video2—4 November 2022 Schloss Herrenhausen Hannover graphy Art and Academia Epistemological, Political and Pedagogical Potentials of Audiovisual Practices Design by Sabrina Reis Videography: Art and Academia. Epistemological, Political and Pedagogical Potentials of Audiovisual Practices Program Wednesday, November 02, 2022 | FOCUS: EPISTEMOLOGICAL POTENTIALS 01:00 p.m. Registration (+ Coffee) 02:00 p.m. Opening of the Symposium & Video Essay Station (running Wednesday through Thursday) Moderators: Maike Sarah Reinerth (Film University Babelsberg Konrad Wolf), Evelyn Kreutzer (Film University Babelsberg Konrad Wolf), Kathleen Loock (Leibniz University Hannover), Anna-Sophie Philippi (Film University Babelsberg Konrad Wolf) 02:30 p.m. Panel 1: Videographic practice between academic and artistic research This panel’s objective is to outline the discursive current state and discuss the potentials (and pitfalls) of videographic practices set between art and academia. One emphasis is on synthesizing theoretical and aesthetical knowledge: How can we grasp the epistemological qualities of video essays? How do video essays change our concepts of "knowledge" and "research"? Chair: Maike Sarah Reinerth (Film University Babelsberg Konrad Wolf) Oswald Iten (Lucerne University of Applied Sciences and Arts) Researching the Sensuous and Affective Aspects of Film Sound Alan O’Leary (Aarhus University) Nebular Epistemics Christine Reeh-Peters (Film University Babelsberg Konrad Wolf) On Epistemology and Moving Images 04:30 p.m. Coffee Break 05:00 p.m. Round Table 1: Field Reports by (Artistic) PhD Candidates This round table invites researchers at an early career stage to share their experiences of doing and publishing artistic/ videographic research as (part of) a PhD project. Chair: Kathleen Loock (Leibniz University Hannover) Opening Statement: Chiara Grizzaffi (IULM University) Responses: Hanna Prenzel (Film University Babelsberg Konrad Wolf), Cormac Donnelly (Liverpool John Moores University) 07:00 p.m. Dinner Thursday, November 03, 2022 | FOCUS: POLITICAL POTENTIALS 09:00 a.m. Get-Together Mentorship Program Mentees and mentors have the opportunity to meet in person and to discuss individual progresses. Mentees: Alison Peirse, Amy Skjerseth, Annalisa Pellino, Ayça Çiftçi, Brunella Tedesco-Barlocco, Elena Igartuburu García, Emily Dreyfus, Farzaneh Yazdandoost, Kristina Brüning, Milan Hain, Rodrigo Campos; Mentors: Allison de Fren, Barbara Zecchi, Catherine Grant, Chris Keathley, Jason Mittell, Kevin B. Lee, Ian Garwood 11:00 a.m. Coffee Break 11:30 a.m. Open Workshop: Mentorship Program Presentation and discussion of the mentees‘ first working results. Chair: Evelyn Kreutzer (Film University Babelsberg Konrad Wolf) 01:00 p.m. Lunch Break 02:30 p.m. Panel 2: Giving voice: Questions of language, sound and wording This panel explores the forms and potentials of voice and words in videographic practices and examines to what extent voice affects traditional structures of academia. Questions and arguments might address concepts like subjectivity, gender, collaboration, activism, and authorship and accents. Chair: Evelyn Kreutzer (Film University Babelsberg Konrad Wolf) Jaap Kooijman (University of Amsterdam) Using One‘s Own Voice (Over): Positionality in Videographic Criticism Barbara Zecchi (University of Massachusetts Amherst) All accents are equal, but some accents are more equal than others: the 'foreign' voice in video-graphic criticism 04:00 p.m. Coffee Break 04:30 p.m. Panel 3: The video essay as a practice of de-canonization This panel focuses on video essays as postcolonial critique and sheds light on videographic practices beyond the Anglo-American sphere. The panel discusses the potentials of videographic practices for challenging established regimes of knowledge and memory and for ‘democratizating’ research. Chair: Anna-Sophie Philippi (Film University Babelsberg Konrad Wolf) Susan Harewood (University of Washington Bothell) Videographic thinking against/with/and through canons Rodrigo Campos (Film University Babelsberg Konrad Wolf) Counter-colonial perspectives through the use of Brazilian film heritage Maryam Tafakory (Kingston University) From Behind and Beyond the Screen, Always 06:30 p.m. Reception 07:30 p.m. Video Essay Screening & Discussion (public) Curated by Ian Garwood, Catherine Grant, Christian Keathley, Kevin B. Lee, Barbara Zecchi, and the organizers of the symposium. Moderators: Kathleen Loock (Leibniz University Hannover) & Maike Sarah Reinerth (Film University Babelsberg Konrad Wolf) Friday, November 04, 2022 | FOCUS: PEDAGOGICAL POTENTIALS 09:00 a.m. Panel 4: Opportunities and pitfalls in videographic communication This panel’s objective is to discuss video essays as a new form of making processes of knowledge creation visible and comprehensible: how can video essays be employed as tools of documentation, communication, and knowledge transfer? Chair: Will DiGravio Maria Hofmann (University of Minnesota) When is a Video Essay? Juan Llamas Rodriguez (University of Pennsylvania) Can Everyone See my Screen? The Desktop as Videographic Canvas and Professional Profile Volker Pantenburg (University of Zurich) Extracurricular. Educational Premisis of Videography 11:00 a.m. Coffee Break 11:30 a.m. Round Table 2: Employing Video Essays in Teaching: Best Practices This round table addresses the didactic significance video essays might have in future (university and artistic) teaching – as impulses for discussion as well as a practical mode of engaging with media. Chair: Anna-Sophie Philippi (Film University Babelsberg Konrad Wolf) Opening Statement: Johannes Binotto (University of Zurich) Responses: Matthew Thomas Payne (University of Notre Dame), Tracy Cox-Stanton (Savannah College of Art and Design) 01:30 p.m. Lunch Break 03:00 p.m. Panel 5: Establishing audiovisual formats in academia This panel will address the collaborative and participatory potential as well as academic criteria for videographic work. Chair: Kathleen Loock (Leibniz University Hannover) Ariel Avissar (Tel Aviv University) Refracting the Scholarly Process Ariane Hudelet (Université de Paris) Creative influence and the audiovisual essay: global imaginaries, local affects Miklós Kiss (University of Groningen) What’s the deal with the ‘academic’ in Videographic Criticism? 05:00 p.m. Coffee Break 05:30 p.m. Final Discussion Moderators: Maike Sarah Reinerth (Film University Babelsberg Konrad Wolf), Evelyn Kreutzer (Film University Babelsberg Konrad Wolf), Anna-Sophie Philippi (Film University Babelsberg Konrad Wolf), Kathleen Loock (Leibniz University Hannover) 07:30 p.m. Dinner Restaurant „Stadtmauer – Genuss am Fluss“ Burgstraße 14a, 30159 Hannover
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