BONITA CHAMBERS Presentation Consultation & Design BONITA CHAMBERS @ 941.284.0930 . bonchambers verizon.net h t t p : //c o n s u l t p c d . c o m Presentation Consultation& Design creative solutions for Visual & Verbal Marketing SUMMARY Resourceful, talented, highly creative professional, with extensive portfolio of accomplishments, offers reliable services for enhancing organizational image and positively impacting measurable objectives. Advanced training, and over 20 years’ significant achievement in a variety of industries/positions provides extraordinary insight and know-how for each new challenge. EXPERTISE VISUAL h Graphic Design h Copy Writing & Editing h Packaging/ Promotion logos, business cards, stationery brochures, catalogues, ads product merchandising IDENTITY SYSTEMS h Theme Development h Print &/or Web Content h Marketing Consultation events presentation PR elements coordination project management PROFICIENCY MAC • Illustrator • Acrobat Pro • Word • Excel • MS Office • MS Works & PC • Photoshop • InDesign • Fireworks • Flash • Po w e r Po i n t • Keynote • Imaging • D re amwe a ve r • ExpressionWeb • QuarkXPress • ArtExplosion FORMAL Associate Applied Science: GRAPHIC DESIGN TECHNOLOGY (4.0 GPA) State College of Florida, FL 2011 EDUCATION Bachelor of Ar ts: SPEECH & THEATRE & FINE ARTS (Honors) Frostburg State University, MD 1968 NOTABLE h Marketing Consultant PRESENTATION CONSULTATION & DESIGN 1989—1992/ 1994--- CAREER • Service to retailers, suppliers, educational, governmental organizations, small businesses, publications, expos. EXPERIENCE • Arts Councils Membership committees, exhibits & cultural events. Arts organizations enhancement programs. & SUCCESS • Talent management, performing artists, PR, marketing materials, events, program planning, writing & design. h Graphic Designer SRQ MEDIA GROUP 2011 • Created print ads, email blasts, animated banner ads, gifs, page layouts, greeting cards, enhanced photos. • Utilized Adobe programs (CS3, CS4, CS5.5) InDesign, Illustrator, Photoshop, Acrobat, etc. • Coordinated promotional packages, identity systems, logos, branding, etc. Completed Internship. h Retail Marketing Director/Store Manager The COLLECTION by ALIKI (Sarasota, FL) 2002-03,2004-06 • Launched Designer Boutique prototype/ flagship store, planned & executed marketing & presentation strategies. • Wrote copy, designed/ produced print ads, television commercials & promotional collateral for image continuity. • Developed consistent PR, staged fashion shows, informal modeling & events in support of N F P organizations. • Increased Sales Volume by more than 500% within 5 months, averaging 4.75 items per transaction/ $340 PSF. h Visual Merchandising Director BEALLS’ DEPARTMENT STORES, FL 1992—1994 • Directed 53 department stores/ 8 specialty stores, creative merchandising, standards, training & communication. • Designed, planned, purchased, implemented shops, events, promotional materials, graphics & properties. • Coordinated Merchandising, Sales Promotion, Store Development & Operations: Cut expense by 30-40%. h Assistant Director Visual Presentation STEWART DRY GOODS, KY/ L.S. AYRES & Co.,IN 1982—89 • Creative direction of 7-25 full-line Department Stores, Central Production, Silk Screen/Sign Shop staff/ facilities. • Project management, conceptual design, budgeting, procurement, executing of seasonal/ theme presentations. • Introduced cost-cutting initiatives for in-house production of graphics, trims & fixtures: Saved $132,000+ yearly. h Book Publicist/ Editor/ Critic A Cappela Publishing 2001—02 / American Book Publishing Group 2001 Designed, implemented marketing plans for books: Media Kits (press releases, design visuals, website content). • Research, data collection, Internet affiliate development. Media contacts: pre-launch/ ongoing post-release PR. • Manuscript review/ critique, editorial services, conceptual cover design analysis, logo/ merchandising collateral. Lecturer (faculty) Consumer Sciences & Retailing, PURDUE UNIVERSITY, IN 1989-1991 • Designed & taught accredited courses, workshops, intern programs in Retail & Fashion curricula. Wrote text. h Sales/ Visual Merchandising Manager Dillard’s, FL 2002/ Sears, FL 1999—00/ McRae’s, MS 1975-82 • Improved sales and customer service via effective presentation of high volume store. Vendor promos/ co-op. h Managing Artistic Director/AEA Artist in Residence Jackson Little Theatre/ MS Arts Commission 1974-75 Theatre direction, marketing, ‘PR’ writing, design (promo pieces, sets, costumes, etc.) performance, workshops. OVER 50 NATIONAL & REGIONAL AWARDS FOR EXCELLENCE & CREATIVIT Y ! Including Visual Concepts for Oscar de la Renta, Estee Lauder, Elizabeth Arden, Revlon, Hanes, Haggar, Pillowtex, etc. PLUS Recognition for achievements in Fine and Performing Arts in association with Kappa Pi and Alpha Psi Omega . “BONITA CHAMBERS”/ “ Self Portrait”--- drawn in Adobe Illustrator “Technical Illustration - Two Violins”--- drawn in Adobe Illustrator “Typographic Enhancement - Dyer Quote”---drawn in Adobe Illustrator “Type Art - Sunshine Skyway Bridge”--- drawn in Adobe Illustrator ¶ ¶ a r p ica ind r se a agtions ¶ r ¶ co v n ph a tive mod er n t u ate rous dve tal ¶ a i m e n e xper ous ¶ a g e tr ¶ ou S A M BER CH 4 C ITA 10 BON -GRA1 - SCF 010 - 2 04 “Paragraph Indications - Type Book”---- drawn in Adobe Illustrator G lan mu ive tro gra te rall wsp r p disp pro pr ns l g n elo e m rs a and ra , n w nic ph ch la ap u la du od a ra in p e ls p om ct lec to t ve e e l c ffe e ho ou o , n oth na fo s f si en ph ana ica ay m y, niq yo er blic ys ct uc nd ph cre ma dia o e d p ay he es ic lyz tion to edi ani ue ut a s, j atio , pa s an ts a s ics—asin te- , an on, l p t zin nd ot hur log lop on en s a inte c d ar . dee, s p get a u mat . nd our ns. cka d s nd igna fo g ti nd elo ga a om oc e ve vir nm er , hi pe ies a ev a s, pr br ctiv de en er gn es ap ap ov si and rob me sing ion Gra prod nals T gin erv bus ge r d m t gn c lem ss c , a ph u , he g, ice i- of po uc tin ist nd led g de p s. tha d er rea s. age olo nd ic ctio corp y a an s, re od ke d a al d ic eb ct s an s— te Th s r, t va de n d or lso d pr ar ign , —c an aph W oje dit s Graphic designers—or graphic artists—plan, r m es ses s or vis ey acr pe iou sig esi ate d s m ss f g rn ia e c gr analyze, and create visual solutions to communications gr ual find ss , il s p ne n e ne yst ine r o nte ed th pro problems. They find the most effective way to get messages ap s s us be r I im ce n hi olu the n p str int g b um fo ult du sio across in print and electronic media using color, type, illus- c e n l m ro vi s ar n o t tration, photography, animation, and various print and i io es o n ria nd p ele tis s s tio m rin a- layout techniques. Graphic designers develop the overall a ay r t o ts to t y r s- — m fte layout and production design of magazines, newspapers, i lu r s a journals, corporate reports, and other publications. They r or g ta A ev tiv ne re r et pr re am also produce promotional displays, packaging, and market- Graphic designers—or graphic artists- ov si ag Gr t m ing brochures for products and services, design distinctive plan, analyze, and create visual solutions to m t. lso r es be logos for products and businesses, and develop signs and r communications problems. They find the most g signage systems—called environmental graphics—for busi- The effective way to get messages across in print ness and government. An increasing number of graphic first step in devel- and electronic media using color, type, illus- designers also develop material for Internet Web pages, oping a new design is to re nd ra e h em , a te tration, photography, animation, and various d c ig fo fo a , g th d t t el pe stra d ete r m ine t he ne ed s of t he fin re ph com ey e nd interactive media, and multimedia projects. Graphic design- a print and layout techniques. Graphic designers pu ew de let ten s cl i en t, t he m essa g e the d es i g n n n ty lu ers also may produce the credits that appear before and p of t n il develop the overall layout and production after television programs and movies. sho ul d p or t ray, a nd i ts ap p e al to ro lic g es ns ffe o to bl in sig ed er b in pr tio di tyle r— design of magazines, newspapers, journals, at th - customers or users. 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Designers also select the size and arrange- cal, and social factors in planning and executing comfortable settings. Designers th or s o ey de y re designs for the target audience. Designers gather rel- in smaller design consulting firms ment of the different elements on the page or screen. They st s r h e he a si nt ite T th T ep evant information by meeting with clients, creative or may create graphs and charts from data for use in publica- and those who freelance generally as clie wr en. for n. pr art directors, and by performing their own research. tions, and they often consult with copywriters on any text work on a contract, or job, basis. They ay ir p re ts si s v m the co sc en de er Identifying the needs of consumers is becoming increas- that accompanies the design. Designers then present the frequently adjust their workday to suit g so o th or m e n ingly important for graphic designers as they continue their clients' schedules and deadlines. al t i e le th g completed design to their clients or art or creative director to develop corporate communication strategies in addi- s gn t w g l e r si for approval. In printing and publishing firms, graphic Consultants and self-employed designers tend er si ul pa ua fo e tion to creating designs and layouts. de ons he vis ion d to work longer hours and in smaller, more designers also may assist the printers by selecting the type Graphic designers prepare sketches or layouts—by hand or with the aid c n t r is ic of paper and ink for the publication and reviewing the congested, environments. o the r v h of a computer—to illustrate their vision for the design. They select colors, y o ei ap mock-up design for errors before final publication. sound, artwork, photography, animation, style of type, and other visual th r G elements for the design. Designers also select the size and arrangement of the Working conditions and places of employment different elements on the page or screen. They may create graphs and charts vary. Graphic designers employed by large advertising, from data for use in publications, and they often consult with copywriters on publishing, or design firms generally work regular hours in any text that accompanies the design. Designers then present the completed well-lighted and comfortable settings. Designers in smaller design to their clients or art or creative director for approval. In printing and design consulting firms and those who freelance generally publishing firms, graphic designers also may assist the printers by selecting work on a contract, or job, basis. They frequently adjust the type of paper and ink for the publication and reviewing the mock-up design their workday to suit their clients' schedules and deadlines. for errors before final publication. Consultants and self-employed designers tend to work Working conditions and places of employment vary. longer hours and in smaller, more congested, environments. Graphic designers employed by large advertising, pub- lishing, or design firms generally work regular hours Designers may work in their own offices or studios or in in well-lighted and comfortable settings. Designers in clients' offices. Designers who are paid by the assignment smaller design consulting firms and those who free- are under pressure to please existing clients and to find new lance generally work on a contract, or job, basis. ones to maintain a steady income. All designers sometimes They frequently adjust their workday to suit their face frustration when their designs are rejected or when clients' schedules and deadlines. Consultants and their work is not as creative as they wish. Graphic designers self-employed designers tend to work longer hours and in smaller, more congested, environments. may work evenings or weekends to meet production sched- ules, especially in the printing and publishing industries Designers may work in their own offices or where deadlines are shorter and more frequent. studios or in clients' offices. Designers who are paid by the assignment are under pressure to please existing clients and to find new ones to maintain a steady income. All design- ers sometimes face frustration when their designs are rejected or when their work is not as creative as they wish. Graphic designers may work evenings or weekends to meet produc- tion schedules, especially in the printing and publishing industries where deadlines are shorter and more frequent. “Paragraph Indications - Type Book” pages ---- drawn in Adobe Illustrator yl ay rs t ssis . m e a on i l e o cre hen t n, y gn y ati GRAPHIC DESIGNERS—or tio The esi ma lic c r s t yp e graphic artists—plan, analyze, b t ft a im n . lso pu ai o m — r a e, and create visual solutions to communications problems. They find the most t te an ree gn a l y, sc esi ers fina p o x e r f o d es -- r w o u o effective way to get messages across in print and electronic media using rt cu rm ev o by ith f t - a D ra e o he sig re color, type, illustration, photography, animation, and various print and layout u an d th co yo nd e og ag t de fo t p l s r d n g o la ha th ot e p ies ic be techniques. 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D he teg n g, es w s r w generally work regular hours in well-lighted and comfortable settings. p e c pu ign ork an e p r c e g t ra th h Designers in smaller design consulting firms and those who freelance gener- bl c da d st rs o ien yin n s g s t is on y in d r e a ally work on a contract, or job, basis. They frequently adjust their workday to f o hi s t ti ng ul o fi om t a en a s suit their clients' schedules and deadlines. Consultants and self-employed e st ge Id nic , t- t i or designers tend to work longer hours and in smaller, more congested, envi- Th cu tar ch. mu e d t e ar m ronments. u th se co DESIGNERS may work in their own offices or studios or in clients' t e re te ra offices. Designers who are paid by the assignment are under pressure to r s please existing clients and to find new ones to maintain a steady income. All o designers sometimes face frustration when their designs are rejected or when their work is not as creative as they wish. Graphic designers may work evenings or weekends to meet production schedules, especially in the print- ing and publishing industries where deadlines are shorter and more frequent. “Paragraph Indications - Type Book” pages ---- drawn in Adobe Illustrator “Buddy”/ “Photo to Illustration”---drawn in Adobe Photoshop “Photo Restoration”--original locket size photo --- age 100+ years --- restored & colorized via Adobe Photoshop “Peggy’s 3-year Birsthday Party’/ ‘ Photo Restoration”-- badly damaged original photo---age 60+ years --- -- repaired, restored & colorized via Adobe Photoshop (client project) “Peggy’s 3 year Birthday Party’/ “Photo Restoration/ Duotone/ Sepia”-- from badly damaged original photo --- age 60+ years --- repaired, & restored via Adobe Photoshop (client project) “Broadway”-- Sarasota restaurant/ “Digital Image/ Tri-tone Photograph/ Sepia Print”-- created via Adobe Photoshop (personal project) “Broadway Restaurant”/ “Menu Design” -- created in Adobe InDesign APPETIZERS BROADWAY PIZZA PASTA & MORE Bruschetta 5.50 Traditionally “The Best Pizza in Town” Served with Italian Bread served on garlic toast with Parmesan cheese Toppings: Spaghetti & Meatballs or Meat Sauce 8.95 Homemade Meatballs or Italian Sausage 5.50 with our original seasoning and marinara Artichokes, fresh basil, broccoli, fresh garlic, mushrooms, Spaghetti & Italian Sausage 8.95 meatballs, onions, green or black olives,green peppers, Spaghetti & Mushrooms 8.95 Garlic Bread 3.00 pineapple, fresh spinach fresh tomato; PLUS anchovies, Spaghetti with Olive Oil & Fresh Garlic 8.25 bacon, ground beef, chicken, ham, meatballs, pepperoni, Artichoke Hearts 6.50 pepperoncinis, salami, and Italian sausage. Manicotti with Meatballs or Meat Sauce 8.50 baked with blended white cheeses, Lasagna with Meatballs or Meat Sauce 8.95 served with toast points Grilled Eggplant & Zucchini Lasagna 12.95 Sautéed Spinach 7.95 small medium large (No pasta and No meat) Very good! Jalapeno Poppers 7.95 Cheese 5.95 9.95 12.95 Eggplant Parmigiano 9.95 Stuffed with Cream Cheese and 1 Topping 6.95 11.45 14.95 with side of marinara sauce served with Melba sauce 2 Toppings 7.95 12.95 16.95 Buffallo Wings - 1 Pound 5.95 3 Toppings 8.95 14.45 18.95 Chef’s Special with Pasta Prepared daily! Served with your choice of Hot, Mild 4 Toppings 9.95 15.95 20.95 or Broadway Hot Sauce consisting of a 5 Toppings 10.95 16.45 22.95 combination of Pineapple, Mango and Habernero flavors extra toppings + 1.00 + 1.50 + 2.00 SALADS Basket of Fries 2.95 Antipasto (Small serves 2-4) 10.95 Basket of Onion Rings 4.25 Antipasto (Large serves 4-6) 14.95 Served with Broadway Dipping Sauce SPECIALTY PIZZAS Spinach Salad 8.95 Mozzarella Sticks 4.95 Served with House Marinara Sauce * Quatro Formaggio Pizza: Caprese Salad 9.95 a delicate blend of Romano, Ricotta, Mozzarella & tomatoes sliced with fresh mozzarella, fresh pepper, Chicken Tenders 5.25 Parmesan cheeses; flavored with freshly chopped garden fresh basil & onions on a bed of lettuce Served with Homemade Honey Mustard Caesar Salad 7.95 Basil and Olive Oil traditional offering of fresh romaine lettuce Mussels 8.95 Sauteed in Garlic, Butter & White Wine * Debbie’s Buffalo Chicken Pizza: with Caesar dressing and croutons all white meat chicken with hot sauce and mozzarella Chicken Caesar Salad 9.95 Escargot 8.95 * small medium large fresh grilled chicken (blackened available) atop a Sauteed with Mushroom in a Garlic-Butter fresh bed of romaine lettuce with Caesar dressing 9.95 13.45 18.95 and croutons SOUPS FAST & HEARTY COMBOS French Onion Soup 5.25 Baked Ziti 8.50 topped with crouton and provolone, Stromboli, Cheese & Pepperoni 8.50 Cup of Soup & 1/2 Sandwich 7.75 oven browned choice of Hot Meatball, Italian Sausage, Soup of the Day cup 3.50 bowl 4.95 Stromboli, Vegetarian 8.95 Big Tony or Italian Sub Broadway Chili cup 4.25 bowl 4.95 Twice Baked Spaghetti 8.50 topped with mozzarella cheese Cup of Soup & Tossed Salad 7.50 menu-Broadway_BC_inside.indd 1 4/7/11 1:06 AM “Broadway Restaurant”/ “Menu Design” -- created in Adobe InDesign “Sarasota Opera House”/ “Digital Image Exterior” -- photo enhanced via Adobe Photoshop “Inside Kimball”/ “Digital Image Interior” -- photo enhanced via Adobe Photoshop WSMR/ WUSF Public Media U.S. Postage 4202 East Fowler Avenue PAID TVB100 Permit no. 123 Manasota, FL Tampa, FL 33620-6902 FPO classical music lives . . . . . . on florida’s suncoast “WSMR Classical Radio Introduction”/ “Folding Self Mailer” -- created via Adobe InDesign Public Radio Capital* congratulates W U S F Public Media ** in its vision to further extend public radio programming in West Central Florida. Acquisition of a new radio station enables WUSF Public Media* to potentially reach an additional 500,000 listeners in the southern portion of WUSF 89.7 FM’s broadcast area. “This purchase of WSMR and the format changes on both WUSF 89.7 and WSMR 89.1 will allow WUSF Public Media to significantly increase public media services for the people of West Central Florida,” says JoAnn Urofsky, general manager of WUSF Public Media. “We will be able to provide more programming options for our listeners and attract new listeners.” WUSF has dropped its classical programming in favor of a news and information format. FPO 24/7 classical music on WSMR 89.1 FM is also available to a worldwide listening audience online at www.wusf.org, on the HD radio signal WUSF 89.72, and on the WUSF mobile phone application. Newly based in Sarasota, W S M R broadcast area covers all of Sarasota, Manatee, Charlotte, Desoto and Hardee counties, along with parts of Pinellas, Hillsborough, Polk and Lee counties (with projection to extend the reach of the existing WSMR 89.1 FM signal to include the audience in northern Hillsborough, Pinellas and Pasco counties as well). ? ? ? ARE YOU A MEMBER YET ? ? ? *About Public Radio Capital Public Radio Capital’s mission is to strengthen and expand noncommercial media to provide local communities nationwide with more in-depth information, unbiased news, diverse music and cultural programming. Since its founding in 2001, PRC has completed transactions totaling more than $240 million and secured access to public radio services for approximately 45 million people nationwide. PRC has worked with more than 200 public radio stations ranging from first time station owners to the largest, multi- channel public radio operators in the country, helping them to buy and finance new channels, to preserve existing public radio outlets, and to strengthen their organizations and services. In Oct. 2007, PRC launched the Public Radio Fund to benefit public radio organizations in need of short-term capital for asset-based projects. Public broadcasters are invited to apply for capital loans from the Public Radio Fund for station acquisitions to increase and diversify public radio program services for more people in communities across the country. More information about PRC and the Public Radio Fund is available at www.publicradiocapital.org. **About WUSF Public Media WUSF Public Media is a comprehensive media organization that provides media services to the community and businesses through public broadcasting and multi-media production services. Licensed to the University of South Florida, WUSF Public Media serves the public interest through programming, educational outreach and community partnerships. For more information, visit www.wusf.org. self-mailer.indd 2 4/8/11 6:46 PM “WSMR Classical Radio Introduction”/ “Self Mailer” inside -- created via Adobe InDesign “SCF Annual Ceramics Sale”/ “Postcard” -- created via Adobe InDesign “American Museum of Natural History”/ “BIllboard” - 40 ft X 10 ft -- created via QuarkXpress “Graphic Expressions”/ “Newsletter/ Flier” -- created via QuarkXpress Decidophobia overwhelming, irrational fear of making decisions from mild discomfort, nausea, perspiration —to a full-blown panic / anxiety attack: n Dry Mouth n Heightened Senses n Breathlessness n Dizziness n Muscle Tension n Hyperventilation Trembling specific steps & proven procedures: n n Rapid Heartbeat n Feeling Out of Control DecidoConfidence.Com n Feeling Trapped / No Escape refocusing energy redirecting unconscious mind n n n Feeling of Impending Disaster n reprogramming negative emotion Corridor_Decidophobia.indd 1 3/31/11 3:19 PM “Decidophobia”/ “Poster Design” --- created via InDesign GRAPHIC DESIGN TECHNOLOGY on Florida’s Cultural Coast at State College of Florida MagAd_rendering_2.indd 1 9/13/10 1:09 PM “SCF Graphic Arts”/ “Magazine Ad” --- created via Adobe Photoshop state of the art graphic arts DISCOVER . . . a world-class program within a commuter college * offering a well-rounded curriculum based on: • adaptation of traditional design principles • the latest technology & laboratory equipment • print design, web design, multi-media • one-on-one mentoring • internships/ recruitment . . . attracting & producing well-qualified creative talent: • versed in the use of design as visual communication • educated to meet needs of businesses & organizations • practical application of state-of-the-art skills • ongoing professional enhancement GRAPHIC DESIGN TECHNOLOGY * S T A T E C O L L E G E O F F L O R I D A* . . . on Florida’s Cultural Coast http://graphicdesign.scf.edu “SCF Graphic Arts”/ ”Animated .GIF & EMail Blast” --- created via Adobe Photoshop “CS5”/ “Packaging Design/ Collage” --- created via Adobe Photoshop y p an C om .S.A. ey 5, U e rs h - 0 8 1 CT, e H 33 NY PRODU 714. h 0 A IS 8-1 b y T A 17 OMP OUT TH-800-46 d. ,P Y C B A T. 1 Mf shey RSHE MENTSS 9-4 E r He HE HE OR CO EEKDA s.com. 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So n A U W E Ser ries 15 e ) ar et. mi B OA , EM SUNF U L O lo 1 ( diDV Vita C G OC PR R Ca t Cal. ues ed Val lori E; N; P D/O LAT HI AN Fa aily 0 ca CO CIT ER e n t D 2,00 C HO OY LE UTT rc *Pe ed on a R; K); S OA B GA C bas SU (MIL CO N TS: OSE D IN E T DI LAC ASTE R E T; O ING LK FA DS (R MI ON M AL HERE PULL T & 1 dd y.in LIF d can t3 jec Pro NET WT mildly sweet rich chocolate 1.5 OZ (42 g) with almonds + toffee chips Nutrition Amount/serving %DV* Amount/serving %DV* Facts Total Fat 13 g 20% Total Carb. 25 g 8% Serving Size 1 Bar Sat. Fat 8 g 40% Dietary Fiber 1 g 4% Calories 200 Trans Fat 0 g Sugars 22g Fat Cal. 115 Cholest. 10 mg 3% Protein 3 g *Percent Daily Values (DV) are Sodium 40 mg 2% based on a 2,000 caloried diet. 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E T & ER LIF L H L PU Project 3 candy.indd 1 “Dark Symphony Hershey’s”/ ”Packaging Design Candy Wrapper” --- created via Adobe Illustrator10/6/10 2:07 PM & InDesign “Indianapolis Colts”/ “Sports Team Logo Re-design” --- created via Adobe Illustrator FINE ARTS SOCIETY of SARASOTA Alice Allen ▲ President PO Box 1432 ▲ Sarasota,Florida 34230-1432 ▲ 941▶330 ▶0680 [email protected] ▲ www.fineartssarasota.com FASS_biz_cd_front.indd 1 11/5/10 7:09 PM FASS_biz_cd_back.indd 1 11/5/10 7:14 PM “Fine Arts Society of Sarasota”/ “Identity/ Branding”/ “Logo & Business Card” --- created via Adobe illustrator “Fine Arts Society of Sarasota”/ “Identity/ Branding”/ “Letterhead” --- created via Adobe InDesign FINE ARTS SOCIETY of SARASOTA PO Box 1432 Sarasota ▲ Florida 34230-1432 FASS ENVELOPE2.indd 1 11/5/10 7:40 PM “Fine Arts Society of Sarasota”/ “Identity/ Branding”/ “Stationery & Envelope” --- created via Adobe InDesign “A+ School Tools”/ “Website Design” --- created via Adobe Fireworks & Dreamweaver “A+ School Tools”/ “Website Design” --- created via Adobe Fireworks & Dreamweaver SEE: http://matthewdendy.com/ “Matthew Dendy, Violinist”/ “Website Design” --- created via Dreamweaver & .html/ .css (client project) SEE: http://matthewdendy.com/ “Matthew Dendy, Violinist”/ “Website Design” --- created via Dreamweaver & .html/ .css (client project) SEE: http://matthewdendy.com/ “Matthew Dendy, Violinist”/ “Web site Design” --- created via Dreamweaver & .html/ css. (client project) BONITA CHAMBERS 941.284.0930 . bonchambers verizon.net@ h t t p : //c o n s u l t p c d . c o m Presentation Consultation& Design creative solutions for Visual & Verbal Marketing SUMMARY Resourceful, talented, highly creative professional, with extensive portfolio of accomplishments, offers reliable services for enhancing organizational image and positively impacting measurable objectives. Advanced training, and over 20 years’ significant achievement in a variety of industries/positions provides extraordinary insight and know-how for each new challenge. EXPERTISE VISUAL h Graphic Design h Copy Writing & Editing h Packaging/ Promotion logos, business cards, stationery brochures, catalogues, ads product merchandising IDENTITY SYSTEMS h Theme Development h Print &/or Web Content h Marketing Consultation events presentation PR elements coordination project management PROFICIENCY MAC • Illustrator • Acrobat Pro • Word • Excel • MS Office • MS Works & PC • Photoshop • InDesign • Fireworks • Flash • Po w e r Po i n t • Keynote • Imaging • Dre amwe a ve r • ExpressionWeb • QuarkXPress • ArtExplosion FORMAL Associate Applied Science: GRAPHIC DESIGN TECHNOLOGY (4.0 GPA) State College of Florida, FL 2011 EDUCATION Bachelor of Ar ts: SPEECH & THEATRE & FINE ARTS (Honors) Frostburg State University, MD 1968 NOTABLE h Marketing Consultant PRESENTATION CONSULTATION & DESIGN 1989—1992/ 1994--- CAREER • Service to retailers, suppliers, educational, governmental organizations, small businesses, publications, expos. EXPERIENCE • Arts Councils Membership committees, exhibits & cultural events. Arts organizations enhancement programs. & SUCCESS • Talent management, performing artists, PR, marketing materials, events, program planning, writing & design. h Graphic Designer SRQ MEDIA GROUP 2011 • Created print ads, email blasts, animated banner ads, gifs, page layouts, greeting cards, enhanced photos. • Utilized Adobe prog rams (CS3, CS4, CS5.5) InDesign, Illus trat or, Phot oshop, Acrobat, etc. • Coordinated promotional packages, identity systems, logos, branding, etc. Completed Internship. h Retail Marketing Director/Store Manager The COLLECTION by ALIKI (Sarasota, FL) 2002-03,2004-06 • Launched Designer Boutique prototype/ flagship store, planned & executed marketing & presentation strategies. • Wrote copy, designed/ produced print ads, television commercials & promotional collateral for image continuity. • Developed consistent PR, staged fashion shows, informal modeling & events in support of N F P organizations. • Increased Sales Volume by more than 500% within 5 months, averaging 4.75 items per transaction/ $340 PSF. h Visual Merchandising Director BEALLS’ DEPARTMENT STORES, FL 1992—1994 • Directed 53 department stores/ 8 specialty stores, creative merchandising, standards, training & communication. • Designed, planned, purchased, implemented shops, events, promotional materials, graphics & properties. • Coordinated Merchandising, Sales Promotion, Store Development & Operations: Cut expense by 30-40%. h Assistant Director Visual Presentation STEWART DRY GOODS, KY/ L.S. AYRES & Co.,IN 1982—89 • Creative direction of 7-25 full-line Department Stores, Central Production, Silk Screen/Sign Shop staff/ facilities. • Project management, conceptual design, budgeting, procurement, executing of seasonal/ theme presentations. • Introduced cost-cutting initiatives for in-house production of graphics, trims & fixtures: Saved $132,000+ yearly. h Book Publicist/ Editor/ Critic A Cappela Publishing 2001—02 / American Book Publishing Group 2001 Designed, implemented marketing plans for books: Media Kits (press releases, design visuals, website content). • Research, data collection, Internet affiliate development. Media contacts: pre-launch/ ongoing post-release PR. • Manuscript review/ critique, editorial services, conceptual cover design analysis, logo/ merchandising collateral. Lecturer (faculty) Consumer Sciences & Retailing, PURDUE UNIVERSITY, IN 1989-1991 • Designed & taught accredited courses, workshops, intern programs in Retail & Fashion curricula. Wrote text. h Sales/ Visual Merchandising Manager Dillard’s, FL 2002/ Sears, FL 1999—00/ McRae’s, MS 1975-82 • Improved sales and customer service via effective presentation of high volume store. Vendor promos/ co-op. h Managing Artistic Director/AEA Artist in Residence Jackson Little Theatre/ MS Arts Commission 1974-75 Theatre direction, marketing, ‘PR’ writing, design (promo pieces, sets, costumes, etc.) performance, workshops. OVER 50 NATIONAL & REGIONAL AWARDS FOR EXCELLENCE & CREATIVIT Y ! Including Visual Concepts for Oscar de la Renta, Estee Lauder, Elizabeth Arden, Revlon, Hanes, Haggar, Pillowtex, etc. PLUS Recognition for achievements in Fine and Performing Arts in association with Kappa Pi and Alpha Psi Omega .
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