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Among infectious diseases, viral infections are the leading cause of death worldwide, especially in the most low-income countries, particularly in young children. Most of the human viruses are all well characterized in terms of structure, life-cycle, tropism, and associated primary pathologies, but many of the pathogenetic mechanisms underlying their ability to cause acute infection, persist or reactivate in the host and cause chronic and/or degenerative damage, and still need to be fully clarified. At the same time, it seems necessary to develop novel therapeutic approaches and rationale, and possibly more potent antiviral compounds that are addressed to novel targets.

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epistemic justification; infinite regress; epistemology; ethics; metaphysics; philosophy

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Arthropod-borne viruses affect billions of people around the world and comprise a significant proportion of emerging human pathogens. This Special Issue provides a global perspective on emerging arboviruses in endemic regions, as well as areas of introduction. Articles span entomological, clinical, and epidemiological aspects of West Nile virus, Rift Valley fever virus, Japanese encephalitis virus, Zika virus, chikungunya virus, Crimean Congo hemorrhagic fever virus, tick-borne encephalitis virus, and Venezuelan equine encephalitis virus.

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Spectacle 2.0 recasts Debord's theory of spectacle within the frame of 21st century digital capitalism. It offers a reassessment of Debords original notion of Spectacle from the late 1960s, of its posterior revisitation in the 1990s, and it presents a reinterpretation of the concept within the scenario of contemporary informational capitalism and more specifically of digital and media labour. It is argued that the Spectacle 2.0 form operates as the interactive network that links through one singular (but contradictory) language and various imaginaries, uniting diverse productive contexts such as logistics, finance, new media and urbanism. Spectacle 2.0 thus colonizes most spheres of social life by processes of commodification, exploitation and reification. Diverse contributors consider the topic within the books two main sections: Part I conceptualizes and historicizes the Spectacle in the context of informational capitalism; contributions in Part II offer empirical cases that historicise the Spectacle in relation to the present (and recent past) showing how a Spectacle 2.0 approach can illuminate and deconstruct specific aspects of contemporary social reality. All contributions included in this book rework the category of the Spectacle to present a stimulating compendium of theoretical critical literature in the fields of media and labour studies. In the era of the gig-economy, highly mediated content and President Trump, Debords concept is arguably more relevant than ever.

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We are pleased to present “Optical Trapping and Manipulation: From Fundamentals to Applications”, a Special Issue of Micromachines dedicated to the latest research in optical trapping. In recognition of the broad impact of optical manipulation techniques across disciplines, this Special Issue collected contributions related to all aspects of optical trapping and manipulation. Both theoretical and experimental studies were welcome, and applications of optical manipulation methods in fields including (but not limited to) single molecule biophysics, cell biology, nanotechnology, atmospheric chemistry, and fundamental optics were particularly welcome in order to showcase the breadth of the current research. The Special Issue accepted diverse forms of contributions, including research papers, short communications, methods, and review articles representing the state-of-the-art in optical trapping.

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Transportation Research Part E, 166 (2022) 102903. doi:10.1016/j.tre.2022.102903

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Can Nietzsche be considered a thinker of media and mediation, as the German media theorist Friedrich Kittler declared in his influential book Gramophone, Film, Typewriter?Nietzsche was a truly transdisciplinary thinker, one who never fit into his own nineteenth-century surroundings and who recognized himself as a “herald and precursor” of the future, of our globally-reticulated digital present. Perhaps not since Kittler has there been a study — let alone an anthology — that re-assesses and re-evaluates Nietzsche’s thought in light of the technically mediated and machinic conditions of the human in the age of digital networks.Drawing on the first four years of conference-proceedings from the annual Nietzsche Workshop @ Western (NWW, Western University), which culminated in the “New York NWW.IV”: Cyber-Nietzsche: Tunnels, Tightropes, Net-&-Meshworks (held at the Center for Transformative Media, Parsons The New School for Design), The Digital Dionysus explores Nietzschean themes in light of the problems and questions of digitization, information and technical mediation, offering its readers the opportunity to consider Nietzsche’s contemporary relevance in light of emerging theories in new media studies, political studies, critical aesthetics, the digital humanities and contemporary post-continental philosophy.Co-edited by Dan Mellamphy and Nandita Biswas Mellamphy (Western University, UWO) for the CTM Documents Initiative imprint (Center for Transformative Media, Parsons School of Design, The New School), the volume features essays and works by leading and emerging philosophers, artists, [h]activists, and political media theorists.TABLE OF CONTENTS // 00. Nietzsche & Networks, Nietzschean Networks: The Digital Dionysus, by Dan Mellamphy & Nandita Biswas Mellamphy / 01. #Digital Alexandrians: Greek as Musical Code for Nietzsche & Kittler, by Babette Babich / 02. The Internet as a Development from Descartes’ Res Cogitans: How to Render it Dionysian, by Horst Hutter / 03. Networked Nightmares: On Our Dionysian Post-Military Condition, by Manabrata Guha / 04. A Philosophy of the Antichrist in the Time of The Anthropocenic Multitude: Preliminary Lexicon for the Conceptual Network, by Gary Shapiro / 05. Occupying God’s Shadow: Nietzsche’s Eirōneia, by Julian Reid / 06. Reading Nietzsche in the Wake of the 2008–9 War on Gaza, by C. Heike Schotten / 07. Nietzsche’s Amor Fati: Wishing and Willing in a Cybernetic Circuit, by Nicola Masciandaro / 08. Outing the ‘It’ that Thinks: On the Collapse of an Intellectual Ecosystem, by R. Scott Bakker / 09. All for Naught, by Eugene Thacker / 10. A Horse is Being Beaten: On Nietzsche’s ‘Equinimity,’ by Dominic Pettman / 11. The Rope Dancer’s Fall: ‘Going Under’ as Undergoing Nietzscheo-Simondonian Transindividuation, by Sarah Choukah / 12. The Will to Obsolescence: Nietzsche, Code, and the Digital Present, by Jen Boyle / 13. Farmville, Eternal Recurrence, and the Will-to-Power-Ups, by Dylan Wittkower / 14. Aesthetic States of Frenzy: Nietzsche’s Aesthetic Palimpsest, by Joseph Nechvatal / 15. ‘Philosophizing With a Scalpel’: From Nietzsche to Nina Arsenault, by Shannon Bell / 16. ‘Nietzsche in Drag’: Thinking Technology through the Theater of Judith Butler, by Arthur KrokerABOUT THE EDITORDan Mellamphy and Nandita Biswas Mellamphy (Western University) are inaugural and ongoing Fellows of the Center for Transformative Media at Parsons School of Design, The New School, Founders of the annual Nietzsche Workshop @ Western (NWW, UWO Canada), and Directors of the international Electro-Governance Group (EGG, UWO Canada), an interdisciplinary multi-departmental research center. They have published — together and independently — in the journals Deleuze Studies, Foucault Studies, Dalhousie French Studies, Culture Machine, Fibreculture, Parrhesia, Paideusis, Platform, Collapse, Symposium and Modern Drama (among others), and in anthologies such as Nietzsche as Political Philosopher; Nietzsche & Political Theory; Alchemical Traditions from Antiquity to the Avant-Garde; Leper Creativity; The Imaginary App; Critical Posthumanism and Planetary Futures; and Marshall McLuhan’s & Vilém Flusser’s Communication & Aesthetic Theories Revisited (among others). Nandita is the also the author of The Three Stigmata of Friedrich Nietzsche: Political Physiology in the Age of Nihilism (Palgrave, 2011) and Dan is also the author of Beckett Beckons: Abductive Approaches to the Post-human Present (in progress).

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his book consists of selected papers delivered at “First International Conference on Rhetoric in Croatia: the Days of Ivo Škarić” in May, 2012, and subsequently revised for publication. Through a variety of different routes, the papers explore the role of rhetoric and argumentation in various types of public discourse and present interdisciplinary work connecting linguists, phoneticians, philosophers, law experts and communication scientists in the common ground of rhetoric and argumentation.

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