. THAI CHAMPION C-AKIVA: I finished my training and went up to fight against the Thai boxing champion. ANAELLE; Come on, Shoshi, come on, Shoshi! C-AKIVA: The approach was to do it with a lot of confidence, I gave him some real ones. C-ANAELLE: He didn't, he didn't seem to me to be...he didn't look poor. ANAELLE; Come on, Shoshi, come on, Shoshi! Shoshi, Shoshi… C-ANAELLE: Really got into character there, saw things and just got into it. Skip ANAELLE: Under. Skip ANAELLE: Lord have mercy! Skip C-ANAELLE: He's really...you were really good at it. You...it's crazy. Think, the man is a champion. Skip AKIVA: Thank you, thank you, it was great. C-ANAELLE: This is not some amateur player. Believe me, in the race of everything... they bring us champions and maybe we should change careers or something. Skip ANAELLE AND AKIVA, CURRENTLY IN FIRST PLACE ANAELLE: Come on. Route Info. You have to get to Shoshana Restaurant in Khaosan. RON SHAHAR: The couples must now go to the Shoshana restaurant in the Khaosan district. In this restaurant, together with occasional Israeli tourists, they will sing to Shoshana, the owner of the house, the song that was probably written for her. (Shoshana Shoshana) Skip RON SHAHAR: The Shoshana restaurant is considered a restaurant where all Israeli tourists who come to the area gather. The restaurant sells Israeli food for those who miss the taste of home. RON SHAHAR: The couple must try to locate ten Israeli tourists who are here on the street and bring them to the restaurant wearing their team shirts. Only after the couple and the Israeli tourists sing to Shoshana the favourite song of the owners of the place...she will give them the next clue. ANAELLE: Come on. AKIVA: Okay. Khaosan Road. ANAELLE: Here. Skip OREN “THE ACCEPTED” VS. THAI CHAMPION ALON: To his stomach, excellent, and above. Excellent. One more. Move away and jump. C-OREN: I found myself lying on the floor I think at the end of this mission. C-ALON: You were the pinnacle of those stuck in the centre of the arena, as they say. C-OREN: But without a black eye. It's a shame I didn't also wear the black eye at that moment. ALON: That’s it, that’s it. C-ALON: His leg swelled. C-OREN: Here. I have a blue mark. C-ALON: Please. C-OREN: Mom, look. C-ALON: He shows this to his mother. ALON AND OREN, CURRENTLY IN SECOND PLACE ALON: You have to get to Shoshana Restaurant in Khaosan. Shoshana Shoshana Shoshana Moon risen to a cloud Like him to you Shoshana A captain will still sail the sea The sea It was a rough sea The mast... how does it go? It was a stormy sea The mast creaked The bow of the ship is almost worn away How Yoske overcame the whole thing And a cheerful singer so sang ANAELLE: I know And a cheerful singer, so a singer….sang Want more coherent lyrics? They’re readily available online. AKIVA: Kapunkap. ANAELLE: Shoshi. AKIVA: Here, here. Skip How are you? Praise God. Nice to meet you. AKIVA: Great, great. ANAELLE: Wow, how beautiful. AKIVA: Wow, really beautiful. Come on, let's bring people here. BAR AND INNA, CURRENTLY IN FOURTH PLACE BAR: Who floats like a butterfly and stings like a bee? I do it, yes? INNA: Yes, do it. Skip INNA: Don't forget that they won't be really tough with you. BAR: I know. INNA: That's why I put the pink on, well, don't you see? BAR: What? INNA: If I were a guy, I would marry you. C-INNA: Bar looked lovely on the mission. INNA: You do it amazingly. C-BAR: I looked like a sweaty strawberry, in my opinion. C-INNA: She was... C-BAR: Sweaty strawberry. C-INNA: She was just lovely. Skip C-BAR: With all this pink and boxing pants with glitter here and sweats. Skip C-BAR: The sentence we received in the clue, in my opinion, most likely represents the culture of Thai boxing, which is to hover like a butterfly, evade like a bee, apparently you need to be focused, sharp, on the spot, maybe. BAR “SWEATY STRAWBERRY” VS. THAI CHAMPION INNA: Strong, yes, strong, Bar, strong, get him. Skip C-BAR: I sweated and struggled and had a hard time and made noises and moans. PLASTERED HAND OSSIE VS. THAI CHAMPION OSNAT: Be careful not to fuck me up. CARMIT: Careful about the hand. Ossie, be careful about your hand. C-OSNAT: She is the concerned mother, I am the unruly child. CARMIT: Don't forget you are in a cast. C-OSNAT: You are a Polish mother. C-CARMIT: Could be. C-OSNAT: Just accidentally came out of your mother's womb. Who knows, only mother knows who the father is. C-CARMIT: No, but I can't think we're getting out of here... it's no life, with no hand, no... C-OSNAT: Don't overdo it, what no hand. Because of boxing no hand? TOM AND ADELE, CURRENTLY IN LAST PLACE TOM: Who floats like a butterfly and stings like a bee? I’ll do it, okay? ADELE: Okay. Skip C-TOM: I studied Thai boxing, I think it also suited me very well. C-TOM: I am a huge athlete, an exemplary athlete, an outstanding athlete. I should have been a boxer, I'm also a big WWE fan. BAR “SWEATY STRAWBERRY” VS. THAI CHAMPION INNA: Come on, Bar, beautiful, strong. Bar, don't stop, beautiful, don't stop. One more, get closer to him. Chase him, chase him, he's running away. Give it to him, give it to him. One more time, give it to him, Bar, give it to him. PLASTERED HAND OSSIE VS. THAI CHAMPION Skip INNA: Bar, Bar, don’t stop. INNA: Good, more, more. C-INNA: She really entered like into such a trance as if she, she doesn't care, she doesn't stop until she succeeds now. INNA: Jump on him now, now. Get up fast, get up, get up, get up. Step on him. Come on, Bar. Skip BAR AND INNA, CURRENTLY IN THIRD PLACE BAR: You have to get to Shoshana Restaurant in Khaosan. INNA: Come on. Skip INNA: I think the Israelis will cooperate. Israelis have such a thing that they like to see Israelis abroad. BAR: Probably. INNA: It's that kind of love. BAR: If you saw an Israeli, and he would tell you, come help me, there's no way you wouldn't help him. INNA: Right. BAR: No way, like no way. I have no money, I lost my wallet, as happened to us, help me, I didn't find it, come show me, I will help with everything. ALON: Here is the flag for this one. Skip OREN: Where is the street? ALON: There it is. OREN: Is this the street, Khaosan? C-ALON: The mission was to travel to the greatest and most authentic place in Bangkok. Go to Khaosan Road. As is known, there are no Thais there, there are only Israelis who are stuck there for three, four, five, six months, eight months. ALON: Guys, I need your attention, your attention. Dear Israelis. C-ALON: We entered the Eretz Israel Museum in Thailand, the Israeli liaison. There were already about thirty Israelis there in ShG. (gate patrol guards) ALON: You four are coming with us, okay? OREN: To Shoshana Restaurant... ALON: Five minutes. OREN: Sing Shoshana with us, five minutes. ALON: Sing Shoshana Shoshana Shoshana, take a nice photo and move on. Skip OREN: Are there any Israelis here? ALON: Are you with us? How long? ALON: Five minutes, it's Shoshana. OREN: This is here, this is Shoshana. I'm coming, no need to shout. AKIVA: You are Israeli? ANAELLE: Excellent. Can you help us? Maybe. ANAELLE: Please help us, please. AKIVA: Put it on you. ANAELLE: Wait for us at the restaurant. Thank you, pure soul. AKIVA: Come on, we need Israelis, ten Israelis, come on. Put on shirts, put on shirts. C-ANAELLE: We're just getting to Khaosan and I'm like, guys, we need your help, all of a sudden, nothing, then boom. AKIVA: Wait, guys, listen, listen, listen. ANAELLE: Listen. You have to sing the song Shoshana Shoshana with us, okay? Okay. ANAELLE: Come on, go. C-ANAELLE: We had more than ten. C-AKIVA: We had 15 people. C-ANAELLE: We had 15 people. C-AKIVA: Like in a second. Skip C-ANAELLE: There are a lot of Israelis there and there is nothing to be done, you take two Israelis, ten Israelis, twenty Israelis, put them abroad, they are each other's best friends. AKIVA: Okay, onwards. ANAELLE: Three, four and…. Skip C-AKIVA: It is amazing, to see two Israelis abroad, there is no such thing between two Frenchmen, there is no such thing between two Germans, there is no such thing in any other nation, only two Israelis meeting abroad as brothers. BAR: Okay. Okay, let's recognize Israelis. He isn’t. INNA: Is there anyone Israeli here? C-BAR: How do you recognize Israelis abroad? Girls. C-INNA: Sandals. C-BAR: Men, backpackers, assembled, dreadlocks, mess, Teva Naot (sandal brand), sleeves. C-INNA: Loud. C-BAR: Pressure, blondes like us, with such a root like that in the head. INNA: Israelis? Israelis? Israelis? Let's post a sign maybe and go, Israelis? BAR: No, you have to shout, you have to make noise with them. Are there any Israelis here? INNA: Guys, are there any Israelis here? Is there anyone Israeli here? BAR: Are there any Israelis here? INNA: Friend, are you Israeli? I have no idea… C-BAR: We recognize the Israelis, it's us, we recognize our own people somewhere. Less politeness, less civility. We are like that too when we are like that, there is nothing to be done. Like, going out... C-INNA: We'll refine it and call it authentic. INNA: Are you Israeli? BAR: Guys, come on, come on. INNA: Come on, we need your help. BAR: Here, come, you have to, come with us, we'll finish it chop chop. Are you Israeli and so is she? What? BAR: No, they’re not Israelis. ALON; Stand here, make a semicircle in front of Shoshana. Guys, thanks. OREN: Ready? ALON: Ready. Skip C-ALON: To the credit of the Israelis, they are always engaged, it has nothing to do with the fact that it is, here, on this specific street. Skip C-AKIVA: When I'm in Israel and I see an ultra-orthodox man, I see a wall between us, he's in his world, I'm in mine, he didn't join the army, he's dodging and that's it. I will see a secular man with the most piercings and tattoos and someone I would shy away from maybe while in Israel, but here I will approach him and I will try to start a conversation with him. Why can't something like this happen in Israel? I wish we would all lower these barriers and love him and get close to him as if we were the only two Israelis abroad. C-ANAELLE: *something*...also us. Skip ANAELLE: Thanks, guys, thank you so much. Skip C-ANAELLE: We too, many times when they see us say, oh, these religious people are like that and that's how they are extremists, they are like that. C-AKIVA: When you see us with the kippah, settlers, that's it. The differences jump before the eyes. I wish the common denominators were what jumped before the eyes. Skip COMING UP NEXT… ANAELLE AND AKIVA, CURRENTLY IN FIRST PLACE ALON AND OREN, CURRENTLY IN SECOND PLACE ALON: You have to go to the fabric market "Phahurat". AKIVA: And find the marked booth of Jintaporn. RON SHAHAR: The teams must now arrive at the fabric market "Phahurat" and find the stand marked with the race flag. At the booth, a roll of cloth awaits them from which they can make suits for the finishing point. RON SHAHAR: In the first step, they will have to take the roll of fabric, load it on a tuk-tuk, which is the local vehicle, and drive it to the tailor Bogie's tailor shop on Sukhumvit Street. In the second stage, the roll of cloth they brought will be turned into luxury suits. The tailors in Thailand pride themselves on their ability to sew a suit in a flash. For each of the couple, the tailor Bogie will now sew a suit according to their measurements in a Thai style. Only after Bogie finishes sewing them the victory lapels will the couples be able to put them on and go to the next finishing point of the race. Skip ALON: You must go to a marked stand where you must collect a roll of coloured fabric with your name on it. Skip ALON: Why is he driving so slow for me? Skip AKIVA: There are fabrics here, wait. PLASTERED HAND OSSIE VS. THAI CHAMPION Skip OSNAT: No, no, you won't beat me, you won't beat me so fast C-OSNAT: I told Carmit, I don't care about anything, I take it with a cast or without a cast, if anyone dares to come in front of me. I know Thai boxing. Skip OSNAT AND CARMIT, CURRENTLY IN FOURTH PLACE OSNAT: You have to get to Shoshana Restaurant in Khaosan. Skip TOM “NOT SURGERY” VS THAI CHAMPION C-TOM; We have reached the Thai champion, I enter the fight with him in absolute madness. C-TOM: I was afraid of him, I told him, be with me, I still have shoulder surgeries. C-TOM: I said I would go with the strategy of the gentle soul so that he wouldn't beat me up. ADELE: Mami, hit him. ADELE: That’s it it, you die, that’s it, you die, that’s it. Skip C-TOM: After a great battle, a huge victory, impressive, really. Skip C-TOM: Like in WWF (yes, not a typo), do that when you win. Skip C-TOM: But with the amazing feeling we knew we were pressed for time. Skip C-TOM: And we must move on because of the time and there is another task. TOM AND ADELE, CURRENTLY IN LAST PLACE ADELE: Route Info. Skip OSNAT: I stay to eat soup and fenugreek if there is any. CARMIT: Wait, let's see first, by the name Shoshana. OSNAT: According to the name, Shoshana is Yemenite, it is the testimony of the East. CARMIT: In most cases. Maybe not, maybe an oriental restaurant but fine, Israelis for sure. OSNAT: Of Israelis, yes. CARMIT: Maybe we'll finally taste something...will spoil us. Skip TOM: …the small. ADELE: Captain, Tom. TOM; Ah, captain. (wrong word used) Skip TOM; How do I do it? Skip ADELE: And we finish the song here now. Look. BAR: Guys, are you Israelis? Is there any way you can help us? Here, we are some teams. INNA: We have four. BAR: With you we have four, we need six more to do the street once, do it, and we are out, continue. Please, is there a way? Come, come, you're from Netanya, I'll help you. Right. BAR: Yes, okay. So here's another one. Take it, come on, how many are we missing? It's going to be insanely funny, wait, let's count that we have...two, three, four, five, six. Skip BAR: You know it, right? Okay. Skip C-BAR: And… Skip BAR: Well? OSNAT: All Israelis here. CARMIT: All Israelis come out. OSNAT: Go go Israel. Where is Shoshana Restaurant? How would I know? OSNAT: Here, they said on this street. You just got here? Come with us, we need it, take ten Israelis. Come, in your mother, you will be seen on TV. Remember, if I don't find you, where you live, I will kick your ass. C-CARMIT: We felt at home. We entered this pedestrian street. C-OSNAT: I just entered the pedestrian mall, I started shouting, Israel lives, and suddenly an Israeli and suddenly, come, babe, come, I'm like your mother, come, come, come. ADELE: What is this heat, God forbid? Come on, let's run, come on. Does anyone speak Hebrew? ADELE: Israelis? Israelis? We need Israelis. Speak Hebrew? Yes. ADELE: Great, excellent, listen. Skip C-INNA: I don't connect with these Haida missions. It's very difficult for me to sing in public, I don't connect. In general, me and singing are two fields that don't really work together. Skip C-INNA: How did the Israeli tell us at Shoshana Shoshana restaurant? Ashloki? Ahushloki, what a song, Ahushloki. (slang for excellent, some connotation I couldn’t pinpoint) How do you say such a thing? C-BAR: This is what is beautiful about Israelis in Thailand, everything flows, everything goes. BAR AND INNA, CURRENTLY IN THIRD PLACE BAR: Route Info. INNA: You have to get to the fabric market… BAR: Phahurat. Skip (Phahurat Road) C-AKIVA: You must go to the Phahurat fabric market and find a roll of fabric with your name on it with which you must go to Tailor Bogie. ANAELLE: Wow, wow, how stunning, these golden ones. Yoo. It's amazing, it's amazing. Yoo. ALON: How do you enter the market? Skip C-ALON: We have to go through the Indian fabric market and locate some 1 m by 1 m stall in all these mazes. ALON: We need to look for someone who knows English. Skip OREN: Here is the flag, Alon, the flag. C-ALON: They see money suddenly within 12 minutes we were there. ALON: Here, Alon and Oren. OREN: What weight it has, pick it up. Wait, you're going too fast. Go down the stairs. Skip ALON: Where is the tuktuk here? Skip C-ALON: We left the market, caught a tuktuk and went to the tailor Bogie. My land of Israel is beautiful and flourishing OSNAT: Come, Israelis, come, by your mother, come with us, come on. Where is Shoshana restaurant? We have a task to do, we just need you to sing with us. Come on! CARMIT: Come on, Israel, come with us, here, here, two metres, come. Come, come. C-OSNAT: I felt like I was with my children and my family, just like that. It's hugs. C-CARMIT: It's firgun, hugs, kisses, firgun as if we've known each other for years. C-OSNAT: And it is Israelis. C-CARMIT: Very beautiful. C-OSNAT: It's the Israelis. No, it won't help, it's only the Israelis like that. Those who believe are not afraid of losing their faith Skip ADELE: You don't sing either. Sorry, but do I know the song? Skip C-ADELE: My life, what, do you think you are on The Voice? C-TOM: Mami, a huge singer. C-ANAELLE: Shoshi and Shosha on The Voice. What do you say Shoshi? C-AKIVA: I think Shosha, we should keep racing and they should start singing on Saturday night. With God's help. C-TOM: And here it is over and done with. C-ADELE: Well, are we suitable for The Voice? Skip C-OSNAT: We thought we would reach Shoshana, we would see Yemen. C-CARMIT: And then I realised. C-OSNAT: With soup and fenugreek. We arrived, we saw nothing, Thai. TOM: Not knowing impurity. Skip OSNAT: Thank you, thank you. Take good care of yourself. C-OSNAT: It was important to me after that to thank them and tell them, take care of yourself because every mother is a worried mother. C-CARMIT: The most beautiful was Shoshana. Skip C-CARMIT: I just picked her up. She was so tiny, I picked her up and come on... C-OSNAT: No, I was fantasising about soup and fenugreek and lahoh and we got a demon. We got nothing. Skip OSNAT AND CARMIT, CURRENTLY IN FOURTH PLACE OSNAT: You have to get to the Phahurat Fabric Market. TOM AND ADELE, CURRENTLY IN LAST PLACE ADELE: And find Jintaporn's marked booth. Skip INNA: How hot it is here. BAR: It's hot here but it's fun, look how many fun tasks we did today, I love tasks like this. So it's amazing that you have, like, points of Israelis and then you suddenly see nothing. Well, this is an easy task. It is written that it is right in front of "Siam Plaza". Inna, it will be easy, it will be awesome and it will be fun, and we will finish it. Skip C-BAR: We stopped with the taxi like two meticulous girls right in front of Plaza Siam. We stopped, got off. Looking right, left. BAR: The stall is here. It is written that it is in front of "Old Siam Plaza", "Old Siam Plaza" is here, it should be here. C-BAR: No more head increasing, we understand. In this race, you get big, you get screwed, don't get big, go slow like an idiot, read the rules. C-INNA: Go according to what is written. INNA: Bar, this looks like a fabric store. BAR: Obviously, this is a fabric store. It's a fabric market. BAR: You have to get to this Jintaporn. I'm like I'm not nervous but I want to find it. Skip BAR: But mami, this booth should be a marked place, it's also a booth. INNA: Barbie, but it should be a booth, so not a store. C-BAR: Passing stall by stall, at the same level as if passing through half of the Carmel Market. Forward, backward, forward, backward, forward, backward. Skip C-BAR: Ask anyone, and he tells you he doesn't know where it is. BAR: What, what am I not seeing? What am I not seeing? What am I not seeing? INNA: Why don't we see it? Skip BAR: So let's go back. INNA: Where to go back? BAR: I don't know what I'm doing wrong. I don't know what smarter way to find it. BAR: It’s written, the place is opposite the "Old Siam Plaza" so what am I not seeing? C-BAR: I lost it completely, I became a bundle of nerves there, a broken vessel. It's also hot and humid and no one understands the language. Suddenly you see Thais, Indians, Chinese, everything from everything, and no one understands what you want and everyone there is slow, you ask them something, they answer you.... Skip INNA: Maybe it's the other way around. I don't know what to tell you anymore. BAR: I don't know either, I don't know either. C-BAR: A cursed stall that whoever invented it should die in handcuffs tie him up and ruin his life. INNA: Mami. BAR: What? INNA: Maybe it's the beach. BAR: Which beach? Which beach? Where... INNA: Plaza, the beach. BAR: How can a stand of fabrics be in front of a beach? C-BAR: It was a war of attrition, a mission from hell. It was shocking. BAR: Inna, come, come, Inna, come. INNA: Bar, don't walk away from me. C-INNA: And all the time the stress tickles you and stabs you. INNA: Bar, come on the sidewalk. BAR: I don’t have the place. INNA: Where are you going? I want to know where you are going? BAR: I don't know where I'm going. Take care of it, Inna. Take. Please. C-INNA: We exploded on each other. And take it and deal with it yourself, and you want to... and I see Bar spinning like a spinning top around herself, and we are already losing attention and concentration on each other as well. INNA: Bar, come with me. BAR: Inna, this is not the plaza, come on. C-BAR: I think, so far this has been the maximum level of explosion that we have reached. Skip C-ALON: We received a task that we need to go to a tailor to sew us exclusive Thai suits known for their quality. ALON: Here it is. OREN: Here is the sign. ALON: Come on, go. OREN: Here’s Bogie. C-OREN: Bogie, Bogie the tailor. C-ALON: Bogie Bogie the tailor. C-OREN: Not Bogie Bogie, Bogie the tailor. C-ALON: Bogie Bogie Bogie the tailor. C-OREN: Not Bogie Bogie, Bogie the tailor. C-ALON: Bogie the tailor. Skip C-ALON: Oren says, at least we will have a three, four hour break until our suits are sewn. Skip C-ALON: After a quarter of an hour, the suits were ready exactly in the measurements taken. Skip C-OREN: Bogie was very nice, cordial and kind. C-ALON: Chasing money and greed, that's what Bogie was. (I’m going to pay more for) Skip C-ALON: We went out with blue suits, with shirts... C-OREN: No, the suits were black with shirts... C-ALON: What black, it was dark blue, it was dark blue with a shirt... C-OREN: Floral. C-ALON: Floral in pink, brown, white colours. We looked chic. C-OREN: Like Bangkok pimps. Skip C-OREN: Is he really gay? C-ALON: What gay? He can be everything for your money, that's the type. Skip ALON AND OREN, CURRENTLY IN FIRST PLACE ALON: Come on. You must come dressed in suits to the temple "Wat Suthat" and meet Ron Shahar on the mat. RON SHAHAR: The teams must now reach the temple "Wat Suthat", one of the six most important royal temples in Thailand. Dozens of golden Buddha statues are placed around the temple and the people of Bangkok flock here en masse to offer prayers. At the entrance to the temple is the Yield station and the team that is Yielded will have to wait here for 30 minutes before they can continue. This temple will be reached by the teams dressed in their suits and it is also the ninth finishing point of the race. The last couple may find themselves out of the race. ALON: Hurry! The last couple may find themselves out of the race. Skip ALON: I hope he doesn't brag to me now. OREN: Do not take the suits to Israel? I'll take it. I'll wear it to court, what's wrong? C-ALON: We are in suits, 200 percent humidity, dog heat, the air conditioner in the taxi does not help at all and we are driving to the ninth finish point of the race. Skip C-AKIVA: We ask the people where the market is, they point us to two streets. Skip C-AKIVA: And every place we go points us in the other direction. AKIVA: That's it, no more questions, Shosha. ANAELLE: Let's look here, in the market here, let's look. C-AKIVA: It was hot, it was hard, it was crowded. C-ANAELLE: Thailand, as most people know, is above 30 degrees most of the year if not all year. C-AKIVA: And we plow these streets, walk in the alleys and find nothing and we don't understand what it is, we've already passed all the stalls, we've been wasting a lot of time there and we don't understand what's going on. AKIVA: It's just people sending us, you have to really go through the booths and search. Skip ANAELLE: We were just opposite there, it's not good, it doesn't make sense. AKIVA: We are not in the right direction. C-ANAELLE: We didn't manage, we couldn't find it. And no, we just lost the north there. AKIVA: We haven't been here yet. C-AKIVA: We arrive at some booth, there is some Indian, we show him the name of the booth, he says: Skip C-AKIVA: What second floor? The market has another floor. Skip AKIVA: We found it. ANAELLE: Here. Skip ANAELLE: Great. Okay. AKIVA: Great. No, go behind me. Here is a tuktuk right in front of us. Skip INNA: Where are you going? Bar, why don't you ever wait for me? Skip INNA: What did he say? Let's move on. BAR: I do everything… Skip C-INNA: Suddenly, amidst all our hysteria, one of the stall owners approached us. Bring it. C-INNA: And he claims he knows where the place is. Skip INNA: Take it, come on. Skip BAR: We’re here, I don’t believe it. Wow, what fun. We also need a translation of the tailor's address. INNA: Come on. BAR: Second, I want to translate. INNA: Bar, no. BAR: A second. Don't you want to translate? INNA: Outside. Let's get out of here. BAR: But how do you pick it up and also translate the tailor's address? INNA: Put it aside for a moment. BAR: One second. Skip BAR: Inna, I have to get a translation of this. First of all a translation of it. INNA: You are wasting time you don't have. BAR: But you have to tell where the tuktuk is going. INNA: But he doesn't understand you. BAR: So what do you want us to do, go down with it on our backs and who will ask? How will you ask? You know what, I'm going by what you want now and I don't agree with it. Is Bar and Inna written on it? Because it's two there waiting. INNA: Bar and Inna. BAR: Okay. INNA: Let's do it in a way that will be comfortable for both of us. BAR: You want me to be in front, will it be easier for you? INNA: It's not that hard for me. BAR: Isn't it hard for you? INNA: And you? BAR: No, I really don't feel it. INNA: Not really either, come on. COMING UP NEXT… AKIVA: Fast, fast, fast… Skip AKIVA: My cap and kippah flew off. Skip C-AKIVA: The cap and kippah flew off in the middle of a fast, busy intersection. AKIVA: In another second there won't be a kippah there. ANAELLE: No, no, don't get off, don't get off. Why is he coming down? AKIVA: It's deadly dangerous, come on. Skip C-AKIVA: And suddenly I saw the road empty, I ran like crazy like in the movie "Run, Lola, Run". I ran, ran, ran. ANAELLE: This man does not see with his eyes. C-AKIVA: I grabbed it, put it back on my head and ran back to the tuktuk. ANAELLE: Did you find it? Nice, great. C-ANAELLE: Luckily he noticed that we always bring four or five kippahs abroad because he always loses it. C-AKIVA: I have spare kippahs because I lose a lot of kippahs abroad. C-ANAELLE: But now you only have one more spare left. C-AKIVA: Yes. BAR: Look, finding it was the worst nightmare. INNA: You must understand that you are more stressed than me on several levels. I didn't know that, I was sure it was the other way around. You're simple, I tell you like this... BAR: Fine, I'm stressed, I don't have anything, I was wrong. INNA: I know you're stressed, mami, I want it as much as you, but let's be... we are... every day we come back from a track and say the same thing that stress is a negative motivation for us, that we can't do anything with it. Come to me, give me a hug, my love. BAR: What a tough day. INNA: What a tough day. BAR: But she is stunning, Thailand. You roared at me today. You never roared at me like that. INNA: Sit here, mami, lie down. Skip CARMIT: There is the address of the booth. OSNAT: It can be the market. CARMIT: Yes, but we won't go inside now. OSNAT: Let's see. Skip CARMIT: He says inside, come on. OSNAT: Yes. CARMIT: Let's try, maybe... there should also be a market, it makes sense. OSNAT: There are many fabric shops here. CARMIT: Maybe, maybe, come in, go in. Skip TOM: It's the address of the place and it's in front of it. ADELE: Yes. TOM: It's one against the other, what is this repetition? ADELE: Well, okay, but still. Come on, this king appears everywhere. I swear to God, if I see him in reality, I beat him. TOM: She goes...what is this disgusting place? ADELE: Market, what is this disgusting place? Skip (India) ADELE: What do you mean "this area all"? He says everything. OSNAT: Carmit. OSNAT: You were next to me, I didn't even see you because of the dizziness from the heat. God, I'm already hot. I sweat where you don't want me to. CARMIT: Come in, come inside. OSNAT: Come, Carmit, Carmit. Get out of here, leave. Come, come, come on. Come on, babe. Bring us a spotted cloth, babe, how can I lift it? CARMIT: Come on, put it on your shoulder. OSNAT: Come on, look for tuktuks, come on. Skip CARMIT: Be careful! C-OSNAT: The roll of cloth was very, very heavy, heavy on levels. OSNAT: Come, come. CARMIT: Where are the tuktuks now? OSNAT: You hold it. Carmit, she leaves everything to me. How can I pick it up? CARMIT: Come on, sit, sit, leave. Skip ADELE: Where? Where? Here he said it is, Tom, here he said it was. Right. Go, go. Here’s the flag, here. TOM: It seems to me, the blondes didn’t find it. ADELE: Found it, don’t worry. Where? TOM; Here. ADELE: Here, Tom and Adele. TOM: Here’s Tom. ADELE: Tom and Adele. We’re last, come on. Tom, what, do you let me keep it to myself? TOM: I'll keep it to myself, move. ADELE: No, I will help you. TOM: Come on, you’ll grab a tuktuk, come on. ADELE: This is the ugliest fabric I have ever seen in my life. C-ADELE: Our fabric looked a little floral, Arabic, exaggerated, such a combination. TOM: Wallak, I've been lifting parquet all my life, I'm used to these things. ADELE: Tuktuk, here, tuktuk in front of you, Tom. Skip AKIVA: Where’s the guy? Where’s the guy? What’s this, a tiger or something? AKIVA: Here, this is the sign, Bogie, Shosha. Skip BAR: Here there is one of the race things too. Here, B.Bogies. B.Bogies? Skip C-BAR: B. Bubies was his name, right? B. Bobies, something like that. Skip C-BAR: He laughed at me for being flat and moved on. Skip INNA: We do not want to reach this area of the body. Skip C-ANAELLE: Akiva looked like some Jojo Khalastra. (famous comedy skit character) C-AKIVA: I was the opposite of being the king here, vice mayor, the head pimp. Skip ANAELLE: Wow, it's hot. C-ANAELLE: Me, it would have been another task, to be at 40 degrees inside these clothes. I think the Chastity Watch was very, very proud. ANAELLE AND AKIVA, CURRENTLY IN SECOND PLACE AKIVA: You must arrive dressed in suits to the temple "Wat Suthat" and meet Ron Shahar on the mat. Skip BAR: Mother, okay. C-BAR: The suits looked like the Indian market actually looked, atrocious. Skip BAR AND INNA, CURRENTLY IN THIRD PLACE BAR: You must arrive dressed in suits to the temple "Wat Suthat" and meet Ron Shahar on the mat. The delayed pair must reach the "Yield" area and turn the hourglass. BAR: We need, listen, to explain to him well ͏it's good to go fast because I don't want too fast. INNA: No, I want too fast. Skip C-INNA: The feeling is that you are on the way to the ninth end point and you are Yielded, it is like a bone in the throat. It's suffocating with a combination of fear because we actually know that we have to wait half an hour until Ron Shahar accepts us on the carpet. And basically all couples can pass us. We didn't know where we were, how long it would take us to get there. We knew that there could be surprises, that the taxi would be delayed, late, you wouldn't know. AKIVA: He doesn’t move. Skip (Wat Suthat, where?) AKIVA: How does he get out of here now? Skip AKIVA: There is green and it’s not progressing. ALON: Yoo, I hope he’s not bringing us in circles now, this. ALON: Why is he in his elegant Shanti. (inner peace, also a brand name with Elegant)
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