Johnson Legal Family Law is here to support you to agree on issues such as care of your children,transfer or sale of property and financial assistance for you and/or your children.Get the best out of a separation agreement with assistance from our lawyers in Edinburgh.

admin

v4

CC BY

This open access volume provides for the first time a comprehensive description and scientific evaluation of underwater archaeological finds referring to human occupation of the continental shelf around the coastlines of Europe and the Mediterranean when sea levels were lower than present. These are the largest body of underwater finds worldwide, amounting to over 2500 find spots, ranging from individual stone tools to underwater villages with unique conditions of preservation. The material reviewed here ranges in date from the Lower Palaeolithic period to the Bronze Age and covers 20 countries bordering all the major marine basins from the Atlantic coasts of Ireland and Norway to the Black Sea, and from the western Baltic to the eastern Mediterranean. The finds from each country are presented in their archaeological context, with information on the history of discovery, conditions of preservation and visibility, their relationship to regional changes in sea-level and coastal geomorphology, and the institutional arrangements for their investigation and protection. Editorial introductions summarise the findings from each of the major marine basins. There is also a final section with extensive discussion of the historical background and the legal and regulatory frameworks that inform the management of the underwater cultural heritage and collaboration between offshore industries, archaeologists and government agencies. The volume is based on the work of COST Action TD0902 SPLASHCOS, a multi-disciplinary and multi-national research network supported by the EU-funded COST organisation (European Cooperation in Science and Technology). The primary readership is research and professional archaeologists, marine and Quaternary scientists, cultural-heritage managers, commercial and governmental organisations, policy makers, and all those with an interest in the sea floor of the continental shelf and the human impact of changes in climate, sea-level and coastal geomorphology.

Mickaella Mae R. Atas

CC BY

This book ranges from the geologic-petrologic description of world-wide major volcanic fields unfamiliar to international literature, to the discussion and interpretation of the results in light of geophysical techniques. It focuses on several situations that represent large-scale volcanism on Earth, related both with intra-plate or active margins. Many large volcanic complexes of Easter countries are presented, including Japan, Siberian Russia, and Mongolia. A detailed account of the European volcanic province of the Pannonia basin and Central-Southern Spain is given. Southern hemisphere areas of Antarctica and Polynesia are considered as well. The chapters are very informative for those who wish for a guide to visiting, or are curious about main characteristics of the above volcanic areas, some of which are remote and not easily accessible.

v4

CC BY-NC-ND

This is the first monograph about the Austro-American Composer Max Steiner (1888-1971), one of the great pioneers of film music in the so-called Golden Age of Hollywood. In the early 1930ies with his visionary energy he helped to establish symphonic film music as an integrated part in the film production process. In contrary to many of his colleagues, Mr. Steiner had devoted himself completely to film music. Therefore the preoccupation with Max Steiner's music gives a very valuable insight into the craft of film composing. Supported by many quotes and music examples, the first part of this monograph shows how Mr. Steiner wrote his film music. From the first viewing and the spotting session to the final exact timing of the cues, the whole creative and technical process of his film composing is demonstrated. The music of Max Steiner has a couple of quasi formulaic elements: the regular use of leitmotifs, quotations from his own music and the accurate synchronisation of screen action and music cues (with its extreme form, the so-called mickey mousing). The principles of the subjective use of harmonies as well as the technique of instrumentation are shown. The reader will also learn about the special relationship between composer and orchestrator. This distinctive form of collaboration was typical for the Hollywood cinema of the 30ies and 40ies of the 20th century, the so called Golden Age and still is today. Because the studios wanted to save the precious time of their employed composers, they wanted them to write their music on sketch paper with two to four staves, with the themes, voice leadings, harmonies and basic requirements of instrumentation. Then the orchestrator had to transform this into a complete score. Throughout his whole career, Mr. Steiner had been working with three orchestrators. This collaboration reached such an intuitive level, that is was sufficient that Max Steiner wrote only rudimentary musical information. When these sketches had been transformed into scores, Steiner conducted the studio orchestra, where he normally used the click. The second part of the book is based to a big extent on Steiner's yet unpublished autobiography. Born at the end of the 19th century in Vienna, Max Steiner was considered a musical wunderkind. His father as well as his grandfather before him was a famous theatre impresario. One of his teachers was Gustav Mahler. Steiner's first career as composer, arranger and conductor of operettas and musicals led him from Vienna to London and New York and lasted about 30 years. Then, in 1929, he got a call from Hollywood where he fulfilled his determination as dean of film music (Bette Davis). In the 50ies, when the symphonic film music lost its acceptance also Max Steiner's amount of work decreased. In 1965 he wrote his last of more than 300 scores. With the help of original documents from the archive of Warner Bros., such as memos, letters or billings the reader will get a three dimensional insight not only about how the movie Casablanca was made but on the mechanisms of the movie industry as a whole. Parts of the original sketches and the score of the music for Casablanca have been carefully transformed into a piano reduction to demonstrate even more clearly the efficient use of his skills and the yet highly artistic approach of Mr. Steiner Furthermore an example of this film music is compared to an excerpt of Richard Wagner's Ring des Nibelungen. There the reader will see how film music was not only inspired by but precisely obtained musical tools from the late romantic music theatre. Or, in Max Steiner's own words: "If Wagner would have lived in this century, he would be the number one film composer". Max Steiner is an outstanding protagonist of a generation of European immigrants who formed the cultural life in the USA. He is an important link between his native city Vienna and his new homeland America and through composers such as Steiner the tradition of the late European romantic music still lives in the film music of Howard Shore or John Williams.Dies ist die erste Monographie über den austro-amerikanischen Komponisten Max Steiner (1888-1971), einen der großen Pioniere der Filmmusik des so genannten Goldenen Zeitalters Hollywoods. Es ist Max Steiners Verdienst, in den frühen 1930ern die sinfonische Filmmusik als gleichberechtigten und dramaturgisch unerlässlichen Bestandteil im Produktionsprozess der Filmindustrie Hollywoods durchgesetzt und etabliert zu haben. Steiner hat sich, im Gegensatz zu vielen seiner Kollegen, gänzlich der Filmmusik verschrieben. Daher verschafft einem die Beschäftigung mit Max Steiner einen guten Einblick, wie Filmmusik wirklich funktioniert. Unterstützt von vielen Zitaten und Notenbeispielen wird im ersten Teil der Monographie gezeigt, wie Max Steiner seine Filmmusik geschrieben hat. Dies beginnt bei der ersten Annäherung an den fertig geschnittenen Film, der schrittweisen Einteilung des Filmes und dem Festsetzen der cues. Max Steiners Musik beinhaltet verschiedene gleichsam formulaische Gestaltungsmerkmale: umfassender Gebrauch von Leitmotiven, häufiges Zitieren eigener Musik, punktgenaues Synchronisieren von Leinwandaktion und Musik, bis hin zum so genannten Mickey Mousing. Der subjektive Gebrauch der Harmonien und die Grundprinzipien der Instrumentierung werden erläutert, sowie die für die Filmmusik auch heute noch typische Kooperation zwischen Komponist und Orchestrator, bei welcher die Komponisten nur die wichtigsten musikalischen Informationen in zwei- bis vierzeilige Notensysteme schreiben, und die Orchestrator dies dann in fertige Partituren ausarbeiten. Während seiner gesamten Karriere arbeitete Steiner lediglich mit drei Orchestrierern. Diese Zusammenarbeit erreichte ein sehr hohes intuitives Niveau, so dass Steiner oftmals nur noch rudimentäre Angaben in seinen Skizzen gemacht hat. Seine Filmmusiken dirigierte er stets selbst, wobei er nach eigenen Angaben fast immer mit Klick arbeitete. Der biographische Teil stützt sich im Wesentlichen auf die bisher unveröffentlichte Autobiographie Max Steiners. Steiner, geboren im Wien des ausgehenden 19. Jahrhunderts, war nach heutigen Vorstellungen ein musikalisches Wunderkind. Sein Vater war, ebenso wie bereits sein Großvater, ein wichtiger Theaterimpresario. Einer seiner Lehrer war Gustav Mahler. Steiners erste Karriere als Komponist, Arrangeur und Dirigent von Operetten und Musicals dauerte an die dreißig Jahre und umfasste die Stationen Wien, London und New York, bevor ihn 1929 der Ruf nach Hollywood ereilte, wo sich seine Bestimmung als Dean of Film Music (Bette Davis) erfüllen sollte. In den fünfziger Jahren, als die Bedeutung der sinfonischen Filmmusik im Allgemeinen abzunehmen begann, verblasste auch langsam Steiners Stern. 1965 schrieb er die letzte von über 300 Filmmusiken. Im dritten Teil wird zum einen mit Hilfe von Originaldokumenten wie Memos oder Briefen und Abrechnungen die genaue Entstehungsgeschichte des Filmes Casablanca nachgezeichnet. Der Leser bekommt zudem aus erster Hand einen Einblick in die Mechanismen der Filmindustrie. Zum anderen wurden Teile der Originalskizzen Steiners sowie der fertigen Partitur zu dieser Filmmusik vom Autor dieses Buches in Klavierauszüge umgewandelt, um so anschaulich zu dokumentieren, wie ökonomisch und dennoch musikalisch stimmig und kunstvoll Max Steiner gearbeitet hat. Darüber hinaus wird durch einen Vergleich einer Passage dieser Filmmusik mit Auszügen aus Wagners Ring des Nibelungen dem Leser veranschaulicht, wie sehr die Filmmusik nicht nur ihre Inspiration, sondern ganz konkrete kompositorische Prinzipien vom spätromantischen Musiktheater übernommen hat. Oder, wie Steiner es einmal ausdrückte: "If Wagner would have lived in this century, he would be the number one film composer". Max Steiner ist einer der herausragenden Protagonisten einer Generation von europäischen Einwanderern, die das kulturelle Leben der USA nachhaltig geprägt haben. Er ist ein wichtiges Bindeglied zwischen seiner Geburtsstadt Wien und seiner neuen Heimat Amerika. Nicht zuletzt durch ihn lebt die Tradition der europäischen Spätromantik bis heute in der Kinomusik etwa eines Howard Shore oder John Williams weiter.

Three Strikes

Public Domain

In 2025 US Republican, Ronny Jackson, tabled "a bill to require a full review of the bilateral relationship between the United States and South Africa and identify South African government officials and ANC leaders eligible for the imposition of sanctions, and for other purposes". This is my response.

In a world defined by rapid technological change, the smartest businesses are those that blend flexibility with stability

CC BY

Die Dissertation ist an der Schnittstelle von Betriebswirtschaftslehre und Entwicklungsökonomie angesiedelt. Basierend auf einem Multimethodenansatz werden jeweils zwei Fallstudien in Vietnam und auf den Philippinen aus beiden Perspektiven dargestellt. Der entwicklungsökonomische Teil der Arbeit umfasst die Darstellung von Good Governance und Global Governance. Anschließend werden die Auswirkungen von ausländischen Direktinvestitionen und von Energie- und Straßeninfrastruktur auf Wirtschaftswachstum und Armutsreduktion diskutiert. Ein weiterer Schwerpunkt liegt auf der Darstellung von Public Private Partnerships. Keine Fallstudie liefert einen direkten langfristigen Beitrag zur Armutsreduktion, aber sie tragen zum Wirtschaftswachstum bei. Zusammenfassend kann festgehalten werden, dass die positiven Auswirkungen von privat finanzierter Infrastruktur auf die Armutsreduktion überschätzt werden.

Khushbu Kumari

The Global Activated Carbon Market Research Report Forecast is a valuable source of insightful data for business strategists. It provides the industry overview with trend analysis, historical, futuristic data, revenue, demand and strategic development.

Digital Almighty

Take a look at the top 5 digital trends for 2022 and adjust your marketing strategy accordingly! Read more in detail about all the trends and what more you can do.

Jeetendra

Percy Keese Fitzhugh (editor)

PD-US

Ritisuyo

Peru, a land steeped in ancient history and breathtaking landscapes, beckons the adventurous souls and culture enthusiasts alike.

Burn Blend Reviews

Burn Blend Reviews

Burn Blend is more than just a fat burner — it’s a performance enhancer, focus booster, and energy support system in one.

Burn Blend

Burn Blend

Burn Blend is more than just a fat burner — it’s a performance enhancer, focus booster, and energy support system in one.

futuristicreports.com

Medical Devices

Windows User

F. Hamilton (Frederick Hamilton) Jackson

PD-US

Bio Basic

DNA extraction is a crucial step in molecular biology that involves the isolation of DNA from other cellular components. There are several methods for DNA extraction,such as with the help of a dna extraction kit of Bio Basic and the choice of method depends on the source and quantity of DNA required, the type of sample, and the downstream application.

jasveer singh

Jacques Futrelle

PD-US

Part 1. The burglar and the girl -- pt. 2. The girl and the plate -- pt. 3. The thinking machine.