This political biography uses Howe's personal history as a lens through which to explore the British civil rights movement in the years of 1970s and 80s.
Dreams for Dead Bodies: Blackness, Labor, and the Corpus of American Detective Fiction offers new arguments about the origins of detective fiction in the United States, tracing the lineage of the genre back to unexpected texts and uncovering how authors such as Edgar Allan Poe, Mark Twain, Pauline Hopkins, and Rudolph Fisher made use of the genres puzzle-elements to explore the shifting dynamics of race and labor in America. The author constructs an interracial genealogy of detective fiction to create a nuanced picture of the ways that black and white authors appropriated and cultivated literary conventions that coalesced in a recognizable genre at the turn of the twentieth century. These authors tinkered with detective fictions puzzle-elements to address a variety of historical contexts, including the exigencies of chattel slavery, the erosion of working-class solidarities by racial and ethnic competition, and accelerated mass production. Dreams for Dead Bodies demonstrates that nineteenth- and early twentieth-century American literature was broadly engaged with detective fiction, and that authors rehearsed and refined its formal elements in literary works typically relegated to the margins of the genre. By looking at these margins, the book argues, we can better understand the origins and cultural functions of American detective fiction. Print editions available from University of Michigan Press.
Porno-Graphics and Porno-Tactics asks whether, and how, it is possible to re-appropriate pornography and think through it critically and creatively for a project of liberation. In the different contributions which make up this deliberately heterogeneous collection of short, non-canonical essays, such a quest proceeds by re-articulating the aporias of desire, intimacy, touch and seduction. It also relates them to claims of visibility, visions of emancipation and its failures, as well as to the politics of violence that we get exposed to through circulating images and affects. This is an attempt to exceed the limits set by and for ourselves in relation to how we connect to our own bodies, to the bodies of our lovers and to the bodies of the theories we live with, sleep with and dream about – in short, to all that we get attached to. The editors and contributors of this collection do not claim the euphoric potentiality of pornography as necessarily subversive and emancipatory, but are nevertheless open to the possibilities of re-shaping it (in textual, contextual, intertextual, but also affective and embodied forms) through different graphic and tactical/tactile inscriptions. On the one hand, authors reflect on definitions and practices of pornography as a genre adopting specific codes and canons, whether it is concerned with sex acts and the industry of porn or with other predominant forms of representation and the structures of power underlying them. On the other hand, chapters relate to the more affective, libidinal, synaesthetic and inter/subjective dimensions of pornography, and on the capacity of different reappropriations to subvert its limits.
A screenshot of some the most rapidly evolving fields in Neonatology and Pediatrics with articles reviewing some metabolic dysregulations as well as non-oncologic diseases that may occur in infancy, childhood, youth. The illustrative material with original photographs and drawings highlighting some pathogenetic concepts are keystones of this book.
This study is offering a review of the most important institutions of the Romanian law of evidence: the fundamental principles of civil procedure, as well as the general principles of evidence taking; an analysis of the various means of evidence, and of the rules regarding the taking of evidence; some specific issues such as the unlawful evidence, the costs, language and translation in the process of the taking of evidence, are also examined.
Over the past 15 years, the field of archival studies around the world has experienced unprecedented growth within the academy and within the profession, and archival studies graduate education programs today have among the highest enrolments in any information field. During the same period, there has also been unparalleled expansion and innovation in the diversity of methods and theories being applied in archival scholarship. Global in scope, Research in the Archival Multiverse compiles critical and reflective essays across a wide range of emerging research areas and interests in archival studies; it aims to provide current and future archival academics with a text addressing possible methods and theoretical frameworks that have been and might be used in archival scholarship and research.
Downloaden of Online Lezen Abigaël ou la force du destin - Tome 2 - partie 2 Gratis Boek (PDF ePub Mp3) - Marie-Bernadette Dupuy, Octobre 1953. Attristée par le départ de Jakob, Bertille emmène Abigaël et Belle à...
Thomas Love Peacock (1785-1866) was an English satirist and author. Peacock was a close friend of Percy Bysshe Shelley and they influenced each other's work. He wrote satirical novels, each with the same basic setting - characters at a table discussing and criticizing the philosophical opinions of the day. He worked for the British East India Company. His own place in literature is pre-eminently that of a satirist. That he has nevertheless been the favourite only of the few is owing partly to the highly intellectual quality of his work, but mainly to his lack of ordinary qualifications of the novelist, all pretension to which he entirely disclaims. He has no plot, little human interest, and no consistent delineation of character. His personages are mere puppets, or, at best, incarnations of abstract qualities such as grace or beauty. His comedy is Aristophanic. He suffers from that dramatist's faults and, though not as daring in invention, shares many of his strengths. His works include Headlong Hall (1815), Nightmare Abbey (1818), Maid Marian (1822), The Misfortunes of Elphin (1829), Crotchet Castle (1831), and Gryll Grange (1861).
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The volume explores the category of urban spaces that are self-managed by the inhabitants and can be recognized as common goods: urban communities. These are defined as third spaces (neither public nor private) and recognized on the basis of seven characteristics. Furthermore, some proposals are made on how planning can adequately treat these places, through the comparison with some municipal policies and on the basis of the self-determination of experiences in order to build a city really in the hands of its inhabitants. In fact, urban communities can be seen as a strategic place for testing new relationships between citizens and between them and institutions.
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This book is a collection of papers written by leaders in the field of lateralized brain function and behaviour in non-human animals. The papers cover the asymmetry of brain mechanisms and behaviour in a wide range of both vertebrate and invertebrate species. Each paper focuses on one of the following topics: the link between population-level lateralization and social behaviour; the processes in the avian brain that permit one brain hemisphere to take control of behaviour; lateralized attention to predators and the common pattern of lateralization in vertebrate species; visual and auditory lateralization; influences that alter the development of lateralization—specifically, the effect of temperature on the development of lateralization in sharks; and the importance of understanding lateralization when considering both the training and welfare of dogs. Collectively, these studies address questions of why different species have asymmetry of brain and behaviour, how it develops, and how this is dealt with by these different species. The papers report on the lateralization of different types of behaviour, each going beyond merely reporting the presence of asymmetry and shedding light on its function and on the mechanisms involved in its expression.