HAMEROTZ LAMILLION 2 OPERA SHEET EPISODE 9 -

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RON SHAHAR: The crews are on their way to the Royal Ballet Studio in Krakow. Skip RON SHAHAR: Tom and Adele, who had to make a U-Turn, have not yet completed the second Detour mission. TOM: You’re strong mami. RON SHAHAR: Alon and Hen and Alon and Oren are currently approaching the next destination. Skip ALON H.: You must reach the Prima Ballerina located in the Opera Krakowska Ballet Studio. OREN: Tomasza 37. ALON H.: This one. OREN: Tomasza. C-ALON H.: I went on this adventure for this relationship, for connecting these brothers together and slowly I discover that it is possible to put it on the King's Road and it happens. I was skeptical, but it happens. Skip C-OREN: I thought about it tonight that I'm no longer used to not sleeping with Alon with me in the room. Because what is it already ... C-ALON H.: No, I'm already glad it's almost going to happen. It changes for me too fast. Oren is very practical, applied. ALON A.: Studio Ballet- HEN: Tomasza. ALON A.: Tomasza. HEN: Yes, Tomasza. C-HEN: This race is one big school for me and Aloni. At home we get along much less well. C-ALON A.: Get along much less well. ALON A.: Quick departure when we arrive. C-HEN: He just had a really hard time trusting me at first. Like how does it make sense for a woman now to do all these things? And I understand that, it's hard. HEN: What fun we had before everyone else, just to get there fast. C-HEN: But here there is nothing else to be done, he does but the effort is really getting better. Because at first, say, he did not believe he was giving me the map. Let me. trust me. I may be a woman but I have these abilities. MOTI: Taxi or on foot. What do you prefer? PUNDAK: Go on foot. MOTI: This is the direction we need Idan. Skip C-PUNDAK: We said well, ten minutes walk is five minutes run. C-MOTI: Five minutes run. C-MOTI: We put the bags down, tied ourselves up and started running like crazy because we knew we had Alon and Hen. ALON A.: Hen, here this is no.37. ALON AND HEN, CURRENTLY IN FIRST PLACE HEN: You must enter a ballet class during which you must learn a number of steps in the famous dance "Swan Lake". Huge. ALON A.: Fire! HEN: I'm dying for this. RON SHAHAR: Couples are now waiting for a personal experience in tutu skirts, pink shoes and pirouettes in the style of "Swan Lake". Ballet is considered the most popular dance style in Poland. Polish girls begin to study ballet at the age of four. The couples will now enter a ballet class during which they will have to learn a few steps from the famous dance “Swan Lake”. With the help of a serious Polish teacher they will have to memorize a combination of ballet movements- Arabesque. RON SHAHAR: And perform them to her satisfaction. Only after they have accurately performed the ballet steps will the studio director give them the next hint. ALON A.: Seriously. HEN: What seriously Aloni? ALON A.: How do I get into this? ALON A.: My god. I do not believe this. ALON A.: Shocking. HEN: Well, but you studied ballet babe. ALON A.: What, I need to get in too ... can’t be serious, well. C-HEN: For Alon it was very suitable. Especially the tights. Alon, in my opinion, straight to the cages in the "dom". C-ALON A.: It also increases my ... makes me have muscular legs. C-HEN: Absolutely, absolutely. HEN; You also have a tutu, do not worry. ALON A.: Alas what I look like. ALON AND OREN, CURRENTLY IN SECOND PLACE ALON H.: You must enter a ballet class during which you must learn ballet movements and perform them to the teacher's satisfaction. Come on go. Teacher! Skip C-HEN: When we entered the studio it was like really- C-ALON A.: Like in the movies. C-HEN: Like in a movie. With the railing and the mirrors and all those skinny little girls with the tutu and ... yo ... I felt like ... C-ALON A.: Like in the movies in short. Like in the movies. C-HEN: Like ... I felt like I was opening this music box and there's the ... that the girl is dancing in the middle with all the pink and pastoral. Skip C-HEN: And I suddenly ... got into the nostalgia of being a little girl and ballet classes. It's something I loved so much and suddenly now I had the opportunity to go back. ALON A.: Okay, Hen, come here. We'll have a place. Next to me. That's it. Skip C-HEN: At first the ballet teacher and her students taught us the combination of movements we had to perform there, in terms of standing and subtleties. Skip C-HEN: Plie, releve, how was it? Skip C-HEN: It was lovely. C-ALON A.: One, two… Skip C-ALON A.: I looked so dumb you had to and do those ... those long, long jumps with my legs. I'm all the ... all the kickboxing, the whole body it's all short movements and this ballet ... it’s just the opposite. C-HEN: It's length. C-ALON A.: It's a sequel, it requires continuation and I'm most not like that, I'm like little. Skip C-ALON A.: What pressure. Skip C-ALON A.: There's the ... Marquis de Sade, the Duchess, like this ... C-HEN: And I see Alon and he's sweating. C-ALON A.: What sweating. I’m dripping with water like this. This garment doesn’t breathe at all. And even so they, do not know, have not heard of air conditioners. Skip C-ALON A.: Hot ... to die. And they, they're all like they're out of a magazine. I'm just dripping water like that, everything's water. Skip C-ALON H.: We were required to study a ballet piece from "Swan Lake," with the tough teacher. C-OREN: With the tough teacher. C-ALON H.: Verdinia. C-OREN; She and more, in fact ... C-ALON H.: The whole fourth-year class. C-OREN: Yes. C-ALON H.: Of the Poles. C-OREN: Of the Poles of the Ballet Club, the Royal Ballet. Of the Royal Krakow. C-ALON H.: I know of Krakow. Skip ALON H.: It's on the face. Skip ADELE: No way. Skip C-ADELE: After two hours of trying to identify the song, we knew we were last and were in a state of despair. TOM: Come on. C-TOM: Listen, you tried very hard, no doubt you tried, I do not have ... C-ADELE: What I cried, I broke down, it's hard for me. C-TOM: She also had a section where she became a whiner, she in her life has not cried like she cries in this competition. ADELE: Don’t want… C-TOM: Every section of the race she cries for me. C-ADELE: You're a cheeky piece you know? C-TOM: No, you're crying like ... C-ADELE: Because it's hard for me, what, because it's hard for me, crazy, hard for me. ADELE: Don’t want. C-TOM: But why are you crying? C-ADELE: Because it's hard for me, because I'm a girl who cries when it's hard for me. INNA: Today we come fourth at least Bar, no matter what. BAR: Go. There. There, main road. INNA: Both of these Detour missions were horrible BAR: Just awful. INNA: And the buckets you put on your back, I can not believe. BAR: My back ... like INNA: Oh, mami. BAR: You do not understand. He collapsed on me. C-INNA: Whatever she goes through, I go through too. We are going through a difficulty here, we are going through a process here. This retouching that we go through from mission to mission, from country to country is enormous. INNA: Oh mami. BAR: I felt that I, I do not ... INNA: I felt how it hurt you. C-INNA: The more I believed in this relationship, the more I believe in it. Bar excites me. Really, she manages to excite me. INNA: Oh, my soul. Skip OSNAT: Here’s a taxi, come. CARMIT: Come on come on. OSNAT: Opera Krakowska. OSNAT: We lingered on nonsense. We could have gone out a long time before that. CARMIT: Okay, what to do? C-OSNAT: Ah ... we were hurt by each other. It was quite charged and at some point each of us took the injury somewhere else. CARMIT: Be in my place, talk. OSNAT: But I did not ask you to run to do tasks eh ... it ... CARMIT: And be healthy, not ... OSNAT: Physical tasks. CARMIT: But you can not decide. This is something that disgusts me. Maybe it's entertaining later I would eat, it's not. C-OSNAT: But it's hurt and hurt only by people who love. C-CARMIT: Right. Skip MOTI: 31, 33, come. Two more, two more. PUNDAK: Here. PUNDAK AND MOTI, CURRENTLY IN THIRD PLACE MOTI: You must enter a ballet class during which you must learn a number of steps in the famous dance "Swan Lake". ANAELLE: Here, here, hallelujah. Hello. ANAELLE AND AKIVA, CURRENTLY IN FOURTH PLACE ANAELLE: You must enter a ballet class. ANAELLE: What is this? I do not name such a thing Shoshi. AKIVA: Put on the clothes. C-AKIVA: Let me dress up with such funny clothes. ANAELLE: What is this thing Akivosh? C-AKIVA: It was funny the way it sat on me with the tassel, peeking at me from the ballet garment and the kippah on my head. ANAELLE: How funny you are. C-AKIVA: What a taut fabric. C-ANAELLE: You were really handsome, it was really right for you, you were really handsome. C-AKIVA: Thanks. C-ANAELLE: Akiva If he was not religious, he would be a model. As if physically he has all the data. ANAELLE: Come on, let's do this, chik chak. Skip PUNDAK: Treat the teacher well. C-PUNDAK: Moti terribly missed the waltz. He's the whole race talking about the waltz. C-MOTI: I walk and I walk only in the steps of waltz. C-PUNDAK: Wanted another chance to dance. Then he had a chance to dance ballet. Skip C-MOTI: When we started dancing we could not take our eyes off the dancers who were dancing with us. Skip C-MOTI: There was some beautiful girl like that, a little cousin like that. C-PUNDAK: No, she was thin, not looking good, Polish. Does not look good. C-MOTI: So, what, you’re Guy Geyor of the race, no? C-PUNDAK: Right. C-PUNDAK: I do not like ballerinas at all. They are too thin. C-MOTI: Just good. C-PUNDAK: They are muscular. Like Madonna. C-MOTI: Like Madonna. C-PUNDAK: Like Tal who was in the race. C-MOTI: What the fuck are you. Skip C-MOTI: How confused you were with the steps there like an idiot child. C-PUNDAK: Who? I was confused by the steps? C-MOTI: Yes! C-PUNDAK: Yes? C-MOTI: Between the first stage and the second stage, with the leg. Confused or not confused? Skip C-PUNDAK: What are you confusing in your mind ... C-MOTI: In rotation. C-PUNDAK: Tell me, you did not keep up. C-MOTI: In Michael Jackson's turn. C-PUNDAK: What do you? C-MOTI: In Michael Jackson's turn. C-PUNDAK: In Michael Jackson's spin, you moron, I imitated Michael Jackson when I was 11 years old. C-MOTI: You had a boy band, didn't you? C-PUNDAK: What does that have to do with anything? C-MOTI: Tell me, what was the name of the boy band? C-PUNDAK: Somehow ... I do not know what he's talking about. C-MOTI: How, but what was its name? "Sweet Dreams"? C-PUNDAK: I do not know... C-MOTI: What was its name? In sixth or seventh grade they had a band called "Sweet Boys" or "Dream Boys", they would walk around the school, how embarrassed he was, look how embarrassed he was. You see? C-PUNDAK: I have just reached this stage that I am already completely tired of you. This is what will bring us down in the race. C-MOTI: Get up and go home. C-PUNDAK: How do I get home from here? C-MOTI: Please go home. C-PUNDAK: How will I go home? C-MOTI: I beg you to go home. C-PUNDAK: How do I get home from here? C-MOTI: Because then I'll be a man. You went home and I stayed. Skip C-ANAELLE: I'm really interested to see how the other men got on, because Akiva did really well. Skip C-OREN; The teacher there gave us some emphasis. C-ALON H.: Each time a different emphasis. Part one, this is not good. We went from part one, two, three, four, nothing. Not good. Skip ALON H.: We saw ... What is the name of the actress? OREN: Natalie Portman. Skip C-ALON H.: I started scratching like her name, in her devastating movie. C-OREN: We tried to connect her to us, to tell her Natalie Portman but did not interest her. C-ALON H.: Right. Nothing. Not good. Skip C-HEN: In the third attempt we passed and then we had to come and get the envelope from the great master with the ... with the sour face. Skip C-OREN: We really did it several times, she gave us something every time ... C-ALON H.: Nine times. Skip C-ALON H.: And in the end we passed. C-OREN: Yes. ALON AND HEN, CURRENTLY IN FIRST PLACE ALON AND OREN, CURRENTLY IN SECOND PLACE ALON H.: Route Info. ALON A.: Route Info. HEN: You must reach the town of Wieliczka. RON SHAHAR: Crews must now reach the town of Wieliczka, home to the world-famous salt mines. The mines are spread over 300 km of underground tunnels. Among the magnificent halls, statues, and salt-hewn walls, the next clue awaits them. Skip ALON A.: Come on Hen, go in. HEN: Wow, that was good, that was good. ALON A.: We flew it. HEN: But he, too, travels for me on spiced eggs. Tell him to go. Skip ALON H: He took a right. OREN; He took a right? ALON H.: Agh, what a driver. Skip C-MOTI: The ballet teacher, who did the exam for us at the end, was the old woman, not her, she looked at Idan, but the young woman knocked on her eyes, gave me the sensual look of the ... I told her ... and then she passed us. Skip MOTI: What a ballet dancer I am. PUNDAK AND MOTI, CURRENTLY IN THIRD PLACE ADELE: No? ADELE: Tom, remember mami, well. If only, if… Skip TOM AND ADELE, CURRENTLY IN LAST PLACE TOM: You have to get to the Prima Ballerina which is in the ballet studio. TOM: Where do you want? ADELE: Its name is Main Street. TOM: Her name? I think language. C-TOM: And no matter what, even if I feel like I'm last, or sixth or fifth I'm running and running and driving her crazy and yelling at me and I will not stop running until I reach my destination. TOM: Babe. ADELE; Come on, get in. TOM; How cute, Ya Allah. I'm busy confusing her mind about the madness and she's knocking me sprints. TOM: Every time I am re-excited by you, I feel like I am, with a kind of ... kind of god with me in the car. ALON AND HEN, CURRENTLY IN FIRST PLACE HEN: Roadblock. ALON A.: Roadblock. HEN: Who loves a sweet surprise? RON SHAHAR: A Roadblock is a task that only one team member can perform. Team members must evenly share the Roadblock missions, throughout the entire race. In the next checkpoint mission, a crew member will go on an Indiana Jones-style adventure. RON SHAHAR: The crew member must now descend hundreds of meters to the belly of the earth, where 300 km of salt walls are spread over the Wieliczka salt mines. In the first stage he will have to push a mining cart full of raw salt, through an ancient miners' tunnel, until he reaches the hall of the royal statue. Hidden inside the cart are some crystal crystals. Only one of them opens the statue's secret mechanism. But, the salt can not be dug with bare hands. To obtain gloves and a shovel, he will have to locate one sweet spot, in a large wall of salt, using only his sense of taste. Only after he has managed to dig and find the right crystal crystal will the mystery mechanism of the sculpture open and reveal the next clue. ALON A.: I'll do it. HEN: Remember. ALON A.: Come on, come on. ALON A.: Good. HEN: Well, you got it? ALON A.: What a pressure here, a waste of time. C-ALON A.: We arrived at the Roadblock mission, we are all like this ... C-HEN: In an atmosphere ... C-ALON A.: In a mine atmosphere. HEN: Mother. HEN: Alon what is this? ALON A.: Going down fast, so what to do? C-ALON A.: Insanely stressful, you're straight, the air changes, the wind changes, you're all stressed. Like in the movies you see there are mines you enter. ALON AND OREN, CURRENTLY IN SECOND PLACE ALON H.: Roadblock. PUNDAK AND MOTI, CURRENTLY IN THIRD PLACE MOTI: Who loves a sweet surprise? OREN: You'll do it. ALON H.: Sweet it is not. PUNDAK: Do you want me to do that? MOTI: You do it yourself. PUNDAK: Come on. MOTI: Buena dude we're coming down, lots and lots and lots and lots of meters underground. PUNDAK: God forbid. MOTI: What a chill. C-PUNDAK: Listen, it's scary to go down there ... C-MOTI: The truth was that it was very scary. MOTI: Fear of God. C-ALON H.: You realize you're going to go deep into the ground, to 150, 200 meters. OREN: You take it ... ALON H.: Who is stressed at all? OREN: Walk. C-ALON H.: I keep trying like that, to keep ... because it's, things like that make me stressed. PUNDAK: Wow, how stuffy it is down here. There are no such things. Skip C-PUNDAK: I'm also thinking straight about those ... Chilean miners, who did not ... C-MOTI: True, true, true. C-PUNDAK: He puts a helmet on you like that'll help. Now what do I do if it falls on us? C-MOTI: Think happy thoughts, you’ll become a celeb. The injured Israeli miners, the first and this, in a mine in … C-PUNDAK: Being stuck with you for two weeks underground? Sorry, no. ALON H.: Come on Oren, Oren. C-PUNDAK: In general, I have an offer. He will go with Oren, Oren and Alon. C-MOTI: I have no problem. C-PUNDAK: I'll go with Alon. C-MOTI: Why do you want to be with Alon? Is it because Alon is gay? Is it because he sat on you in the game of chairs? Skip C-ALON H.: You’re running in tunnels like that, in salt mines. C-OREN: Then we are suddenly exposed to a huge hall. C-OREN; With hanging chandeliers, which is actually a church built by the miners to let them deal with the difficulties of the mine. Skip HEN: Wow what a place. C-HEN: Wow. It was breathtaking. Like, I was waiting a moment for Alon and me to be dressed in some ... in a waltz dress. C-ALON A.: In a tuxedo. C-HEN: And him in a tuxedo and a moment to dance some ... some dance there. C-OREN: It was just amazing. C-ALON H.: These are beautiful things, I did not believe that such a thing is in the depths of the earth. MOTI: Come on, start. Push, Idan, you can do it in a second. Come on, start pushing, move on. PUNDAK: Yoo ... how heavy it is. MOTI: Well done Idan, well done. MOTI: What a fear of God. HEN: Come on mami, get up for a jog maybe? ALON A.: No, Hen, it's insanely hard. HEN: Come on push, push, push, push mami push. C-ALON A.: There is a huge iron cart, as in the movies, on such rails, of those in blocks of salt. HEN: Come on push mami, push. ALON A.: Wait, wait, wait. C-ALON A.: I think this cart weighed at least half a ton. HEN: Take all your strength from your back and throw it on the ... on the cart. Excellent, excellent. OREN: Give momentum, give momentum. Give, give, give. Give!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! C-ALON H.: I started pushing, I gained speed, it, you're driving like that in a ditch, things are dark. C-OREN: Same as... C-ALON H.: Like in the movies. C-OREN: As it seems to be a mine. C-ALON H.: Feeling the ... feeling like suffocation, feeling something damp. You already understand that you are in the depths of this thing. MOTI: Here's the end, Idan, here's the end, well done. PUNDAK: Where's the wall ... here, come. MOTI: Forth. ALON A.: Listen, wait, salt, it's scratching your hands. Scratching fire, need the shovel. C-ALON A.: To get such a shovel, I have to lick, God help me. HEN: A salt wall. C-ALON A.: A salt wall. I have to lick the wall first to find the sweet spot, as soon as I find the spot I will get the shovel and then have to find the secret key inside the cart. C-ALON A.: A key I need to find, which opens a secret secret door. There will be our next hint. PUNDAK: Should I lick the whole wall? MOTI: Come on dude, it's a waste of time. PUNDAK: Wait, let's think strategically. MOTI: Do line by line, Idan, line by line. PUNDAK: Good. MOTI: Is it really salty? PUNDAK: Yes. PUNDAK: The question is whether they should be licked as well? MOTI: Yes, yes, Idan, lick everywhere. C-MOTI: You have to stand in front of a wall. MOTI: Finish the line to the end. PUNDAK: Was that it? MOTI: Yes. C-PUNDAK: I said, where did you hear. Am I licking a wall? C-MOTI: You like to lick walls. C-PUNDAK: When did I lick a wall? C-PUNDAK: I like to lick, not walls. C-ALON A.: Wall ... I know what, two meters high, what I'll start licking my tongue so small, all this wall too ... Where will I find it? Licking, licking, licking, licking, salty… MOTI: Is there anything sweet? PUNDAK: No longer do you know bro, after all this wall your sense of taste goes. PUNDAK: Oh. MOTI: Yes? PUNDAK: Wait. Skip ALON H.: How does it work? ALON A.: How does it work? Lick. OREN: Alon, systematic. ALON H.: Systematic, but first I ... suspicious points. C-ALON H.: Now I'm not like a straight jerk starts running, I took a step back, I searched, for where in the wall there is something different. C-OREN: Anomaly, something that is ... C-ALON H.: Something that is different, because ... and downstairs I saw something that is a little brighter, that is different from the wall. I pushed my tongue out. Skip OREN: What a genius this guy is. ALON H.: Come on, come on, come on. C-ALON H.: Would not say there was any taste of cremeschnitte, but there was ... a clear sweetness about the salt. OREN: If we're first out of here Alon, then we're kings. C-ALON H.: I came out first from this point. I made a sexy jump on the cart. ALON H.: Move, move! Ah, sorry. ALON H.: You’re blocking the light. Skip HEN; Come on Alon, go ahead, key. ALON A.: What am I looking for? Key, right? HEN: Key. C-ALON A.: First you need to take all the rocks out with your hands, and then start digging in the soft salt, to find the key buried inside. ALON H.: Everything is full of rocks and then the sand, in any case one must clear it. C-ALON H.: I started with a paw, emptying ... first layer was rocks like that, crystals and just below was ... something a little more sandy. OREN: Alon, you throw but without looking ... ALON H.: Take a look. You look down. A big key … C-ALON H.: It was not clear to me what I was looking for. I was looking for a key. C-OREN: That is supposed to open some mechanism ... an ancient, old mechanism of some kind … C-ALON H.: It was not clear to me like some key, it could be a small key, it could be a key ... like, I was not clear what I was looking for. Key. ALON A.?: Everything I throw out you will see if I miss and take out. ALON H.?: I have no more power in my hands. OSNAT: Onwards. CARMIT: Come on, come on. OSNAT: Onwards. Let's see where it is, though. OSNAT: Here, here. Here. OSNAT AND CARMIT, CURRENTLY IN FIFTH PLACE OSNAT: Route Info. You must enter a ballet class during which you must learn a number of steps in the famous dance "Swan Lake". God save us. It is funny. BAR: Inna, the bags. Wait, hey, hey. No, no. INNA: 37, come, come, come. Up, down, in place. C-ANAELLE: Akiva for sure did it better than me. C-AKIVA: Anaelle is a better dancer. C-ANAELLE: Akiva, you do not want to know what it would have looked like, Shoshi it would have looked ... C-AKIVA: I saw you, I did not see myself, I saw you. C-ANAELLE: There are no such husbands, no matter what I do, if I am with this leg he will still say I do ... C-AKIVA: What, you danced more beautifully than I did. C-ANAELLE: Shoshi, it would have shown ... it would have looked shocking. C-AKIVA: You have graceful movements. C-ANAELLE: But I did not make it graceful. ANAELLE: Pisuk, pisuk and finish nicely. Skip ANAELLE AND AKIVA, CURRENTLY IN FOURTH PLACE ANAELLE: Come on, come on. AKIVA: Here, a taxi. Skip BAR AND INNA, CURRENTLY IN SIXTH PLACE BAR: You must enter a ballet class. OSNAT: So let's dance tonight, tonight Skip C-OSNAT: Standing hands to the sides and rotations on one leg, on tip of toes. C-CARMIT: Stand on tiptoe, fold one leg. C-OSNAT: With our weight it is difficult for us to hover lightly. Skip C-INNA: We got to class, we see the Yemenites in ballerina clothes. Skip C-INNA: Trying to spread their wings and make … Skip C-INNA: Well, we're trying to get past them, we and Bar can be better at ... we have an advantage in ballet. And we are thinner than them so it is possible to dance there better. Skip C-BAR: I have a serious problem in my head, I can not remember steps, that is, if they tell me right now, left, left, right, one, two, that, I can not remember. I know what is right, left, I know the ballet movements, but remembering a sequence does not go to me. Skip C-BAR: It must be crossed legs, must. Skip CARMIT: What a cutie. Skip CARMIT: Show them slowly, Ossie. OSNAT: And fly from here to the top, hoppa. Skip C-CARMIT: So the ballet teacher ... C-OSNAT: Danced with us. C-CARMIT: Stood up simply and showed us that she too knows how to give the movements. OSNAT AND CARMIT, CURRENTLY IN FIFTH PLACE Skip BAR AND INNA, CURRENTLY IN SIXTH PLACE ANAELLE AND AKIVA, CURRENTLY IN FOURTH PLACE ANAELLE: Roadblock. AKIVA: Who loves a sweet surprise? I do it? ANAELLE: No, but like I'm scared. AKIVA: So I'll do it. ANAELLE: No, I'll do, what to do? AKIVA: You do. C-ANAELLE: We got to the mission and opened it and saw that it was a Roadblock. AKIVA: You must descend underground into the heart of the salt mines that stretch for two hundred miles. C-ANAELLE: As soon as Akiva started reading what it was going to be, I at this point did not stop feeling sensations in my hands, feet. C-ANAELLE: I started to get very anxious ... it's simple, it's impossible to understand. AKIVA: You don’t like Poland anymore now, do you? I should’ve taken it, eh? AKIVA: Come. C-ANAELLE: Poland brings me a murder of our people, Poland, no matter how beautiful it will be and how much it is a chart and how good people are in it and no matter how amazing it will be, to me it is cursed. ANAELLE: I'm dead scared. C-ANAELLE: The murder of our people was done in this land, we don't even understand what it is ten people let alone to even understand what six million is, we have no chance of understanding and being close to it ever. So for me it's... these stones, they speak for themselves. ANAELLE: I have a deep fear, what a fear. C-ANAELLE: I went into panic there, into insane anxiety, I in my life I have not been in this situation, in my life I have not been in a situation that I am not in control of myself. ALON A.?: What size key? HEN: That is the question, what size key. OREN: Wait, wait, need, what is it? Wait, wait. Skip C-ALON H.: Suddenly I saw such a hexagon, such a hexagon key. OREN: Alon, Alon, come here, come. C-OREN: From my experience with Indiana Jones and movies I've seen, it's clear to me that it's an ancient mechanism, that it's probably something like that. ALON H.: Here, this is it. OREN: Yes, give it a try. ALON H.: How is it, to the end, Oren, should I push it? OREN: Try to push to the end. Entered? OREN: Hoppa, king! ALON H.: My brother, my brother! C-OREN: Really like Indiana Jones. C-ALON H.: Opens like this slowly. C-OREN: Slowly rising. C-ALON H.: With light and as if ... C-OREN: Such smoke. C-ALON H.: A cloud of ... smoke of cold. Come on, come on. C-ALON H.: I was happy, it really upgraded my feeling that here, I am capable and did it and even from third place. C-OREN: We are at this stage first. C-ALON H.: We are in the first place. ALON AND OREN, CURRENTLY IN FIRST PLACE ALON H.: You have to get to Guchoska Street in Krakow, here you have to collect as the article of the song, "A Thousand Kisses". RON SHAHAR: The crews now have a difficult task, to conquer the hearts of Poles. They must now return to the streets of Krakow's main square, here they will have to collect as the song goes, "A Thousand Kisses". RON SHAHAR: The couple must now hunt down 50 Poles on the street who will agree to give them a kiss or even two. While one of the couple wins a kiss the other partner will photograph the event using their tablet device. Only couples who collect 50 kisses will be able to get the next hint. Skip ALON H.: Come on, come on, Oren. How I am happy. C-ALON H.: We know we're out of this mine in the first position. ALON H.: No, we give blood, as if brotherly blood, brotherly blood. C-ALON H.: Going upstairs, opening the door: Taxi!!!!!!!!!!!!!!! Skip ALON H.: Open the window a little, I'm hot. From below... 400 miles underground. OREN: Okay. Where did Akiva go? ALON H.: Do not know where he disappeared. AKIVA: Also that I will go into the valley of the shadow of death, I will not fear evil because you stand C-ANAELLE: I start pushing this cart and I see it's really heavy, I tried to calm myself down and say to myself, you can, you can, you can, you can. AKIVA: Set a table before me. Set a table before me. Set a table before me against my enemies C-ANAELLE: When I sing to myself it always terribly encourages me, it terribly strengthens me, it makes me when it feels good in the heart. And Akiva sings with me and also the knowledge that all the time Akiva pushes me and tells me that I can and is capable. AKIVA: Don’t cry, don’t cry, sweetie. Look how beautiful it is here. MOTI: In my opinion it should be somewhere maybe around here in it. C-PUNDAK: You are already losing taste because everything is salty for you. You are already, my tongue feels only salt. So I lick the sugar and I do not look ... and I licked sugar but you are not sure because you are all salty. Skip MOTI?: Like Indiani I want to see you there. HEN: Come on, Aloni, come on, my mami. PUNDAK: Are you looking at what I'm throwing on the floor? MOTI: I'm looking, you'll throw. C-ALON A.: She thinks a crystal is a key, I'm supposed to look for a key, I imagine a key with teeth, with a handle, a key. Skip C-ALON A.: I also found such a key, I was happy, I almost jumped to the ceiling. ALON A.: Hen, it does not fit, why? C-ALON A.: I flew to the wall, it did not open, it did not enter. ALON A.: Why did it not open? C-ALON A.: Going back one more time, start searching, there is probably more than one key. HEN: You will find one more like this. Skip MOTI: Not terrible, not terrible. ALON AND HEN, CURRENTLY IN SECOND PLACE ALON A.: Okay. HEN: You have to get to Guchoska Street in Krakow, here you have to collect as they say in the song "A Thousand Kisses". HEN: Come on, mami. TOM AND ADELE, CURRENTLY IN LAST PLACE TOM: Only after you have accurately performed the ballet steps will the Polish teacher give you the following hint. Skip C?-ADELE: We really were last and we were ... everyone else was probably a gap above us. TOM: We're at our peak, mami, what do you have? Motherfucking handsome. C-TOM: My life, all in your head, leave you. All in your head. C-ADELE: This shortcut was very very difficult for me to get through. C-TOM: I have a member of the group, he taught me this great sentence, all in my head. C-ADELE: Pshhh ... what a clever sentence. Pshhh ... well done to him. Skip C-ADELE; Exactly what it was that suited him, pink and tutu, he was what it's cute. C-TOM: But for sure, I'm not a sucker student. C-ADELE: Yes and really, he really tried, really was like a teacher's soldier, really learned, tried, hands, it, everything. Skip TOM: Adele, I want to dedicate a song to you if I'm already here with the piano. ADELE: No, not now, Tom! C-ADELE: Then he suddenly decided he was playing me a song, suddenly, in the middle of the competition, in the middle of a frenzy he was playing me a song on the piano. C-TOM: I saw the piano, I'm sick of the piano, I've been playing the piano for 12 years. I knocked her some small one like this, "My beautiful, I'll keep all the words of love in the movie" ADELE: We're last, do you understand that? TOM: Fine, fine, sorry, sorry, sorry. ADELE: Enough. Skip TOM: That’s it? ADELE: She said, the lady, she told me I was very good. TOM: Okay, look it's not normal, I'm doing the best I can. ADELE: For the first jump look at me. TOM: What first jump? Tell me, what am I a ballet dancer? I do not even know what jump I am in. Skip C-TOM: Really dancing is our field, it's more true, I flow with it. Skip TOM AND ADELE, CURRENTLY IN LAST PLACE Skip ALON AND OREN, CURRENTLY IN FIRST PLACE OREN: Do not run in hysteria, do not attack them, Alon, wait. Skip ALON H.: Here, here. Skip C-OREN: The task we were given was to locate 50 Polish women who would alternately kiss me or Alon. Skip C-ALON H.: I know I'm charismatic, that I can connect people to such tasks, that's my strong point. How hard? Like people see a team with a smile? Sure like, what, a few minutes and I'm finishing it. C-OREN: I also did not think there was any problem with that. OREN: Wait, but you're attacking. ALON H.: Yes. Skip ALON H.: How these Poles are cold. C-ALON H. At ten-thirty at night, you all stink from a hard day, full of tasks. Skip C-ALON H.: Falling on Polish and you need to explain to her that you need her to kiss you. Skip ALON H.: Go home. Okay, go home…freak. OSNAT AND CARMIT, CURRENTLY IN FIFTH PLACE OSNAT: Roadblock. BAR AND INNA, CURRENTLY IN SIXTH PLACE INNA: Barbie. INNA: The Yemenites. OSNAT: Who loves a sweet surprise? INNA: Come on, I'll do it. OSNAT: I’ll do. OSNAT: We’re being buried alive. BAR: Do not be afraid, my soul. OSNAT: Carmit, come. CARMIT: I have come. OSNAT: Come on. BAR: Run, run, run. OSNAT: Wow, how beautiful, what, is it all salt? CARMIT: Cannot be. OSNAT: Wow, look how beautiful. C-CARMIT: Not believing what we saw there from the salt. Salt lusters, statues, figures of people. C-OSNAT: Actually a city. C-CARMIT: Everything is salt, it's unbelievable. C-OSNAT: An underground city. OSNAT: It's really reminiscent of the Dead Sea, eh? CARMIT: Right. OSNAT: If I'll dump you, you're floating. Wanna try? CARMIT: No, no thank you. OSNAT: Let's throw you out and see if you float. AKIVA: Shosha, Shosha, you're a real heroine, you're really overcoming, well done. Here, here, here, look. Well done. AKIVA: Do it right, in a systematic way. AKIVA: Did you find it? ANAELLE: Here? OSNAT: You're on your own. (?????) BAR: Beautiful, beautiful, my soul, beautiful. INNA: I'm accelerating, I have to finish this task fast. BAR: I know, my mami, I know. OSNAT: Here you need to lick? CARMIT: That's right, my darling. CARMIT: So this is it, beautiful, if it's sweet then this is it, yes, this is it. OSNAT: It’s not sweet. AKIVA: Found it? ANAELLE: It’s terribly confusing. OSNAT: Wow, how it burns in the mouth. BAR: Inna, available. Only with the tongue. C-BAR: Inna, very very very very tidy and pedantic and everything works very, very terribly at a pace and everything is very, very, very tidy. She has the most hysterical qualities in the world for coming into a mission, doing it on the best side and getting into rab rabak as if, no, that's what it is. AKIVA: She loves salt. ANAELLE: Not true. AKIVA: No? C-OSNAT: I thought I had to lick, lick until I get into a sweet spot inside the wall. BAR: Cookie, how do you like sweet, you died for sweet, you have to recognize him. Try places you never thought possible. C-INNA: Another lick and another lick and another lick and go all over the wall. C-BAR: And she is not resting, I look at her and she smiles at me. C-INNA: And the taste does not come. ANAELLE: Here? AKIVA: Well done. How great you are, Shosha. OSNAT: Here. CARMIT: Here, over here. OSNAT: Come on, Carmit, come on. BAR: I wish, I wish, I wish. C-INNA: I do not know if we sound like some fanaticism as if we are this and we are this and praise ourselves and it is not expressed. But I was really ashamed. Also in the wall I stand and they all succeed and with all due respect to Anaelle and with all due respect to Mizrahi or Mazalot or whatever it is, I am better and I do not leave. OSNAT: Mori Hasson enlisted in the army where they received … Skip MOTI: Forwards, the Yemenites arrived. PUNDAK: Be calm, I do the fastest I know. MOTI: I'm calm, I'm just saying. OSNAT: On the first day ... life is beautiful. PUNDAK: Where is he, lock up his mother. How can it be? Skip AKIVA: Shosha, you're kidding ... you can not see with your eyes, it's Kill Bill I know, it's Kill Bill. ANAELLE: It's beautiful. AKIVA: It's beautiful, starting to enjoy? ANAELLE: No, but it looks like diamonds. I love diamonds, Shoshi. AKIVA: You love diamonds, what a woman. C-MOTI: The cart was empty, Idan remained in the cart, the key and that's it. C-PUNDAK: I started to think there was a mistake, maybe this cart did not have a name, I was already frustrated, I took it out, I threw it at everyone there. We were done. And we see the Yemenites. C-MOTI: And Akiva and Anaelle. ANAELLE: The name will have mercy on me. C-PUNDAK: And Anhal says, Gd will have mercy, Gd will keep. C-MOTI: Shoshi, Shoshi, what am I doing ... Shoshi, yoo. ANAELLE: Shoshi, I do this so that they will see that I am a hero. AKIVA: Everyone sees. ANAELLE: I'm a heroine, Shoshi, there are not many women like me. ANAELLE: I always sing when I'm scared. OSNAT: Sing but a song I know, not a song I do not know. ANAELLE AND OSNAT: Do not confuse him Do not make him an account Confuse him ... OSNAT: Here. CARMIT: Run, run, slowly, slowly. Slowly. CARMIT: Gently and move some of the drawer. CARMIT: Move away a little, that's it, move away. Yes! CARMIT: Do not approach, Ossie. OSNAT: What don’t approach? I need to take it. CARMIT: Oh, sorry, I thought it was fire. OSNAT AND CARMIT, CURRENTLY IN THIRD PLACE A thousand kisses to you my love, a thousand kisses and kisses .. PUNDAK: Here, here, here. MOTI: Yes, yes. C-MOTI: We found the key. C-PUNDAK: Indiana Jones. C-MOTI: We ran towards the wall, put the key inside, the drawer opened, smoke. C-PUNDAK: Light came out, light and smoke. MOTI: King! PUNDAK: Within 15 seconds it closes. Take, take, take. MOTI: Yes, yes, yes. PUNDAK AND MOTI, CURRENTLY IN FOURTH PLACE ALON A.: Hearts Square, Hen. HEN: Here, it's here mami, no? Skip C-HEN: At first we thought, wow, wow, wow, getting a kiss and heat out of Poland, it's harder than getting all the lumps of salt out of the cart. Skip C-ALON A.: It seems to me women, not just men, see Hen. Listen, you can not, you do not stand in ... you see her beauty, you see the grace she has. (Hen means grace) HEN: Thank you very much. Skip ALON H.: Yoo, this is difficult. ALON H.: How many have you got? OREN: Not much, bro. ALON H.: Yoo, this is going to be a murder. Skip C-ALON H.: Suddenly I see some 12 girls with a different mood of Polishness, I must, with the joy of life. Skip ALON H.: : You now to her. Skip C-ALON H.: We took, like, 12 pictures in there, you were happy. Skip C-ALON H.: Suddenly I ask them, where are you from? Skip Spain, Spain. Oh, they are from Spain. C-ALON H.: The mission says only Polish. C-ALON H.: We deleted the 12 photos, thanked them, took pictures together, Viva Espana. C-ALON H.: We kept looking for cold Poles. BAR: Try there, Inna. INNA: Where? BAR: Look, just do not be stressed. Left, as if you were moving from there in a downward direction. INNA: I did it twice. BAR: That and try in the gaps. BAR; No, I so want you to succeed, Mami. INNA: How is it possible I can not find it. BAR: I do not know, my mami, I do not know. INNA: Yoo, I'll soon collapse from this. C-INNA: And I stop for a moment on this sloping wall and I say to myself, Ya Allah, where is the wisdom? Where is the logic? Where is the patience? Where is everything you know to do so well? Where? INNA: I'm already burnt tongue, I can not get to .... well. C-INNA: It did not taste as salty as it was salt that burned and was eaten just like thorns, tiny tiny little stings ... on the whole tongue, starting to end. Small and you feel nothing, no taste. And I know I can not feel this sweet, I know. Do you want to like break the wall and walk away, why, why should we stay there? BAR: The whole section he is in ... INNA: Bar, do not try to find it with your eyes. BAR: I'm not trying. BAR: Okay, keep going. INNA: Do not refer to what ... BAR: I'm not interfering, okay, I'm not interfering with you anymore. INNA: No, it's not a matter of interfering, you can intervene as if to ... it's nonsense. BAR: Go there. INNA: What’s wrong? BAR: Nothing. INNA: What, you do not know I'm strong? BAR: I know, keep going, Inna, keep going. Enough, enough, will pass me by. Go on, Cox, go on, mami, go on. Will pass me, it will pass me soon. INNA: What's up with you? BAR: Really, it will pass me by soon. BAR: I just know how much it is ... how much you want to move up and up the next step, another step and another step and how important it is. And I see you torturing like that and I can not help you even look for it. INNA: Yes, you also want to work step by step, no? BAR: Not all kam... BAR: Keep going. INNA: Crazy, stop crying. C-BAR: The pressure on me led to a situation where I did not know how to proceed at all. For the first time in the game I felt like I was falling apart, I was breaking a vessel. I'm so sensitive to her, it was not the task as I cared that it was not so important to her and she thought she was disappointing me, it finished me off. INNA: You must stop crying. BAR: Just, I'm like that just because I'm stressed. INNA: From what? BAR: From you. INNA: What are you under pressure from me? BAR: Because I'm under pressure. INNA: From what? C-BAR: After all, you are not here, you are not here who will sing you except your partner. And if Inna had not been here, if I had done it with someone else, I believe I have been home for a long time, I would not have been able to get through it. Mentally... C-INNA: Same. C-BAR: There is no person who collects me, just like a back belt collects your back and a neck belt arranges you, this is Inna for me. She picks me up, I get into situations in the shower I sit, I take a shower, I with the water on me and Inna sits next to me, she looks at me, she tells me, Barbie, everything is fine, don't worry, she looks at me like this and she comes down to me like this and tells me, everything Okay, don't worry. She storms me to levels that I kind of do not know how I would have managed to get through without her at all. And it's not at the level of how advanced the game is, it's at a level that I do not know how I would have gone through this mental turtle if Inna had not been like that with me. BAR: Go ahead, look, do you see all the markings on the wall? They are all shorter than the average person. you see? Low, low, low, everything is low. I mean taller than you it can not be. C-BAR: And I adore her for this ability that I see her collecting herself and collecting me too. And I'm like, it's a face that I and I have not yet encountered. Me and Inna never had the need to pick each other up, we were both strong girls out there. ANAELLE: In the end, I do not worry, in the end I will find it, you will see. I'll be very proud of myself, right, Shoshi? AKIVA: Really. ANAELLE: Good, I found it, yes, forwards. C-ANAELLE: Once I found the key and reached this stage I find and still knew we were among the last and everything, I just did not think of anything I was just happy and satisfied with myself and proud of myself that I overcame this fear and just felt that the Blessed One was with me, that he always accompanies me in my hardest feelings and he's my best friend. ANAELLE: Wow, how cool. AKIVA: Take the hint, take the hint. ANAELLE AND AKIVA, CURRENTLY IN FIFTH PLACE AKIVA: Well done. Skip TOM: Let's fight, my life, let's. TOM: Hear, O Israel, the Lord our God, one Lord. I need you now more than ever. C-TOM: Blessed is he, I love him very much, very much connected to him. C-ADELE: We really like him. C-TOM: With the help of the name, with the help of the name that will bring us as far up as possible. I wish. TOM: It's my time now, I owe you. Owe you, I want to win here. C-TOM: Sometimes you're in a situation where all the riches in the world can not help you, all you have left is up there and the prayers, so you feel it fills you and you also see that it really helps, that it's not just. TOM: Give Adele and me powers together, who go into a frenzy together already the mission begins, with the help of the name. Skip ADELE: No, we’re last. We have to finish as soon as possible. TOM AND ADELE, CURRENTLY IN LAST PLACE TOM: Who loves a sweet surprise? TOM: I am doing it? ADELE: Yes. Skip C-OSNAT: We are already imagining the Polish women who ... are not ready for us to kiss them and we have decided that we will attack them. Skip CARMIT: Hug, hug. C-CARMIT: We startled them with our "hello", did not understand what we wanted. C-OSNAT: We run to them in hysteria. Skip OSNAT: If it was men, it would go faster. OREN: Start filming! Skip ALON H.: Here, here are three up ahead. OREN: Wait, we need … ALON H.: Come, come. C-ALON H.: We went oh report, oh report. (onomatopoeia) Skip C-ALON H.: We did over 90 briefings. In such tasks it is better to brief as little as possible.