RON SHAHAR: The crews are on their way to the Royal Ballet Studio in Krakow. Skip RON SHAHAR: Tom and Adele, who had to make a U-Turn, have not yet completed the second Detour mission. TOM: You’re strong mami. RON SHAHAR: Alon and Hen and Alon and Oren are currently approaching the next destination. Skip ALON H.: You must reach the Prima Ballerina located in the Opera Krakowska Ballet Studio. OREN: Tomasza 37. ALON H.: This one. OREN: Tomasza. C-ALON H.: I went on this adventure for this relationship, for connecting these brothers together and slowly I discover that it is possible to put it on the King's Road and it happens. I was skeptical, but it happens. Skip C-OREN: I thought about it tonight that I'm no longer used to not sleeping with Alon with me in the room. Because what is it already ... C-ALON H.: No, I'm already glad it's almost going to happen. It changes for me too fast. Oren is very practical, applied. ALON A.: Studio Ballet- HEN: Tomasza. ALON A.: Tomasza. HEN: Yes, Tomasza. C-HEN: This race is one big school for me and Aloni. At home we get along much less well. C-ALON A.: Get along much less well. ALON A.: Quick departure when we arrive. C-HEN: He just had a really hard time trusting me at first. Like how does it make sense for a woman now to do all these things? And I understand that, it's hard. HEN: What fun we had before everyone else, just to get there fast. C-HEN: But here there is nothing else to be done, he does but the effort is really getting better. Because at first, say, he did not believe he was giving me the map. Let me. trust me. I may be a woman but I have these abilities. MOTI: Taxi or on foot. What do you prefer? PUNDAK: Go on foot. MOTI: This is the direction we need Idan. Skip C-PUNDAK: We said well, ten minutes walk is five minutes run. C-MOTI: Five minutes run. C-MOTI: We put the bags down, tied ourselves up and started running like crazy because we knew we had Alon and Hen. ALON A.: Hen, here this is no.37. ALON AND HEN, CURRENTLY IN FIRST PLACE HEN: You must enter a ballet class during which you must learn a number of steps in the famous dance "Swan Lake". Huge. ALON A.: Fire! HEN: I'm dying for this. RON SHAHAR: Couples are now waiting for a personal experience in tutu skirts, pink shoes and pirouettes in the style of "Swan Lake". Ballet is considered the most popular dance style in Poland. Polish girls begin to study ballet at the age of four. The couples will now enter a ballet class during which they will have to learn a few steps from the famous dance “Swan Lake”. With the help of a serious Polish teacher they will have to memorize a combination of ballet movements- Arabesque. RON SHAHAR: And perform them to her satisfaction. Only after they have accurately performed the ballet steps will the studio director give them the next hint. ALON A.: Seriously. HEN: What seriously Aloni? ALON A.: How do I get into this? ALON A.: My god. I do not believe this. ALON A.: Shocking. HEN: Well, but you studied ballet babe. ALON A.: What, I need to get in too ... can’t be serious, well. C-HEN: For Alon it was very suitable. Especially the tights. Alon, in my opinion, straight to the cages in the "dom". C-ALON A.: It also increases my ... makes me have muscular legs. C-HEN: Absolutely, absolutely. HEN; You also have a tutu, do not worry. ALON A.: Alas what I look like. ALON AND OREN, CURRENTLY IN SECOND PLACE ALON H.: You must enter a ballet class during which you must learn ballet movements and perform them to the teacher's satisfaction. Come on go. Teacher! Skip C-HEN: When we entered the studio it was like really- C-ALON A.: Like in the movies. C-HEN: Like in a movie. With the railing and the mirrors and all those skinny little girls with the tutu and ... yo ... I felt like ... C-ALON A.: Like in the movies in short. Like in the movies. C-HEN: Like ... I felt like I was opening this music box and there's the ... that the girl is dancing in the middle with all the pink and pastoral. Skip C-HEN: And I suddenly ... got into the nostalgia of being a little girl and ballet classes. It's something I loved so much and suddenly now I had the opportunity to go back. ALON A.: Okay, Hen, come here. We'll have a place. Next to me. That's it. Skip C-HEN: At first the ballet teacher and her students taught us the combination of movements we had to perform there, in terms of standing and subtleties. Skip C-HEN: Plie, releve, how was it? Skip C-HEN: It was lovely. C-ALON A.: One, two... Skip C-ALON A.: I looked so dumb you had to and do those ... those long, long jumps with my legs. I'm all the ... all the kickboxing, the whole body it's all short movements and this ballet ... it’s just the opposite. C-HEN: It's length. C-ALON A.: It's a sequel, it requires continuation and I'm most not like that, I'm like little. Skip C-ALON A.: What pressure. Skip C-ALON A.: There's the ... Marquis de Sade, the Duchess, like this ... C-HEN: And I see Alon and he's sweating. C-ALON A.: What sweating. I’m dripping with water like this. This garment doesn’t breathe at all. And even so they, do not know, have not heard of air conditioners. Skip C-ALON A.: Hot ... to die. And they, they're all like they're out of a magazine. I'm just dripping water like that, everything's water. Skip C-ALON H.: We were required to study a ballet piece from "Swan Lake," with the tough teacher. C-OREN: With the tough teacher. C-ALON H.: Verdinia. C-OREN; She and more, in fact ... C-ALON H.: The whole fourth-year class. C-OREN: Yes. C-ALON H.: Of the Poles. C-OREN: Of the Poles of the Ballet Club, the Royal Ballet. Of the Royal Krakow. C-ALON H.: I know of Krakow. Skip ALON H.: It's on the face. Skip ADELE: No way. Skip C-ADELE: After two hours of trying to identify the song, we knew we were last and were in a state of despair. TOM: Come on. C-TOM: Listen, you tried very hard, no doubt you tried, I do not have ... C-ADELE: What I cried, I broke down, it's hard for me. C-TOM: She also had a section where she became a whiner, she in her life has not cried like she cries in this competition. ADELE: Don’t want... C-TOM: Every section of the race she cries for me. C-ADELE: You're a cheeky piece you know? C-TOM: No, you're crying like ... C-ADELE: Because it's hard for me, what, because it's hard for me, crazy, hard for me. ADELE: Don’t want. C-TOM: But why are you crying? C-ADELE: Because it's hard for me, because I'm a girl who cries when it's hard for me. INNA: Today we come fourth at least Bar, no matter what. BAR: Go. There. There, main road. INNA: Both of these Detour missions were horrible BAR: Just awful. INNA: And the buckets you put on your back, I can not believe. BAR: My back ... like INNA: Oh, mami. BAR: You do not understand. He collapsed on me. C-INNA: Whatever she goes through, I go through too. We are going through a difficulty here, we are going through a process here. This retouching that we go through from mission to mission, from country to country is enormous. INNA: Oh mami. BAR: I felt that I, I do not ... INNA: I felt how it hurt you. C-INNA: The more I believed in this relationship, the more I believe in it. Bar excites me. Really, she manages to excite me. INNA: Oh, my soul. Skip OSNAT: Here’s a taxi, come. CARMIT: Come on come on. OSNAT: Opera Krakowska. OSNAT: We lingered on nonsense. We could have gone out a long time before that. CARMIT: Okay, what to do? C-OSNAT: Ah ... we were hurt by each other. It was quite charged and at some point each of us took the injury somewhere else. CARMIT: Be in my place, talk. OSNAT: But I did not ask you to run to do tasks eh ... it ... CARMIT: And be healthy, not ... OSNAT: Physical tasks. CARMIT: But you can not decide. This is something that disgusts me. Maybe it's entertaining later I would eat, it's not. C-OSNAT: But it's hurt and hurt only by people who love. C-CARMIT: Right. Skip MOTI: 31, 33, come. Two more, two more. PUNDAK: Here. PUNDAK AND MOTI, CURRENTLY IN THIRD PLACE MOTI: You must enter a ballet class during which you must learn a number of steps in the famous dance "Swan Lake". ANAELLE: Here, here, hallelujah. Hello. ANAELLE AND AKIVA, CURRENTLY IN FOURTH PLACE ANAELLE: You must enter a ballet class. ANAELLE: What is this? I do not name such a thing Shoshi. AKIVA: Put on the clothes. C-AKIVA: Let me dress up with such funny clothes. ANAELLE: What is this thing Akivosh? C-AKIVA: It was funny the way it sat on me with the tassel, peeking at me from the ballet garment and the kippah on my head. ANAELLE: How funny you are. C-AKIVA: What a taut fabric. C-ANAELLE: You were really handsome, it was really right for you, you were really handsome. C-AKIVA: Thanks. C-ANAELLE: Akiva If he was not religious, he would be a model. As if physically he has all the data. ANAELLE: Come on, let's do this, chik chak. Skip PUNDAK: Treat the teacher well. C-PUNDAK: Moti terribly missed the waltz. He's the whole race talking about the waltz. C-MOTI: I walk and I walk only in the steps of waltz. C-PUNDAK: Wanted another chance to dance. Then he had a chance to dance ballet. Skip C-MOTI: When we started dancing we could not take our eyes off the dancers who were dancing with us. Skip C-MOTI: There was some beautiful girl like that, a little cousin like that. C-PUNDAK: No, she was thin, not looking good, Polish. Does not look good. C-MOTI: So, what, you’re Guy Geyor of the race, no? C-PUNDAK: Right. C-PUNDAK: I do not like ballerinas at all. They are too thin. C-MOTI: Just good. C-PUNDAK: They are muscular. Like Madonna. C-MOTI: Like Madonna. C-PUNDAK: Like Tal who was in the race. C-MOTI: What the fuck are you. Skip C-MOTI: How confused you were with the steps there like an idiot child. C-PUNDAK: Who? I was confused by the steps? C-MOTI: Yes! C-PUNDAK: Yes? C-MOTI: Between the first stage and the second stage, with the leg. Confused or not confused? Skip C-PUNDAK: What are you confusing in your mind ... C-MOTI: In rotation. C-PUNDAK: Tell me, you did not keep up. C-MOTI: In Michael Jackson's turn. C-PUNDAK: What do you? C-MOTI: In Michael Jackson's turn. C-PUNDAK: In Michael Jackson's spin, you moron, I imitated Michael Jackson when I was 11 years old. C-MOTI: You had a boy band, didn't you? C-PUNDAK: What does that have to do with anything? C-MOTI: Tell me, what was the name of the boy band? C-PUNDAK: Somehow ... I do not know what he's talking about. C-MOTI: How, but what was its name? "Sweet Dreams"? C-PUNDAK: I do not know... C-MOTI: What was its name? In sixth or seventh grade they had a band called "Sweet Boys" or "Dream Boys", they would walk around the school, how embarrassed he was, look how embarrassed he was. You see? C-PUNDAK: I have just reached this stage that I am already completely tired of you. This is what will bring us down in the race. C-MOTI: Get up and go home. C-PUNDAK: How do I get home from here? C-MOTI: Please go home. C-PUNDAK: How will I go home? C-MOTI: I beg you to go home. C-PUNDAK: How do I get home from here? C-MOTI: Because then I'll be a man. You went home and I stayed. Skip C-ANAELLE: I'm really interested to see how the other men got on, because Akiva did really well. Skip C-OREN; The teacher there gave us some emphasis. C-ALON H.: Each time a different emphasis. Part one, this is not good. We went from part one, two, three, four, nothing. Not good. Skip ALON H.: We saw ... What is the name of the actress? OREN: Natalie Portman. Skip C-ALON H.: I started scratching like her name, in her devastating movie. C-OREN: We tried to connect her to us, to tell her Natalie Portman but did not interest her. C-ALON H.: Right. Nothing. Not good. Skip C-HEN: In the third attempt we passed and then we had to come and get the envelope from the great master with the ... with the sour face. Skip C-OREN: We really did it several times, she gave us something every time ... C-ALON H.: Nine times. Skip C-ALON H.: And in the end we passed. C-OREN: Yes. ALON AND HEN, CURRENTLY IN FIRST PLACE ALON AND OREN, CURRENTLY IN SECOND PLACE ALON H.: Route Info. ALON A.: Route Info. HEN: You must reach the town of Wieliczka. RON SHAHAR: Crews must now reach the town of Wieliczka, home to the world-famous salt mines. The mines are spread over 300 km of underground tunnels. Among the magnificent halls, statues, and salt-hewn walls, the next clue awaits them. Skip ALON A.: Come on Hen, go in. HEN: Wow, that was good, that was good. ALON A.: We flew it. HEN: But he, too, travels for me on spiced eggs. Tell him to go. Skip ALON H: He took a right. OREN; He took a right? ALON H.: Agh, what a driver. Skip C-MOTI: The ballet teacher, who did the exam for us at the end, was the old woman, not her, she looked at Idan, but the young woman knocked on her eyes, gave me the sensual look of the ... I told her ... and then she passed us. Skip MOTI: What a ballet dancer I am. PUNDAK AND MOTI, CURRENTLY IN THIRD PLACE ADELE: No? ADELE: Tom, remember mami, well. If only, if... Skip TOM AND ADELE, CURRENTLY IN LAST PLACE TOM: You have to get to the Prima Ballerina which is in the ballet studio. TOM: Where do you want? ADELE: Its name is Main Street. TOM: Her name? I think language. C-TOM: And no matter what, even if I feel like I'm last, or sixth or fifth I'm running and running and driving her crazy and yelling at me and I will not stop running until I reach my destination. TOM: Babe. ADELE; Come on, get in. TOM; How cute, Ya Allah. I'm busy confusing her mind about the madness and she's knocking me sprints. TOM: Every time I am re-excited by you, I feel like I am, with a kind of ... kind of god with me in the car. ALON AND HEN, CURRENTLY IN FIRST PLACE HEN: Roadblock. ALON A.: Roadblock. HEN: Who loves a sweet surprise? RON SHAHAR: A Roadblock is a task that only one team member can perform. Team members must evenly share the Roadblock missions, throughout the entire race. In the next checkpoint mission, a crew member will go on an Indiana Jones-style adventure. RON SHAHAR: The crew member must now descend hundreds of meters to the belly of the earth, where 300 km of salt walls are spread over the Wieliczka salt mines. In the first stage he will have to push a mining cart full of raw salt, through an ancient miners' tunnel, until he reaches the hall of the royal statue. Hidden inside the cart are some crystal crystals. Only one of them opens the statue's secret mechanism. But, the salt can not be dug with bare hands. To obtain gloves and a shovel, he will have to locate one sweet spot, in a large wall of salt, using only his sense of taste. Only after he has managed to dig and find the right crystal crystal will the mystery mechanism of the sculpture open and reveal the next clue. ALON A.: I'll do it. HEN: Remember. ALON A.: Come on, come on. ALON A.: Good. HEN: Well, you got it? ALON A.: What a pressure here, a waste of time. C-ALON A.: We arrived at the Roadblock mission, we are all like this ... C-HEN: In an atmosphere ... C-ALON A.: In a mine atmosphere. HEN: Mother. HEN: Alon what is this? ALON A.: Going down fast, so what to do? C-ALON A.: Insanely stressful, you're straight, the air changes, the wind changes, you're all stressed. Like in the movies you see there are mines you enter. ALON AND OREN, CURRENTLY IN SECOND PLACE ALON H.: Roadblock. PUNDAK AND MOTI, CURRENTLY IN THIRD PLACE MOTI: Who loves a sweet surprise? OREN: You'll do it. ALON H.: Sweet it is not. PUNDAK: Do you want me to do that? MOTI: You do it yourself. PUNDAK: Come on. MOTI: Buena dude we're coming down, lots and lots and lots and lots of meters underground. PUNDAK: God forbid. MOTI: What a chill. C-PUNDAK: Listen, it's scary to go down there ... C-MOTI: The truth was that it was very scary. MOTI: Fear of God. C-ALON H.: You realize you're going to go deep into the ground, to 150, 200 meters. OREN: You take it ... ALON H.: Who is stressed at all? OREN: Walk. C-ALON H.: I keep trying like that, to keep ... because it's, things like that make me stressed. PUNDAK: Wow, how stuffy it is down here. There are no such things. Skip C-PUNDAK: I'm also thinking straight about those ... Chilean miners, who did not ... C-MOTI: True, true, true. C-PUNDAK: He puts a helmet on you like that'll help. Now what do I do if it falls on us? C-MOTI: Think happy thoughts, you’ll become a celeb. The injured Israeli miners, the first and this, in a mine in ... C-PUNDAK: Being stuck with you for two weeks underground? Sorry, no. ALON H.: Come on Oren, Oren. C-PUNDAK: In general, I have an offer. He will go with Oren, Oren and Alon. C-MOTI: I have no problem. C-PUNDAK: I'll go with Alon. C-MOTI: Why do you want to be with Alon? Is it because Alon is gay? Is it because he sat on you in the game of chairs? Skip C-ALON H.: You’re running in tunnels like that, in salt mines. C-OREN: Then we are suddenly exposed to a huge hall. C-OREN; With hanging chandeliers, which is actually a church built by the miners to let them deal with the difficulties of the mine. Skip HEN: Wow what a place. C-HEN: Wow. It was breathtaking. Like, I was waiting a moment for Alon and me to be dressed in some ... in a waltz dress. C-ALON A.: In a tuxedo. C-HEN: And him in a tuxedo and a moment to dance some ... some dance there. C-OREN: It was just amazing. C-ALON H.: These are beautiful things, I did not believe that such a thing is in the depths of the earth. MOTI: Come on, start. Push, Idan, you can do it in a second. Come on, start pushing, move on. PUNDAK: Yoo ... how heavy it is. MOTI: Well done Idan, well done. MOTI: What a fear of God. HEN: Come on mami, get up for a jog maybe? ALON A.: No, Hen, it's insanely hard. HEN: Come on push, push, push, push mami push. C-ALON A.: There is a huge iron cart, as in the movies, on such rails, of those in blocks of salt. HEN: Come on push mami, push. ALON A.: Wait, wait, wait. C-ALON A.: I think this cart weighed at least half a ton. HEN: Take all your strength from your back and throw it on the ... on the cart. Excellent, excellent. OREN: Give momentum, give momentum. Give, give, give. Give!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! C-ALON H.: I started pushing, I gained speed, it, you're driving like that in a ditch, things are dark. C-OREN: Same as... C-ALON H.: Like in the movies. C-OREN: As it seems to be a mine. C-ALON H.: Feeling the ... feeling like suffocation, feeling something damp. You already understand that you are in the depths of this thing. MOTI: Here's the end, Idan, here's the end, well done. PUNDAK: Where's the wall ... here, come. MOTI: Forth. ALON A.: Listen, wait, salt, it's scratching your hands. Scratching fire, need the shovel. C-ALON A.: To get such a shovel, I have to lick, God help me. HEN: A salt wall. C-ALON A.: A salt wall. I have to lick the wall first to find the sweet spot, as soon as I find the spot I will get the shovel and then have to find the secret key inside the cart. C-ALON A.: A key I need to find, which opens a secret secret door. There will be our next hint. PUNDAK: Should I lick the whole wall? MOTI: Come on dude, it's a waste of time. PUNDAK: Wait, let's think strategically. MOTI: Do line by line, Idan, line by line. PUNDAK: Good. MOTI: Is it really salty? PUNDAK: Yes. PUNDAK: The question is whether they should be licked as well? MOTI: Yes, yes, Idan, lick everywhere. C-MOTI: You have to stand in front of a wall. MOTI: Finish the line to the end. PUNDAK: Was that it? MOTI: Yes. C-PUNDAK: I said, where did you hear. Am I licking a wall? C-MOTI: You like to lick walls. C-PUNDAK: When did I lick a wall? C-PUNDAK: I like to lick, not walls. C-ALON A.: Wall ... I know what, two meters high, what I'll start licking my tongue so small, all this wall too ... Where will I find it? Licking, licking, licking, licking, salty... MOTI: Is there anything sweet? PUNDAK: No longer do you know bro, after all this wall your sense of taste goes. PUNDAK: Oh. MOTI: Yes? PUNDAK: Wait. Skip ALON H.: How does it work? ALON A.: How does it work? Lick. OREN: Alon, systematic. ALON H.: Systematic, but first I ... suspicious points. C-ALON H.: Now I'm not like a straight jerk starts running, I took a step back, I searched, for where in the wall there is something different. C-OREN: Anomaly, something that is ... C-ALON H.: Something that is different, because ... and downstairs I saw something that is a little brighter, that is different from the wall. I pushed my tongue out. Skip OREN: What a genius this guy is. ALON H.: Come on, come on, come on. C-ALON H.: Would not say there was any taste of cremeschnitte, but there was ... a clear sweetness about the salt. OREN: If we're first out of here Alon, then we're kings. C-ALON H.: I came out first from this point. I made a sexy jump on the cart. ALON H.: Move, move! Ah, sorry. ALON H.: You’re blocking the light. Skip HEN; Come on Alon, go ahead, key. ALON A.: What am I looking for? Key, right? HEN: Key. C-ALON A.: First you need to take all the rocks out with your hands, and then start digging in the soft salt, to find the key buried inside. ALON H.: Everything is full of rocks and then the sand, in any case one must clear it. C-ALON H.: I started with a paw, emptying ... first layer was rocks like that, crystals and just below was ... something a little more sandy. OREN: Alon, you throw but without looking ... ALON H.: Take a look. You look down. A big key ... C-ALON H.: It was not clear to me what I was looking for. I was looking for a key. C-OREN: That is supposed to open some mechanism ... an ancient, old mechanism of some kind ... C-ALON H.: It was not clear to me like some key, it could be a small key, it could be a key ... like, I was not clear what I was looking for. Key. ALON A.?: Everything I throw out you will see if I miss and take out. ALON H.?: I have no more power in my hands. OSNAT: Onwards. CARMIT: Come on, come on.