Nicola Roos BA Fine Art (Sculpture), Michaelis School of Fine Art, University of Cape Town 2016 Obsidian Samurai XXXI, 2024 Polyurethane plastic, used inner tyre tubes, stainless steel, aluminium, wood, polyurethane foam, nails, glass, epoxy resin, cotton cloth, cotton cord, cotton rope, thermoplastic, enamel paint, faux suede, beads, replica katana. Dimensions (mm): H: 2360 W: 650 D: 1000 Dimensions (inches): H: 92.9 W: 25.5 D: 39.4 Artist Statement Yasuke's remarkable journey from East Africa to Japan in the late 16th century serves as the inspiration for this series, No Man ’ s Land, that has continuously been developing since 2015 Yasuke, the only known African ‘ Samurai ’ , played a pivotal role in Japan's history, aiding in the unification of its feudal states. His unique appearance and quick mastery of the Japanese language garnered the attention of Oda Nobunaga, a prominent military leader, leading to Yasuke's prominent position in Nobunaga's service. Despite his foreign origins, Yasuke was entrusted with the hono u r of returning Nobunaga's remains to his family after the leader's defeat in a military coup - a testament , perhaps, to his significant status , despite debate surrounding the legitimacy of his position within Nobunaga ’ s ranks The sculpture series not only commemorates Yasuke's historical significance but also seeks to address contemporary issues by highlighting his story as a symbol of cross-cultural exchange and unity. It reflects on Yasuke's legacy as a figure who transcends cultural barriers and serves as a beacon of shared humanity amidst the current socio-political and racial tensions. Through this, the series aims to inspire a reconnection with a heroic figure from the past, promoting a narrative of respect and admiration rather than division.