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Kuzey Kıbrıs’ta Ev İlanları, Araba İlanları, Haberler ve Alışveriş İçin Süper Uygulama
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Database of Adverse Event Notifications - medicines - Medicine summary, generated 14 July 2021
Therapeutic Goods Administration
Adverse Event reports
Choose Right Nokia 4A0-C04 Dumps To Practice - 4A0-C04 Exam Dumps V8.02.pdf
DumpsBase
IT Exam Dumps
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Paycio.pdf
At Paycio, we redefine crypto payments with our Unified Crypto Payment Interface (UCPI). Revolutionizing B2B and B2C transactions, our platform ensures swift, secure, and effortless digital cryptocurrency transactions.
The Models of Space, Time and Vision in V. Nabokov’s Fiction: Narrative Strategies and Cultural Frames
CC BY-NC-ND
Marina Grishakova belongs to the younger generation scholars of the Tartu-Moscow school of semiotics. Her book is part of a semio-narratological tradition of a single author or a single work research that tackles issues of wider theoretical import: applicability of the concept of “modeling” in the humanities, theory of mimesis and the function of experimental literature in (post)modernist culture. By drawing on Y. Lotman’s conception of artistic models, the book adopts the semiotic perspective on modeling as an open-ended heuristic process underlying the logic of discovery and creative thinking. The book discusses the models of time and memory in modernist culture (Nietzsche’s and Bergson’s philosophy of time, Minkowski’s research on the psychopathological types of temporality) and their relevance to Nabokov’s fiction; popular-scientific notions of serialism and the fourth dimension; thematizations of the observer in modernist philosophy and arts; visual “prostheses” and “machines” (Eco), particularly the “camera vision” metaphor, its relation to Bergson’s notion of automatism and the popular idea of the criminal use of hypnosis. Vision is thematized also as a means of seduction and noncoercive control. Even before Foucault, Baudrillard and other critics of modernity, Nabokov noticed that advertising, political propaganda and erotic seduction alike employ implicit forms of suggestion. The book revises Rorty’s dilemma of “autonomy” and “solidarity” as applied to Nabokov’s work and offers new readings. It considers categories of narrative poetics as forms of cultural encoding that broaden and transform reader’s modes of perception and sense-making. Micro-models active in certain contexts or in the works of certain authors function as mobile interfaces between individual sensibilities and complex cultural chrono- and spatio-types where time and space take on conceptual meaning. (This title is the second revised edition, available online only. The web shop refers to the first edition, which is available as a paper monograph.)
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THERESAH KWAKYEWAH BAIDOO
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What can you expect from the Criminal Defense Lawyers In Singapore.pdf
Criminal Lawyer Singapore
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Machiavelli, Volume I
Niccolò Machiavelli
PD-US
Contains: "The Arte of Warre" translated by Peter Whitehorne, (1560), and "The Prince, E.D. with Some Animadversions Noting and Taxing his Errors" translated by Edward Dacres (1640).
