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Climate change and globalisation are opening up the Arctic for exploitation by the world – or so we are told. But what about the views, interests and needs of the peoples who live in the region? This volume explores the opportunities and limitations in engaging with the Arctic under change, and the Arctic peoples experiencing the changes, socially and physically. With essays by both academics and Arctic peoples, integrating multiple perspectives and multiple disciplines, the book covers social, legal, political, geographical, scientific and creative questions related to Arcticness, to address the challenges faced by the Arctic as a region and specifically by local communities. As well as academic essays, the contributions to the book include personal reflections, a graphic essay, and poetry, to ensure wide and varied coverage of the Arctic experience – what the contributions all have in common is the fundamental human perspective. Topics covered in the essays include indigenous identity and livelihoods such as reindeer herding, and adapting to modern identities; a graphic essay on the experience of Arctic indigenous peoples in residential schools; the effects of climate change; energy in the Arctic; and extractive industries and their impacts on local communities. The book includes reflections on the future of Arcticness, engaging with communities to ensure meaningful representation and as a counterpoint to the primacy of environmental, national and global issues.

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CC BY-NC-ND

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CC BY-NC-ND

"New modes of epistemic relationships in artistic research
Research leads to new insights rupturing the existent fabric of knowledge. Situated in the still evolving field of artistic research, this book investigates a fundamental quality of this process. Building on the lessons of deconstruction, artistic research invents new modes of epistemic relationships that include aesthetic dimensions.
 
Under the heading transposition, seventeen artists, musicians, and theorists explain how one thing may turn into another in a spatio-temporal play of identity and difference that has the power to expand into the unknown. By connecting materially concrete positions in a way familiar to artists, this book shows how moves can be made between established positions and completely new ground. In doing so, research changes from a process that expands knowledge to one that creatively reinvents it.
 
Contributors: Annette Arlander (University of the Arts Helsinki), Paulo de Assis (Orpheus Institute, Ghent), Rosi Braidotti (Utrecht University), Leif Dahlberg (Royal Institute of Technology Stockholm), Lucia D’Errico (Orpheus Institute, Ghent), Mika Elo (University of the Arts Helsinki), Laura González (Royal Conservatoire of Scotland), Esa Kirkkopelto (University of the Arts Helsinki), Yve Lomax (Royal College of Art, London), Cecile Malaspina (CNRS-Université Paris 1/Université Paris 7), Tor-Finn Malum Fitje (independent artist, Oslo), Dieter Mersch (Zurich University of the Arts), David Pirrò (University of Music and Performing Arts Graz), Hans-Jörg Rheinberger (Max Planck Institute for the History of Science, Berlin), Hanns Holger Rutz (University of Music and Performing Arts Graz), Michael Schwab (Orpheus Institute, Ghent/University of Applied Arts Vienna), Birk Weiberg (Zurich University of the Arts)"