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How to Read a Folktale offers the first English translation of Ibonia, a spellbinding tale of old Madagascar. Ibonia is a folktale on epic scale. Much of its plot sounds familiar: a powerful royal hero attempts to rescue his betrothed from an evil adversary and, after a series of tests and duels, he and his lover are joyfully united with a marriage that affirms the royal lineage. These fairytale elements link Ibonia with European folktales, but the tale is still very much a product of Madagascar. It contains African-style praise poetry for the hero; it presents Indonesian-style riddles and poems; and it inflates the form of folktale into epic proportions. Recorded when the Malagasy people were experiencing European contact for the first time, Ibonia proclaims the power of the ancestors against the foreigner. Through Ibonia, Lee Haring expertly helps readers to understand the very nature of folktales. His definitive translation, originally published in 1994, has now been fully revised to emphasize its poetic qualities, while his new introduction and detailed notes give insight into the fascinating imagination and symbols of the Malagasy. Haring’s research connects this exotic narrative with fundamental questions not only of anthropology but also of literary criticism.
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This book explores how, in Kant’s world view, our actions are informed, contextualized and dependent on the tension between emotion and reason. Arguing that affects and passions are illnesses of the mind, because both hinder the sovereignty of reason, Borges demonstrates Kant’s recognition of the malleability of reason. To this end, the book explores the full range of negative and positive emotions in Kant’s work, including self-control, compassion, sympathy, as well as anger. Kant’s argument on the gendered nature of emotion, that women’s innate morality disciplined men’s tendency to behave in immoral ways, is also discussed. Finally, Borges shows how Kant’s theory of emotion includes both physiological and cognitive aspects. Emotion, Reason and Action in Kant is an important new contribution to Kant Studies, suitable for students of Kant, ethics, and moral psychology.This book is made open access as part of the Knowledge Unlatched KU Select 2018: HSS Frontlist Books
Das Recht einer Gesellschaft reflektiert und konditioniert ihren dialektischen Selbstwiderspruch in der Gestalt der in ihr vorhandenen Macht/Ohnmacht-Verhältnisse. Da Macht nicht nur Recht, sondern auch Unrecht macht, vermag das Recht die inner- und zwischenstaatlichen Antagonismen höchstens zu domestizieren. Es stabilisiert die in einer herrschaftsförmig organisierten Gesellschaft vorhandenen strukturellen Gewalten. Die Ungleichheit unter dem Gesetz wird, wenn die Gleichheit vor dem Gesetz sie ignoriert, bestandgeschützt. Mit dem Recht wird menschliches Verhalten legalisiert und illegalisiert. Wodurch aber wird das Recht legitimiert und illegitimiert? Auch darauf wird hier eine Antwort versucht. Besonders bedeutsam in Zeiten, da dem Rechtsstaat von einem »Unsozialstaat« und dem Völkerrecht vom Faustrecht Gefahr droht.
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Das bürgerliche Familienbild hat sich im Verlauf dieser Arbeit als Ethos herausgestellt, das die untersuchten Dramen sowohl thematisch als auch auf der Handlungsebene strukturiert. Zwei Komponenten konnten als entscheidend herausgearbeitet werden: Zum einen hat sich das Ideal der intimen und emotionalen bürgerlichen Kleinfamilie im Medium des Theaters herauskristallisiert und konstituiert. Dies geschah nicht selten, indem über die Inszenierung eines negativen oder katastrophalen Handlungsverlaufes potentielle positive Verhaltensweisen Konturen gewannen und zum Ideal familialer Beziehungen erhoben wurden. Die frühen bürgerlichen Trauerspiele leisteten einen wichtigen Beitrag zur Etablierung des in der Aufklärung neuen Familienleitbildes508 und wurden damit paradigmatisch für die enge Beziehung und die Wechselwirkung zwischen bürgerlicher familiärer Lebenswelt und ihrer literarischen Reflexion.
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While portrayals of immigrants and their descendants in France and throughout Europe often center on burning cars and radical Islam, Citizen Outsider: Children of North African Immigrants in France paints a different picture. Through fieldwork and interviews in Paris and its banlieues, Jean Beaman examines middle-class and upwardly mobile children of maghrébin, or North African immigrants. By showing how these individuals are denied cultural citizenship because of their North African origin, she puts to rest the notion of a French exceptionalism regarding cultural difference, race, and ethnicity and further centers race and ethnicity as crucial for understanding marginalization in French society.
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