RON SHAHAR: Eleven Israeli couples went to the biggest TV game in the world. Six of them remain in the race. COMING UP…. RON SHAHAR: Tonight on "HaMerotz LaMillion”, our couples will cross the continent and arrive in Beijing, the capital of China. Skip RON SHAHAR: Here they will begin their long-awaited journey towards the seventh end point of the race. INTRO BAR AND INNA, DEPARTING IN FIRST PLACE BAR: Fly to Beijing, the capital of China. RON SHAHAR: The crews must now leave Europe and fly on two different flights from Prague, the Czech capital, a distance of 7,500 kilometres to Beijing, China. RON SHAHAR: On the way they will have to go through the Issta counter, the official airline of the race, to get their tickets. When they land, they will have to reach the Olympic Village of Beijing, where they will become full members of China's Olympic gymnastics team. ALON AND OREN, DEPARTING IN SECOND PLACE Skip OSNAT AND CARMIT, DEPARTING IN THIRD PLACE OSNAT: Floor gymnastics, in your mother? INNA: Beijing, huh? BAR: Yeah, Beijing. INNA: You can't believe how much I wanted China. Skip ALON H.: Come on, to Issta's stand. Skip SPONSOR BREAK PUNDAK AND MOTI, DEPARTING IN FOURTH PLACE MOTI: Fly to Beijing, China’s capital. ANAELLE AND AKIVA, DEPARTING IN FIFTH PLACE ANAELLE: Fly to Beijing! AKIVA: To Beijing! TOM AND ADELE, DEPARTING IN LAST PLACE ADELE: Beijing, China’s capital. RON SHAHAR: The first flight lands in Beijing with Bar and Inna, Oren and Alon, and Ossie and Carmit on board. Skip C-BAR: We are in first place. We were underground from the beginning, no one believed in us, everyone laughed at us. The Yemenis call us Paris and Hilton, they do not even know what they are talking about. C-BAR: Like that's how we got on from the beginning, like what, they do not have much to offer, episode 2 max, that’s it, they’ll do their thing and then go home. We came here and were left with the fire inside and the flame burning. C-INNA: I had a really good expectation from China, this place intrigued me, it is different from Asia, it is different from Europe, it is a different mentality and it terribly intrigued me and I really wanted, I was very excited about this place. ALON: Ya Allah. ALON: A billion Chinese, it's not just, you know what number it is? All malls, the biggest brands in the world. OREN: The thought of how to manage such an amount of people, take care of educating, take care of collecting taxes. ALON: Power. OREN: Really insane power. OSNAT: We're in China, we're revealing A little Chinese went to the garden. C-OSNAT: I had very strong pains in my hand, and they put on a cast. But I said to Carmit, I do not care about anything, whether it is with the plaster or without the plaster, I continue ahead in the race. BAR: Yoo, how slow, he's driving at 40. What's the way of telling him to drive fast? Skip BAR: Mother, how hard, wow. INNA: Look, she's also going before us in the car. BAR: No, there are no such things. Skip ALON: I'm willing to take him for a thousand dollars for the whole time we're in Beijing. I would connect him to a car, to a cab. ALON: What a nice campus. 15 times Hebrew. OREN: Tel Aviv University. ALON: One hundred basketball courts, one hundred football fields. Skip ALON AND OREN, CURRENTLY IN FIRST PLACE ALON: Welcome to China! You must become temporary members of China's Olympic team in gymnastics. RON SHAHAR: The teams must now become temporary members of China's Olympic gymnastics team. This team won China a record number of gold medals at the World Championships and the Olympics. The couple will now have to perform a gymnastic exercise that they will choose from one of three different devices. Ground, beam and parallel bars. The couple will have to meet strict Olympic criteria, of accuracy in performing and the cleanness of the exercise. Only after the Chinese coaching staff approve the performance of the exercise will they get the next hint and a surprise. C-ALON: We put on the team uniform, our testicles sat here and we walked proudly towards the beam. ALON: Look at the beam. C-ALON: There were three instruments, there is the beam, the art with the ribbons and the parallels. OREN: Let's do the beam. OREN: Six, seven, eight. Kneeling, rotation. And one, two, three. C-ALON: Two graduates of Omar's ground gymnastics class so we said the best would be to just walk on the beam. Seems most applicable, most manageable, stable, focused. ALON: Well, start already. OREN: One. Two. ALON: Look how you look like, you look like you’re stuck. OREN: Five, six. C-OREN: I have a gymnastics movement… C-ALON: Correct. C-OREN: I also have such a body. C-ALON: Chinese stuck, that's what you got. OREN: Eight. ALON: Kneel and rotate. C-OREN: Although we have excellent technique, everything related to flexibility is difficult for us. Stand on the beam and make a turn, it's not something natural, you have to remember, ten centimeters is the beam width. OSNAT: Here is the stadium where there was the Olympics. OSNAT AND CARMIT, CURRENTLY IN SECOND PLACE OSNAT: You must become temporary members of China's Olympic team in gymnastics. OSNAT: How are you studs, babe, in red. Oren and Alon. How beautiful you are in red, wow. OSNAT: Two… OSNAT; Sure, baby. Sure I’m doing that. OSNAT: No, I'm jumping to replace a lamp. OSNAT: In your mother, first of all I will go up. CARMIT: Really, me. OSNAT: What to do. CARMIT: An excellent athlete. OSNAT: Only I will stand. CARMIT: Okay. OSNAT: Okay, my legs are shaking, that's what I know. C-OSNAT: I was very hard on the beam because I have no balance, I have the cast in hand, the pains. OSNAT: Carmit, we'll open a seniors’ class on a beam. Skip ALON: Beautiful. Great. Three steps, jump. ALON: One, two, turn to me and raise your hands. OREN: Three. Skip C-ALON: I also saw that he took your name down, the Chinese coach. C-OREN: Yes. C-ALON: Asked you to stay. C-OREN: He wants me to stay on the team. I, because of the flexibility, seem to have heard that did this to him. It's the flexibility. C-ALON: No, because of the tights. Skip OSNAT: Not bad, break my back, neck. CARMIT: The muscle is stretched. OSNAT: Well, in your mother. CARMIT: In my mother, my muscle was stretched. OSNAT: Come on okay, come on. CARMIT: What, I'd lie to you? C-OSNAT: She could not go up with the leg, I could not go up with the hand. CARMIT: Wait, let me ... I'm dizzy. C-CARMIT: When I got up I saw that I was losing my balance, something was wrong with me there. And I look like Nadia Comaneci. CARMIT: Like this? OSNAT: To me, turn around to me. C-CARMIT: Dancers on the... C-OSNAT: Yeah, really something else. C-CARMIT: And what acrobats we were. C-OSNAT: Yes. CARMIT: Enough, Ossie! OSNAT: What do you want from me? CARMIT: I'm gonna fall, come on, well. OSNAT: What do you want from me, me? CARMIT: One, two. Skip BAR: Here, the National Training Centre Complex, exactly what was written for us. BAR AND INNA, CURRENTLY IN THIRD PLACE BAR: Welcome to China, you must become a temporary member of the Chinese Olympic team in gymnastics. C-BAR: Arriving at the Olympics mission in China, we decided that we would choose the ribbons. C-INNA: I practised as a child and if I had the option to go back and practice in this field, I would be very happy to do it. BAR: Okay. INNA: Okay, I got it. She started like this. BAR: She did it that way. Yes. Right. And then like this. And then she left. Skip BAR: Then she passes it through ... wait. Shit. No, I've already forgotten how she did it. INNA: Look, look at me for a moment. BAR: Well. INNA: One, okay? Small. C-BAR: Inna terribly got into it and I was just like such a poor kid, trying to keep track of the movements. Coordination and I do not go together in any way. I can move the body a thousand and one times but remembering the movements, what to do, I will not remember. INNA: One like that and then she did one like that, here. Skip RON SHAHAR: The second flight lands in Beijing with Moti and Idan, Akiva and Anaelle and Tom and Adele on board. Skip MOTI: Idan, come. Come on, go, Idan. Skip MOTI: How fun, we're in China! PUNDAK: How did we get around the line, eh? Well done to you, first time you did something normal. MOTI: Your sister the first time. PUNDAK: You must wean from this sister of yours, you must wean from this, you will come out such a bastard. AKIVA: Anaellosh, come. Skip ANAELLE: Where is he? AKIVA: Here, here, stopping, stopping for you. ANAELLE: Okay. Skip AKIVA: It's amazing, I did not think I would get here. ANAELLE: Wow, wow, look Shoshi, what is this? How many people live here? AKIVA: A billion. C-ANAELLE: We've never been to China, it's like being on the other side of the world. C-AKIVA: Right. We finished at the peak of Eastern Europe. C-ANAELLE: Truly. C-AKIVA: And we have reached the peak of the East. AKIVA: Our goal in China is to soften the Chinese. The Chinese will speak love and shed tears. Skip ADELE: How they brought us to China, God forbid. What are we going to do here with all these letters? To write one letter takes an hour. TOM: Every destination I go through I feel more and more intelligent ... with my English, I thought I had no idea, I'm telling you, I feel smart. Skip ADELE: You speak some language outside China? ADELE: You speak at all? Skip Stop driving me crazy already. TOM: Hear Israel. ALON: Yoo, it's hard. OREN: Keep arms outstretched to the sides. Beautiful, start turning, no shows now. Skip OREN: A small step forward and once again kneeling and turning. Beautiful, good. Very good. Two more steps. C-OREN: To advance the task then I gave him all sorts of such emphases, go down now, go back, go more, a little directing Alon to the movements. C-ALON: His tips from his ten years of performing arts when he was a teenager. OREN: Three more steps and turn to us, a nice strong stretch to the sides, like this. Beautiful. C-ALON: So I did like that. Skip ALON AND OREN, CURRENTLY IN FIRST PLACE ALON: Oren Harel, Alon. Thank you very much sir. ALON: You must walk with the Chinese high heels you received on your feet. RON SHAHAR: The crews have to walk from now until further notice with Chinese high-heeled shoes on their feet. A small, well-groomed foot is considered in China the symbol of the seconds, a woman walking in small steps on Chinese high heels is considered beautiful and attractive. In these shoes the heel is in the centre of the shoe, which greatly slows down the steps. Couples will have to continue their journey in China with high heels on their feet. Their first step will be to choose which of the teams will have to make a U-Turn in this section of the race. OREN: Rather comfortable. ALON: Really comfortable, that's what I have said. C-OREN: If I were a normal woman to walk in high heels it would not seem to me that I would have been comfortable walking with these shoes because it is impossible to walk with them. ALON: Duel. You must reach the Temple of Fire. RON SHAHAR: In a Duel the pairs will fight each other, the winner continues and the loser waits for the next pair. The next Duel will take place in the Temple of Fire. Here the teams will compete in an ancient Chinese custom, cracking sunflower seeds. RON SHAHAR: The Chinese crack in the office, on the street and even on a bicycle. Couples will have access to a pile of black sunflower seeds and scales. From the moment the gong is played, the couples will crack open the seeds and place the peeled ones on the scales. The first pair whose scales lower the 25 gram weight will win the Duel and get the next hint. ALON: On the way you have to go through the voting board to choose the pair you want and delay them. OREN: Wait it's tearing my legs. C-OREN: The shoes were decorated with such a luxurious pompom at the end of the shoe and these shoes are built in a kind of shape that the part ... C-ALON: Describing in detail so that the viewer ... C-OREN: They are very decorated ... ALON: Yoo, what a hit. OREN: We need the voting board. OREN: We choose to give Tom and Adele a U-Turn, we think it's time for them to race. Skip C-ADELE: People in China do not know how to speak English, every person you tell him, go, ask him questions, you try to talk to him, try to communicate with him, you can not talk to them about anything, nothing, do not understand. Tell them, hey, they do not understand what is hey. Skip ADELE: Tom, go, Tom. TOM: Madness, madness, madness, madness. INNA: Tall, small. INNA: One, another big one. Two. C-BAR: After two attempts I was able to figure out the steps. INNA: Turn around the waist. C-BAR: Inna took command, moved forward, I looked at Inna, I copied her from the back. And at the end of the task it worked. Skip BAR AND INNA, CURRENTLY IN SECOND PLACE BAR: Okay, Inna, it's you, it's your specialty, not mine. BAR: On the way you have to go through the voting board to choose the pair you want and delay them. INNA: These shoes are the biggest curse they could have imposed on me. Comfort, none, beauty ... no. And I feel it seems between bad and very bad. BAR: Come on, let's finish this. INNA: Yes. Fine, Tom and Adele. C-BAR: We just decided to pick them because we kept picking them, we did not want to open a front with anyone else. ADELE: Here he said it's it, no? TOM AND ADELE, CURRENTLY IN FOURTH PLACE ADELE: You must become temporary members of China's Olympic team in gymnastics. Artistic gymnastics, happening and parallels. Skip ADELE: Artistic gymnastics, it’s me, it’s me. C-ADELE: I was terribly happy because it's something I used to do when I was little so it made me terribly happy. ADELE: Is it difficult? TOM: I didn’t understand anything. ADELE: You start up, do that up. C-ADELE: I trained in artistic gymnastics for 12 years, I was the Israeli champion in the girls' league for four years in a row. I saw that it was very, very easy, as if it was not something that at all ... approached the things I would once do. ADELE: Here you make baskets, baskets, Tom, baskets, circles. TOM: I do, babe, I do, what do you tell me to do? ADELE: Now jump three times slowly. One, Tom, hold your hand on your waist. C-ADELE: It was the footsteps of a first-grade girl beginning to learn artistic exercise. ADELE: Catch, that’s it, once. TOM: She's of ... the ground gymnastics *continued* Skip C-TOM: All my friends are football fans and you know, boys, boys like that and see me like this all of a sudden and I catch on and I think about returning home, what will happen to me. TOM: Adele, I'm not built for it, enough, I do not know how to do it, do not know. Not built for it. ADELE: Fine. TOM: Let's go please. ADELE: Is it to do with the rope like that? We're overtaken here by a million now. Because Tom does not know how to do it. Skip C-ALON: We set out on the next mission, which is to locate a taxi driver and explain to him where to go. Skip ALON: Write to me, my brother, write to me. ALON: Yoo, it's like a hundred tons too. I'm so scared. BAR: Where exactly is a taxi? Skip BAR: What fun to always have guys helping us. Skip ANAELLE AND AKIVA, CURRENTLY IN FIFTH PLACE PUNDAK AND MOTI, CURRENTLY IN LAST PLACE AKIVA: You must become temporary members- MOTI: In China's Olympic team in gymnastics. ANAELLE: Shoshi, you have the tuxedo tank top here. AKIVA: I see it. ANAELLE: Fine? AKIVA: Do the red tights fit me? ANAELLE: What a er piece I am, eh? (slang, ultra-Orthodox religious Jew) AKIVA: With the help of the name we will do it and succeed. C-ANAELLE: We went straight to the beam, I have no idea why, it was clear to us. C-AKIVA: Why did we go for the beam? Because it happens to be your specialty, you have been doing ground gymnastics for years. C-ANAELLE: No, okay, but I did it until ninth grade, Akiva. I'm 26 years old. AKIVA: Start walking backwards. ANAELLE: Two, three. Lord have mercy. Five. AKIVA: Very great. ANAELLE: It's really dangerous. AKIVA: Well done, now walk back there. ANAELLE: The Lord will keep and save me from any guard Skip C-MOTI: We got to the mission, again Idan felt at home. This time he got on tights, he felt good about himself. C-PUNDAK: You know I used to exercise. C-MOTI: Yes, in what? PUNDAK: Let's do the parallels first, it seems to me it is not difficult, come on. MOTI: Legs. PUNDAK?: Very good. C-PUNDAK: We had a judge. C-MOTI: His demands were very, very inflexible, let's put it that way. After all, he coaches China's Olympic team. He does not see with his eyes. OSNAT: Hands up, thank God, who saved you. Turn around to thank me for carrying you. Skip C-OSNAT: We tried as hard as we could, we saw we were not going anywhere. We can barely walk on a straight road, so we preferred to stay on the ground, where it is safe and we decided to go to the ribbons. OSNAT: We’re at the Beijing Olympics. CARMIT: Wait. OSNAT: Catch it like this and then bring it back. ALON: You must reach the Temple of Fire where you will have to compete in a duel of cracking heads head to head with the next couple. ALON: What shoes, stuck, how they’re stuck. ALON: Here? One hundred percent it’s here? I'm cutting you if it’s not. C-OREN; You come to a main street, a kind of active industrial street. C-ALON: Holon Industrial Area, Tel Aviv. C-OREN: Something like that, at this level. C-ALON: The locksmith. C-OREN: There does not seem to be anything else. You enter some temple and behind it opens a very very delicate and beautiful resort area. C-ALON: Right. C-OREN: Kind of a lovely lake like that, really. C-ALON: Very pastoral, very ... C-OREN: Something completely cut off from the main street. OREN: Look , how beautiful, God, how beautiful. OREN: But look at this lake, Ya Allah, how beautiful. ALON: hOw bEaUtIfUl. Skip INNA: Bar, how are there no symbols of the race? C-BAR: We entered a temple, I have no idea what happened to me and Inna, it was just an ingenious step. Skip C-BAR: There was some girl there who offered us nuts. Skip INNA: She like just took out kernels for me? BAR: Yes. Skip INNA: Bar, crack three kernels. BAR: And…..? Like this? BAR: God, you're the one and only, you know we're just yours, we're just pretending right now. INNA: That’s it, Bar, get up, come on. BAR: Is it just me or is she not going with us? Like we did now ... I like don’t understand. INNA: Wow, well. BAR: But this is the temple, I’m freaking out. INNA: Come. BAR: You will have to compete in a nuclear cracking head-to-head Duel battle with the next pair. INNA: Yes, Bar, go. ALON: Come on, girls. Come on. ALON: Only big ones. C-ALON: The mission was to crack black seeds to a level of 25 grams in weight. Childhood hobby, we sat with our good mother in front of the TV, cracking and eating kilograms. Let's say black kernels. C-OREN: No stranger. C-ALON: No stranger to the Polish family home right next to the Gefilte Fish. INNA: You can keep some in your mouth and then spit. ALON: Hand out, hand in, this is the method. ALON: Look at me, great method. BAR: What? INNA: What, are you doing it with your hands? BAR: Yes. INNA: What, look at me, Bar. BAR: What? INNA: We will not succeed in this way in any duel and we will stay here last. You must do it with your mouth, with both hands. BAR: I understand, I understand. C-BAR: I really do not crack kernels, I do not like kernels. The seeds mission is a mission that you supposedly say you know how to deal with because what, you do not crack seeds in the house? So no, I'm not cracking kernels at home, neither I nor Inna. ADELE: Let's see you, come on. TOM: You do not want to encourage, stop interrupting. ADELE: Come on. Expert. ADELE: One, step back but with the foot back, you can not do that. TOM: Is that how you want me to do it? ADELE: Yes. TOM; So? Do you want me to fall into hell? ADELE: Well, stand on relve (ballet), on high, no, you have to stand, change legs. Well, you're not doing it right, no matter what. C-TOM: It's all about stability, the beam exercise, I think I'm excellent. Skip TOM: Mami, listen to me, I'm a cannon, do you not understand? You're harassing, you're looking for the little ones, I know what I'm doing. C-ADELE: I realise he like did it in a second. C-TOM: And why? And why? C-ADELE: And why. C-TOM: Huge talent. C-ADELE: Okay. C-TOM: Huge talent, prowess, a study, throw some ... C-ADELE: And why? Huge talent. C-TOM: Beautiful. TOM: What intelligence I have. I always surprise myself anew. TOM: Good, good. I'm a master, I'm not just saying I'm a master all my life. Take another step, another step, stand up and take a step. ADELE: No. C-TOM: Adele went into the depths of the content of the exercise. She really wanted exactly the hundredth of the gymnast's leg. Skip ADELE: What no?! C-TOM: When you try to be too precise in the end it does not work out. Skip TOM: Listen to the teacher, I will be with you now, do, do, I will be with you. I'm here, I'm here for you, I'll tell you when to get off. TOM: One more, one more, small one, beautiful. Bend down, bend down, turn around, relax, turn around, very nice. Stand up, stand up. One more, one more. ADELE: One she did, the one she did. TOM: Please listen to me, please, another one, another one, another one. TOM: Okay. Beautiful. One, two, three, bravo. ADELE: Did she say no? TOM: Okay. ADELE: Okay? TOM: All right, come on, come. Skip C-TOM: Adele, I'll tell you, she has a segment, next to others she does not like to pardon me but in dorm rooms, she knows who I am, she knows what I am and she knows what I give her. And I tell you, I'm three years of giving. No, sometimes a person gives too much, so do not know how to appreciate, you understand? That's the problem. C-ADELE: You're like … C-TOM: I'm telling the truth, what? There is a proverb that says, the obvious is good to say and better to write. C-TOM: Thinking of saying that. TOM AND ADELE, CURRENTLY IN THIRD PLACE TOM: What is this thing? What? They have to be fucking kidding me, in my mother. Finished me in the show, finished me. TOM: What is this thing, in my mother, well what, I can not move. ADELE: Come on, go. Do not drive me crazy now. C-ADELE: These heels actually suit him, he really went with them ... C-TOM: I was killed in this program. TOM: Adele, I can not, I do not understand that the shoe is big on me? ADELE: What is it these shoes have now brought us? ADELE: We put it to Bar and Inna. TOM: You keep putting our names down. ADELE: All the time putting it to us. TOM: You actually declared war and… ADELE: There’s nothing to be done. TOM: We are a little bit more intelligent. ADELE: A beautiful picture of you two by the way. TOM: So stay tuned today, you will have a delay and it is not personal. BAR: Come on, come on. INNA: Okay, hold on a little longer, it's over if we do it fast. ADELE: Come on Tom, well, you're doing this slowly, all slowly with you. TOM: Talk to them in their language. Skip ADELE: The first pair to fill a bowl with 25 grams. Sunflower seeds, what are sunflower seeds? What are these, God save, sunflower seeds? TOM: Only that it's not something huge that will break our teeth. C-INNA: Oren and Alon, a very strong pair, but it's a competition and I think we'll be equal enough and we're accomplished enough, at least to really try to really compete with them. ALON: Yoo, yoo, fast, well come on. C-ALON: Bar and Inna. C-OREN: 25 grams is the weight of each of them. C-ALON: Yes. C-OREN: Like more or less. C-BAR: We so wanted to beat them, just to finish and tick it off and maybe really hopefully overtake the strongest pair in the game. ALON: Crack already! OREN: Give what you have in hand, what are you collecting so much for? C-ALON: The two fokatsas *valley girl equivalent*s, the 22-year-olds, they're like beating them. C-OREN: Beating fight. C-ALON: Beating fight. ALON: Come on, come on, come on. ALON: Here, it started to go down, it started to go down. C-ALON: Our scales made the movement. Skip C-BAR: I have cracked kernels in my life three times, not even twice, yet we tackled this task stunningly, we were really close to them, at the level of one milligram. Skip ALON AND OREN, CURRENTLY IN FIRST PLACE ALON: Detour. Waitressing or Wheel of Misfortune? RON SHAHAR: A Detour task is a choice between two possible tasks, each with advantages and disadvantages. In this Detour mission couples have to choose between waitressing at a Chinese restaurant and the unlucky wheel of Chinese food. RON SHAHAR: In Waitressing the crews will discover that Chinese cuisine is very rich in flavours but also in very many names in Chinese. In the first stage they will have to accept the orders of the eight diners. And locate them on the kitchen dish cart. But the names of the dishes will have to be remembered orally. If he does not serve the right dish to her customer, the team will have to do everything from scratch. Only a couple who serves the eight diners the dishes they ordered without mistakes will get the following hint. RON SHAHAR: In The Unfortunate Wheel, the couples will have to spin a tray of Chinese food and eat the dish they land on. Among the dishes are the flavours that are foreign to the Israeli palate such as scorpions or starfish. But also good surprises like a kilogram of steamed rice. Each team member will have to spin the wheel and eat one serving of what their partner has spun for them. Only after they finish eating both exotic dishes will the couple get the next clue. OREN: We choose the Wheel of Misfortune. Skip ANAELLE: Two, three, hup. AKIVA: She said it's okay. C-AKIVA: It looked like Anaelle was coming home. As if she knows this beam, she knows the work. ANAELLE: It’s alright, slowly. What are you doing? Why are you standing a hundred times, my Shoshi? Up, caution and now again. Look at her. Skip C-AKIVA: Israelis, wherever they can they will round the corner, they will come to the judge, what, what's wrong with you, bro? I did it right, what are you like? What are you here for? What are you there for? C-ANAELLE: Come towards me. C-AKIVA: Chinese is obedience. C-PUNDAK: The Chinese from age zero take them and ... march them on ... C-MOTI: There was a stage where I was afraid he would come hit me with a flip flop. PUNDAK: Wait, he explains. C-PUNDAK: How he suddenly tells us, to straighten our legs, do a point. C-MOTI: Yes. C-PUNDAK: Dude. C-MOTI: Suddenly a point he wants, in the middle of lifting his legs, make a point. Tell me, what’s wrong with you? ANAELLE: Very good. Wait, bravo, bravo, dossi chic. Okay, then three more times. ANAELLE: Hands up to the audience, face to your beautiful wife. And jump. Skip ANAELLE AND AKIVA, CURRENTLY IN FOURTH PLACE ANAELLE: Lord have mercy. ANAELLE: Oh, like nightingales, mockingbirds. I still haven’t figured out what that means… ANAELLE: To the right. AKIVA: I now sympathise with the suffering of all women who walk with heels, who break their knees, backs and ankles. ANAELLE: Alas, Shoshi. AKIVA: I told you to be careful. C-AKIVA: Strange shoes with a platform in the middle of the foot. You have to walk on it out of such an equilibrium, like walking with crutches. ANAELLE: I highly recommend these shoes to everyone, it's really something. Skip ANAELLE: Bar and Inna, we choose to delay Bar and Inna. AKIVA: You've proven that you're strong in the last round. Good luck to you. This is our decision. Skip TOM AND ADELE, CURRENTLY IN THIRD PLACE TOM: Vamos, vamos! ADELE: You're here. No, you put them here. C-ADELE: We came to the mission, we were sure that against Bar and Inna it would be very very easy. C-TOM: I saw the two blondes, I said, what's the connection? They have no chance on us. Adele is calibre, tic tac tuk tuk, I'm also nimble, I came from this world of the ... seed cracking. TOM: Bravo, not much more, not much more, come on, bravo, bravo, bravo, bravo. ADELE: Winning here. INNA: What are you doing with your hands? BAR: I understand, I understand. You must attack with both hands. INNA: Mami, not with my hands. Do you do it with your hands? C-INNA: This is basically Bar's problem, that she sees something and it seems to her that she can not do it, starts to falter. OREN: Come on, to a restaurant with Jewish dishes. Jewish dishes now, ALON: Gefilte fish. OREN: There will probably be hummus and such. ALON: Hummus, falafel. Skip ALON: Oren. OREN: The taxi driver takes a backseat. ALON; But there is much more to come. C-ALON: On the way we came upon clicks and traffic jams. We're waiting two, three, four, five minutes, I say to Oren, let's go down, we'll start running things there because the Chinese do not seem to be taking. ALON: Come on, let's get down to business. ALON: This, it's to here. He will not be able to pass, the taxi. Strong, thanks. Skip ALON: Yoo, yoo, what did they do? ALON: Oren, need to put it here. That they will not move me here. Oren, mean it. Further back. Oren, beauty, take it out. Skip C-ALON: You are here, you are there, you are here, you are there. We cleared the axis ... OREN: Rickshaw, where's our rickshaw? ALON: The rickshaw, rickshaw. OREN: Stop, stop them. ALON: Rickshaw. Skip ALON: To obscure they stand. OREN: Well, then tell them to move on. ALON: Come with you. OREN: Come on, come on. ALON: My brother! OREN: Go get it. OREN: Ah, the restaurant is here. ALON: Come on, the restaurant is here. C-ALON: Inside, shouting, loud and without the language. C-OREN: At the end, he tells us here. C-ALON: At the end of the rickshaw says, it's here, it's here. Take us. Skip ALON: Wheel. ALON: After you. Come, here’s Waitressing, Wheel of Misfortune, here. ALON AND OREN, CURRENTLY IN FIRST PLACE C-ALON: We entered the restaurant, smelling of local food, not an appetite-smelling odour. Oren and I, we have no problem, we feel about food as serious partners. It's all already possible to eat, even at the level of vomiting, exploding, dying, no matter, you can go eat this thing. Skip OREN: Great. ALON: Come, come, sit here, it's ... OREN: Well. ALON: Cricket pupae. OREN: Okay, it’s nonsense, look here from the left. C-OREN: We saw in front of us a shelf full of foods that could easily be identified as animals. Whatever it is, we'll eat it, it's no big deal. C-ALON: It was clear to us that we could be finished in ten minutes. C-OREN: Leaving here. ALON: Okay, I’m eating first. C-OREN: Each of us had to spin for the other a strange dish from the Chinese delicacies that were in the room. ALON: Only only only only that this starfish does not come out. C-ALON: Just not the starfish, everything except the starfish, testicles, intestines, everything I'm ready to eat, the wheel ... starfish. OREN: Well, come on, come on, start beating. OREN: Well? Beat? ALON: Disgusting. C-ALON: This arm comes to me with the five, when on the outside it is elastic, stabbing in the tongue, inside the bone marrow, it is like that of such a brown chicken but rotten. OREN: Don't look at that, come on. Put it in your mouth. ALON: Shut. OREN: And we're done. ALON: Shut. C-ALON: It cost me about three or four times and he, well, well, well. OREN: Shut up, you too. C-ALON: In the end, by the power of the mission we were able to do it. Skip C-TOM: I as a fan, when I was still a kid, and I used to go to a lot of team games, so I was eating seeds all day. I was sure it was a task sewn upon us. INNA: Bar, without the dirt. BAR: I know. TOM: Is it moving, mami? ADELE: No. TOM: Why doesn’t it move? ADELE: Do not throw with the shells, Tom. Ya Allah, throw me everything there. Take it out. Bring the seed here and then do it this way. TOM: Well, okay, come on, keep going, stop talking. BAR: We have already grasped how we do it a little faster. C-BAR: An argument between Tom and Adele probably takes them the time they actually need to bridge the gap. TOM: Moves? ADELE: Why doesn’t it move? TOM: What is this, why does it not move? Skip TOM: It didn’t move, in my mother. C-TOM: It could be from our complacency that we lost to them. ADELE: What did you do? What did you do? What a bullying kid. TOM: Stop talking bad all your life, with your what have you done? What did you do? ADELE: What was that? Skip BAR AND INNA, CURRENTLY IN SECOND PLACE TOM: What is this what was that? What is this? ADELE: Don't put seeds in that thing, huh? Put shells on me like that. BAR: Detour. Waitressing or Wheel of Misfortune. INNA: To memorise a dish for her name. BAR: Okay, that's it? INNA: Yes. BAR: Okay, you got the mission, Inna? We become waiters and serve customers' table in Chinese only. PUNDAK: Raise your hands up, raise your hands up, don’t let him disqualify us now for nonsense. C-MOTI: I go up again and up again and I do not give up and go up again and go up again and he does not, he gets worse with you even more. And he stood up. C-PUNDAK: And at the parallels, we got stuck for a long time. We wanted to tell him, brother, brother, brother. Let's bring the Yemenites here and then we'll talk. OSNAT: All disability, march forward and ...this is us, we'll teach the elderly in Ekron. Jump in, turn around now, yes? C-OSNAT: We do everything with the joy of life and a smile as we know, as we are used to and we succeed. Skip OSNAT AND CARMIT, CURRENTLY IN FIFTH PLACE OSNAT: Unusual for such heels, at least they would bring me some miniskirt if I already had heels. CARMIT: Like I'm walking on eggs. OSNAT: With poop bags? CARMIT: We choose to put it to… OSNAT: Bar and Inna. CARMIT: To Bar and Inna. OSNAT: We compete with them usually for the same place so we stop them. INNA: Four, four, do you want the first four and I the last four? BAR: Okay, yes. INNA: Or vice versa. So you remember in order of sitting and I in order of sitting. I hope they look different. BAR: I hope it will be easy to remember this. BAR: Come on. BAR AND INNA, CURRENTLY IN SECOND PLACE C-INNA: Although the task of the waitresses is much more difficult and much more complex, we choose to go for this task. The second task for us is unrealistic, Bar’s vegetarian. INNA: Look how I do it, okay? "Pucci Fei" I remember meat with vegetables. "Gang Yu" I remember it as a light salad. C-BAR: Eight invitations for eight people to memorise in Chinese plus not to write the dishes. We changed a little, just the way it sounded and went to get the orders. Skip INNA: Bar, they love this one. Skip INNA: Mine. INNA: It's yours, for sure. Do you remember what yours are? BAR: No, I do not remember. INNA: Come on. C-BAR: The dishes are waiting outside on a tray, every person at the table, must remember what he ordered and give him the food he ordered, all orally, with the help of memory. BAR: I know this and this are mine. This is mine, this is number two. INNA: That's mine. and this? BAR: It's not mine, it's in my opinion. I'm number five. INNA: Mami, it's mine, this. BAR: I remember I'm five, one, three, I remember it, listen, we just need to work together here, listen. C-BAR: It was important to remember what the dish looked like, what I was like, my two dishes in general I missed what they looked like. Skip INNA: Fuck, fuck, fuck. OREN: Gentle spin. C-ALON: I turn the wheel, now it's not a wheel, it's a wheel of fortune, real. Slow like this. Well, well, well, well, well, well and it's not over. Suddenly the arrow shows rice. Rice. ALON: Idiot, in the end you … C-ALON: I arranged rice for him and I had to eat the starfish. C-ALON: The cook takes down a huge bowl of rice, I'm not exaggerating, a kilo of rice. ALON: It’s huge. Yoo, what a quantity, what a blow we got with this rice. Are you able to eat it? ALON: Exactly. ANAELLE: It’s very hot. ANAELLE: He has no idea cracking kernels, I just do not know, I always swallow the kernels. AKIVA: I always in life make the investment, effort versus benefit and here the effort is relatively large for the small benefit. ANAELLE: Yes, what? AKIVA: It is better to eat a banana. ANAELLE: Yes. CARMIT: Where? CARMIT: Okay, come on, quick, quick. OSNAT: Tearing up the road, babe. ANAELLE: Come, my love. Skip ANAELLE: I am Ashkenazi, what will I do? I married an Ashkenazi. C-ANAELLE: It was already clear to us that cracking kernels is going to be complicated and difficult because we have no idea how to crack, we do not do it on a daily basis and we also crack, crack, two, three, four, five, neither quantities nor bags. Skip C-TOM: Akiva and Anaelle, with all our love for them, we already lost to them in two Duels. I said to Adele, listen, it's not pleasant to lose to them in a third duel on the floors, let's reset ourselves and make it as agile with the kernels as we can. ANAELLE: It's cracking this shit, what is this? ANAELLE: I do not know how to crack, I break. TOM: Keep going, keep going, keep going, without stopping, not talking. C-TOM: Say, there is no sage like experience and we really understood our mistakes, we realised that we were probably actually arrogant maybe a little. And we decided that until it was over, it was not over. ADELE: I've never cracked kernels like that in my life, you tell me it's slow. AKIVA: In life I have never cracked kernels. ANAELLE: How do I know how to crack this thing? Lord, help us. C-ANAELLE: It's not our field, it's not that all of a sudden I can now be the exalted cracker. ANAELLE: I only have baby seeds. ADELE: Buena, I have not seen anything like this, I have cracked maybe already two hundred kernels. There's a thousand here. Really, really, it’s a thousand. ANAELLE: What is this, I can not crack it. TOM: Mami, did it move? ADELE: No. AKIVA: Increase pace. Skip ADELE: What is this? Skip TOM AND ADELE, CURRENTLY IN THIRD PLACE ADELE: Detour. Waitressing or Wheel of Misfortune? ADELE: What is an unlucky wheel? God, I'll never do the bad luck. TOM; You do not want us to go for sure? ADELE: No, I do not want to eat cats, Tom, it's not kosher, you eat not kosher now? TOM: Can you learn Chinese? Will we learn Chinese? ADELE: You can learn five flavours of bats and cats, is that what you can do? TOM: But just shouting is the easiest and ask you, I consult with you. ADELE: It's fine, so until you decide it will take time, nothing. ADELE: One of you should eat what your partner has spun. So I'll turn around, you'll eat. One turns and one eats, fine? TOM: We both eat, maybe once in a while. ADELE: No, no. One time, decide who spins and who eats. C-PUNDAK: We realised it was not that simple and then Moti suggested we go for something he felt comfortable with. MOTI: Like this, now with a safe hand, pretty safe, pretty safe ... from above, two circles with the foot, one ... C-MOTI: I showed Idan my abilities in ground gymnastics. The first time I did, she told me, you, good, but learn him. Like he's the kebab. MOTI: Like this, like this, like this… C-MOTI: I went through a hand gesture with him, paying attention with the hand, with the foot, with the hand, with the foot. PUNDAK: Stretch the rope. Skip MOTI: From above, from above…Around the head, no, Idan, have a moment with me. PUNDAK: Stop yelling at me because I'll go. You annoy me. MOTI: From above, so listen. PUNDAK: Come on now. C-MOTI: I'm all I have, the motivation to succeed in it, I do it for the best even if it's ground gymnastics, I'm good at it. MOTI: Now here's a coat, other side. C-MOTI: Everything I want to do ... C-PUNDAK: Are there any earplugs I will put on the left side, that I will only hear you? MOTI: Very nice, presumably. Skip C-MOTI: I'm doing everything well. C-PUNDAK: Oh, you're foolish, you're more foolish than this lamp. C-MOTI: Idan. C-PUNDAK: What will people think of you at home? Seriously, what? C-MOTI: What will they think? I'm everything I do... C-PUNDAK: They sat and they would think, buena, Moti. C-MOTI: Which... C-PUNDAK: Good at everything. MOTI: This is also a problem, need to be done quickly. MOTI: What a Chinese torture it is. PUNDAK AND MOTI, CURRENTLY IN LAST PLACE PUNDAK: Well, come on, the couple we want to oust. PUNDAK: It's not personal but it's also not impersonal, it's the game. BAR: You see? Recognize yours, I recognize mine, I recognize all mine. INNA: Cool. It's whose? BAR: This is Si-chin, this is Lian. INNA: It's yours. BAR: Right, it's Jia. C-BAR: The second time we did it in excess ficus, I found my way how I remember, I photographed the dishes by girls' names, the first girls it was the meat, the second girls were the salads. INNA: Please. Skip BAR: This is “out of my life”, this is yours. C-INNA: Me and Bar have the ability and I think it's really important, to laugh at yourself. C-INNA: Really turn ourselves into humour and we turned this mission into a kind of amusement. Skip BAR: Jia, that’s this, check, unequivocally, that’s it. BAR: Yes, good, come on. BAR AND INNA, CURRENTLY IN FIRST PLACE BAR: Okay, ah, Route Info. You must reach Liangzi, where you will find the following clue. RON SHAHAR: Couples should now come to the Liangzi Foot Massage Centre where they await an ancient Chinese massage - or perhaps an ancient Chinese torture. Along the way the crews will pass the exposure board. BAR: Note, on the way there you have to go through the exposure board. BAR: Go, mami, go. BAR: Let's check and ... onwards, U-Turn. INNA: U-Turn. BAR: Wow. C-INNA: We were amazed as if seeing four pairs out of six, basically everyone except Alon and Oren are U-Turning us. We were hurt and also saw it as a completely personal aspect. C-BAR: I did not believe that such a situation could happen and I was proven otherwise, I was wrong. ADELE: Then write down that the decision is final and that it’s either I roll and you eat or you roll and I eat. TOM: Let me roll it, you eat. ADELE: No, really no. You live in a movie, it will not happen. ADELE: You said you would eat, we decided with that, that's it. C-ADELE: Tom decided he would rather go for the food and Tom knows that I do not eat the food, especially not Chinese food, that I was sure that Chinese food is going to be something very very disgusting. TOM: You're not doing anything. ADELE: I do everything. TOM; I'm telling you the truth, what? ADELE: I do not eat. C-ADELE: Tom argues with me that I should also do, that I do not, that he does everything here. ADELE: So what happened? So once you eat, I'm going through things I've never done in my life. Really, you do not understand, I'm talking to you well, I will not do it, bring me a million shekels now, I do not do it. TOM: Because you're a loser, you have no beauty. ADELE: What do I look like to you, gentleman all my life? Leave me, I'm not a man, I'm a woman, give up already. Be a gentleman for once in your life. C-ADELE: I got mad and yelled at Tom and yelled at myself and got upset. C-TOM; You spoke badly to me. C-ADELE: And there is nothing to be done, you also speak to me badly. C-TOM: You talked to me disgusting even though I ... C-ADELE: You also spoke disgusting. C-TOM: I always spoke well. TOM: How do you talk, like a 12-year-old girl. ADELE: Tom. I'll do what I want, you do not understand? Did you forget? C-ADELE: Tom, I have no strength, well what, you want to quarrel with me right now here? C-TOM: Are you talking badly again? C-ADELE: Well, I no longer have the strength to let him speak. PUNDAK: Having to go with these all over China, it lowers us of one of our great advantages. C-PUNDAK: The truth is that Moti got a little bit of a walk when he worked as a drag queen in the past. C-MOTI: Really. C-PUNDAK: In short, it's shocking shoes, it hurt so much, I could not with it anymore. It's awful, it's awful. C-MOTI: What, but you were finally at height. Skip PUNDAK: So how did you say you crack kernels again? MOTI: Take the seed, one, two, three, open, take out. C-MOTI: If there’s anything else Idan doesn’t know how to do it is crack kernels. C-PUNDAK: Let me explain, I ... C-MOTI: Not an ars. (slang term) C-PUNDAK: Unlike Moti. C-MOTI: Because I'm sitting at football games, cracking kernels. C-PUNDAK: Unlike Moti. C-MOTI: Like any man. C-PUNDAK: I did not sit in football games... C-MOTI: Average in the State of Israel. C-PUNDAK: Cracking kernels. Or I sat on the railings in the crime and evil neighbourhoods of Petah Tikva and cracked kernels. PUNDAK: I did not know that the Chinese cracked seeds, I knew that arses cracked seeds. C-OSNAT: Kernels, that’s it, what a beauty. C-CARMIT: Margara ... (in Yemeni) C-OSNAT: We sit and crack kernels. That's exactly the task. C-CARMIT: It's us... C-OSNAT: Here we are ticking. C-ANAELLE: We knew that now we are facing the Yemenites, that is, facing that this is indeed their home ground, if this is the strong side of any pair, it is their strong side. ANAELLE: Wow, wow, what piles they have. C-CARMIT: And we cracked. C-OSNAT: We're like chickens on the Sabbath. C-CARMIT: Sitting and ... smearing (in Yemeni) to crack ... C-OSNAT: Anaelle does not know how to crack, takes a seed, breaks it, opens it and…here. C-CARMIT: They had to get a plier to open it, she has time. C-OSNAT: Tweezers, tweezers, yes. ANAELLE: It's a waste of time... AKIVA: Do not give up. C-ANAELLE: It sucks to lose to two teams, no doubt, because it sucks, like you ... but it's not our strong point so what do we do? Congratulations to them, what will be done? Skip OSNAT AND CARMIT, CURRENTLY IN FOURTH PLACE OSNAT: Detour. OSNAT: In Waitressing you have to become waitresses in a Chinese restaurant and serve a customer table in Chinese only. C-OSNAT: We said we would not get along with the Chinese language, speak Chinese, so we will take the food. OSNAT: Wheel of fortune, I have no problem eating what's there, you eat, swallow. TOM AND ADELE, CURRENTLY IN THIRD PLACE C-ADELE: When I first saw this wheel of fortune written down, that’s it, I said, Tom, listen, I'm not doing this. TOM: What do you want now, what do we do now? I can not like that. What have I done now? C-ADELE: When you are constantly under the pressure of competition and many a bit then it gets out of hand because you have already really lost all your strength. Just when Tom and I are together for 24 hours, for almost three weeks, it's awfully hard. C-TOM: Three years. C-ADELE: No, we are three years but not all day together mami. C-ADELE: I said, no situation that someone bypasses me, no situation, I start all over again. I said, fine, I'll do this because I'm going to do this for Tom, I'm now resetting, we're going to do this thing at the speed of light and come on, move on. C-ADELE: There were eight dishes that we had to memorise, also how they look. C-TOM: Ten. C-ADELE: Ten. Skip ADELE: There was no “kampen” in life. Skip ADELE: The greens, right, right. TOM: The greens, the one with the greens, Buena, I have a phenomenal memory. Come on, go. ADELE: Mami, I do not remember anything, do you remember anything? C-ADELE: We had to do like a waiter in a Chinese language, very scared me and Tom of the Chinese language. Skip TOM: Zur, he says Zuri, could he mean Tasso? Skip TOM: She wants Suan. Skip
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