Blacky the clever crow shares adventures with other animals in the Green Meadows and by the Big River, as he considers stealing eggs from Hooty the owl, helps Farmer Brown's boy protect Dusty the wood duck, and engages in other escapades.
This book studies literary sociability during the belle époque (1890-1914) by comparing and relating organizations of authors with intellectual sociability in general. Drawing on a combination of methods including social network analysis, existing histories of Dutch and French speaking literature are questioned. This study shows, for instance, how author’s societies and literary journals were functional in the symbolic struggle between ‘dilettante’ writers on the one hand and self declared ‘professional’ authors on the other. It concludes that Belgian authorship was shaped within a social space that was much broader than the national social space, especially as far as the social construction of the Belgian author-intellectual was concerned. As such, being an intellectual became an important category of personal identity.
Originally published in 1905, A Little Boy Lost is the delightful story of Martin, a seven-year old boy who each day wanders a little farther from his home until he comes to a land of talking animals, gnomes, and people made of mist.
Contents. -- Nibsy's Christmas. -- What the Christmas sun saw in the tenements. -- Skippy of Scrabble alley.
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Estr. XV-XVIII nie notuje.
Elleke Boehmer's work on the crucial intersections between independence, nationalism and gender has already proved canonical in the field. 'Stories of women' combines her keynote essays on the mother figure and the postcolonial nation, with incisive new work on male autobiography, 'daughter' writers, the colonial body, the trauma of the post-colony, and the nation in a transnational context. Focusing on Africa as well as South Asia, and sexuality as well as gender, Boehmer offers fine close readings of writers ranging from Achebe, Okri and Mandela to Arundhati Roy and Yvonne Vera, shaping these into a critical engagement with theorists of the nation like Fredric Jameson and Partha Chatterjee.This new paperback edition will be of interest to readers and researchers of postcolonial, international and women's writing; of nation theory, colonial history and historiography; of Indian, African, migrant and diasporic literatures, and is likely to prove a landmark study in the field.