BRAND & MARKETING Branding essentials JULY 2019 CONTACT brand@kcl.ac.uk 1 The purpose of these guidelines is to show what King’s-branded items look like. It is not intended as an instruction manual for creating King’s promotional creative communications, which must always be commissioned from one of our framework agencies. The Brand team is the guardian of the King’s brand and is responsible for ensuring quality across all university visual branding. Self-service brand resources Word and Powerpoint templates, branded stationery, folders, certificates and badges are available to all King’s staff via the brand intranet pages here. These resources are to help staff with everyday King’s branding in the office environment. Higher profile items must be created by one of the professional KING’S DESIGNERS from the supplier framework. Information on commissioning design is available here. CONTENTS ELEMENT 1 KING’S LOGO (USE) 2 ELEMENT 1 KING’S LOGO (ABUSE) 3 ELEMENT 1 KING’S LOGO (ON DIGITAL MEDIA) 4 ELEMENT 1 KING’S LOGO (ON PRINTED MEDIA) 5 ELEMENT 2 PRIMARY FONT 6 ELEMENT 3 SECONDARY FONT 7 ELEMENT 4 SUPPORT FONTS 8 ELEMENT 5 COLOUR 9 ELEMENT 6 COAT OF ARMS (FORMAL USE) 11 COAT OF ARMS (ILLUSTRATIVE USE) 12 ELEMENT 7 HOSPITAL SHIELDS 13 MERCHANDISE 16 SOCIAL MEDIA ACCOUNTS 17 APP ICONS 18 ICON SET 19 BRANDING EXAMPLES 20 SUB-BRANDING 23 DUAL BRANDING WITH EXTERNAL PARTNERS 28 ONLINE RESOURCES 30 WHAT DOES BRAND DO? 31 CONTACT brand@kcl.ac.uk 2 KING’S BRANDING ELEMENT 1 KING’S LOGO: USE The King’s College London name and logo are registered trademarks. The standard, predominant version of the logo consists of a white logotype in a red box. Red colour specification Pantone 485 red C: 0 M: 96 Y: 100 K: 0 R: 226 G: 35 B: 26 #e2231a See pages 4-5 for rules on logo size and position on various media. If the logo is used alone in co-branding environments the exclusion zone as shown must be observed. No text or other bold visual elements should appear within this zone. High resolution logos are not available for general download. If you are a member of King’s staff and need the logo click here. If you are external to King’s click here. Find further detail here black line indicates exclusion zone (non-printing) unboxed logotype: highly limited use only (eg engraving) – contact brand@kcl.ac.uk for approval standard predominant version monochrome versions: black box version is preferred, logotype is always black in a white logo box, not reversed out to reveal the colour behind name only: occasionally used when there is inadequate or wrongly shaped space for a logo but King’s branding is still required, eg book spines, pencils CONTACT brand@kcl.ac.uk 3 KING’S BRANDING ELEMENT 1 KING’S LOGO: ABUSE The King’s College London name and logo are registered trademarks. The standard, predominant version of the logo consists of a white logotype in a red box. Red colour specification Pantone 485 red C: 0 M: 96 Y: 100 K: 0 R: 226 G: 35 B: 26 #e2231a See pages 4-5 for rules on logo size and position on various media. If the logo is used alone in co-branding environments the exclusion zone as shown must be observed. No text or other bold visual elements should appear within this zone. High resolution logos are not available for general download. If you are a member of King’s staff and need the logo click here. If you are external to King’s click here. Find further detail here Logo abuse a do not tilt or stretch it b do not place a shadow behind it c do not apply filters to it with image editing software d do not change any aspect of the red box e do not change the box colour f do not attempt to recreate it – always use approved logos from brand@kcl.ac.uk g do not use outdated versions – if in doubt, contact brand@ kcl.ac.uk h do not use logos dragged off the web – these are low resolution and are only suitable for screen, not quality reproduction i do not create a pastiche j do not use any part of it with other elements – this would pastiche the logo k do not use a white logotype in a sea of red – the shape of the red logo box must be clearly visible a b c d e f g h i j Gallery ACHIEVE your goals 21 November 2019 Bush House Strand Campus Achieve your goals International conference programme FACULTY OF ACADEMIC EXCELLENCE 21 November 2019 Bush House Strand Campus Achieve your goals International conference programme FACULTY OF ACADEMIC EXCELLENCE Campus tours depart here Campus tours depart here k CONTACT brand@kcl.ac.uk 4 KING’S BRANDING ELEMENT 1 KING’S LOGO: SIZE AND POSITION ON DIGITAL MEDIA The standard boxed logo is always positioned on the edges at the top right hand corner of any item. Digital media demands numerous sizes and formats. These guidelines are not exhaustive but should provide sufficient information to determine the correct logo location and its proportional size in most instances. The size of the logo in relation to the size and orientation of the item is determined by a series of breakpoints, which are based on the horizontal to vertical ratio of the document. Square Ratio 1:1 Logo width 1/4 of the short side Portrait Ratio 3:4 Logo width 1/4 of the short side Alternative logo placement Portrait Ratio 1:2 Logo width 1/2 of the short side Portrait Ratio 1:3 and less Logo width Width of the short side Landscape Ratio 2:1 Logo width 1/2 of the short side Landscape Ratio 6:1 and greater Logo height Same as the short side Landscape Ratio 3:1 Logo height 3/4 of the short side Landscape Ratio 4:3 Logo width 1/4 of the short side CONTACT brand@kcl.ac.uk 5 KING’S BRANDING ELEMENT 1 KING’S LOGO: SIZE AND POSITION ON PRINTED MEDIA The standard boxed logo is always positioned on the edges (in print, this is the ‘bleed’) at the top right hand corner of any item. On magazines with a masthead and on posters the boxed logo may appear bottom right. The box must be sized so that its wide top edge measures one quarter of the short edge of any standard A size document. This proportion should be maintained when an A format is used landscape. For the DL format the box must be sized so that its wide top edge measures one third of the short edge. This proportion should be maintained when the format is used landscape. Box colour Pantone 485 red C: 0 M: 96 Y: 100 K: 0 R: 226 G: 35 B: 26 #e2231a If the design has a border, the border should be regarded as the page edge. document document width of width of logotype position format size boxed logo inside the box on document A0 841 x 1189mm 210mm 160.45mm top and right hand page edges (the ‘bleed’) A1 594 x 841mm 148.5mm 113.33mm top and right hand page edges (the ‘bleed’) A2 420 x 594mm 105mm 80.13mm top and right hand page edges (the ‘bleed’) A3 297 x 420mm 74.25mm 56.66mm top and right hand page edges (the ‘bleed’) A4 210 x 297 52.5mm 40.06mm top and right hand page edges (the ‘bleed’) Annual Report 179 x 260mm 44.75mm 34.37mm top and right hand page edges (the ‘bleed’) A5 148 x 210mm 37mm 28.665mm top and right hand page edges (the ‘bleed’) A6 105 x 148mm 26.25mm 20.2mm top and right hand page edges (the ‘bleed’) DL 99 x 210mm 33mm 25.36mm top and right hand page edges (the ‘bleed’) 1/3 1/3 1/3 portrait 1/4 1/4 1/4 1/4 portrait landscape landscape 1/4 1/4 1/4 1/4 landscape CONTACT brand@kcl.ac.uk 6 KING’S BRANDING ELEMENT 2 PRIMARY FONT King’s Bureau Grotesk 37 The university’s primary font is King’s Bureau Grotesk 37. Always use King’s Bureau Grotesk 37 first in your information hierarchy for main titles and headings. Always use upper and lower case for these – this gives maximum shape contrast to each word and optimises legibility. Do not use capital letters in primary position. These are used to designate entities at King's such as faculties, centres, departments, and institutes (see sub branding section). Range text left. Do not justify or hyphenate. Do NOT use the lighter King’s Bureau Grotesk 51 alone in a primary position. ALTERNATIVE FONTS: use Impact only if King’s Bureau Grotesk 37 is unavailable. Find further detail here Impact as a last resort choose Impact as the alternative system font if King’s Bureau Grotesk 37 is technically unavailable, but limit it to a few words only and never use it for continuous text • all King's computers are set up with the corporate fonts so do please make use of them, they are a highly recognisable element of our brand – but if you're working remotely you can also access our fonts via the intranet or by emailing brand@kcl.ac.uk • all promotional communications must use the correct corporate fonts – the alternative fonts are intended only for those instances where the technology is unable to deliver our corporate fonts, for instance on Powerpoint presentations run from external devices • if an external supplier needs our corporate fonts please contact brand@kcl.ac.uk for immediate assistance CONTACT brand@kcl.ac.uk 7 KING’S BRANDING ELEMENT 3 SECONDARY FONT King’s Caslon Display regular King’s Caslon Display italic for text sizes of 13pt and above King’s Caslon Text regular King’s Caslon Text italic for text sizes of 12pt and under Georgia regular italic alternative system font if King’s Caslon regular is unavailable use Georgia for your emails The university’s secondary font is King’s Caslon. Range text left. Do not justify or hyphenate. In print if the text is 13 points or over in size, use the display version (King’s Caslon Display). In print if the text is 12 points or under in size, use the text version (King’s Caslon Text). Use King’s Caslon Text for general body text. ALTERNATIVE FONT: as a last resort choose Georgia regular if King’s Caslon regular is unavailable. CONTACT brand@kcl.ac.uk 8 King’s Bureau Grotesk 37 italic King’s Bureau Grotesk 51 regular King’s Bureau Grotesk 51 italic King’s Caslon Display italic King’s Caslon Text italic King’s Caslon Text bold King’s Caslon Text bold italic The university support fonts are the remainder of the King’s Bureau Grotesk font family and the remainder of the King’s Caslon font family. Always use these support fonts after the primary and secondary fonts in your information hierarchy. Do not justify or hyphenate. ALTERNATIVE FONTS: as a last resort choose variants of Arial and Georgia if the King’s corporate support fonts are not available. It is not acceptable to introduce any additional fonts to the set of ten listed on these pages. Find further detail here Arial bold italic Arial regular Arial regular italic Georgia italic Georgia italic Georgia bold Georgia bold italic as a last resort choose these alternative system fonts if King’s corporate support fonts are not available KING’S BRANDING ELEMENT 4 SUPPORT FONTS CONTACT brand@kcl.ac.uk 9 King’s core primary palette is red and white with black used in very LIMITED amounts. Some of the secondary palette colours are inspired by the silk edging of our graduation gowns, designed by Vivienne Westwood in 2008. The faculties (as constituted in 2008) continue to be represented by particular colours on the gowns: n ARTS & HUMANITIES n DENTISTRY, ORAL & CRANIOFACIAL SCIENCES n LAW n BIOMEDICAL EDUCATION n KING’S BUSINESS SCHOOL n MEDICAL EDUCATION n NATURAL & MATHEMATICAL SCIENCES n NURSING & MIDWIFERY n PSYCHIATRY, PSYCHOLOGY & NEUROSCIENCE n SOCIAL SCIENCE & PUBLIC POLICY (NB the IoPPN dark red gown edging no longer features in the colour palette.) Faculties may wish to but do not have to extend this colour usage to their general materials. Our colours are for sharing. No colour is exclusive to any part of King’s – they are for general use and can be used by everyone. KING’S BRANDING ELEMENT 5 COLOUR Our red deliberately aligns us with iconic London buses and telephone boxes. Do not use colours other than the set shown here. Please observe the exact CMYK and RGB values specified as these are bespoke (ie not automatic conversions) and are the result of careful testing. PANTONE: single inks, specify for merchandise CMYK: for 4 colour printing RGB: for screen HEX: for web coding RAL and DULUX: for paint PRIMARY PALETTE KING’S RED PANTONE 485 CMYK C0 M96 Y100 K0 RGB R226 G35 B26 HEX #E2231A RAL 3028 DULUX 16YR 16/594 WHITE CMYK C0 M0 Y0 K0 RGB R255 G255 B255 HEX #FFFFFF RAL 9016 TRAFFIC WHITE BLACK – use sparingly CMYK C35 M60 Y60 K100 RGB R0 G0 B0 HEX #000000 RAL 9005 JET BLACK NEUTRAL PALETTE PEARL GREY PANTONE 537 CMYK C15 M5 Y5 K5 RGB R205 G215 B220 HEX #CDD7DC RAL 260 80 10 DULUX 30BB 54/072 SLATE GREY PANTONE 431 CMYK C35 M15 Y15 K60 RGB R90 G100 B105 HEX #5A6469 RAL 240 40 10 DULUX 30BB 16/031 TEAL BLUE PANTONE 320 CMYK C100 M0 Y33 K5 RGB R0 G158 B160 HEX #009EA0 RAL 200 60 40 DULUX 80GG 27/386 PEA GREEN PANTONE 339 CMYK C81 M0 Y54 K0 RGB R40 G195 B130 HEX #28C382 RAL 160 70 50 DULUX 30GG 33/453 HOT PINK PANTONE 240 CMYK C25 M95 Y0 K0 RGB R200 G50 B150 HEX #C83296 RAL 340 50 45 DULUX 10RR 25/437 POWDER BLUE PANTONE 535 CMYK C50 M33 Y15 K1 RGB R141 G158 B188 HEX #8D9EBC RAL 260 70 20 DULUX 30BB 33/163 MIDNIGHT BLUE PANTONE 534 CMYK C95 M74 Y10 K50 RGB R10 G45 B80 HEX #0A2D50 RAL 270 20 25 DULUX 50BB 11/321 PANTONE REFLEX BLUE CMYK C100 M90 Y0 K0 RGB R0 G35 B149 HEX #002395 RAL 280 30 40 DULUX 43BB 09/340 SKY BLUE PANTONE 306 CMYK C75 M0 Y0 K0 RGB R0 G185 B225 HEX #00B9E1 RAL 230 60 40 DULUX 18BG 47/282 SOFT PINK PANTONE 184 CMYK C0 M80 Y40 K0 RGB R252 G94 B114 HEX #FC5E72 RAL 010 60 45 DULUX 74RR28/432 MUSHROOM PANTONE 7528 CMYK C5 M10 Y15 K15 RGB R205 G195 B185 HEX #CDC3B9 RAL 080 80 05 DULUX 10YY 48/071 PEBBLE PANTONE 410 CMYK C20 M35 Y25 K60 RGB R95 G85 B80 HEX #5F5550 RAL 020 50 05 DULUX 50YR 22/052 SEA BLUE PANTONE 285 CMYK C90 M48 Y0 K0 RGB R0 G90 B210 HEX #005AD2 RAL 260 50 40 DULUX 93BG 32/374 LIME GREEN PANTONE 381 CMYK C25 M0 Y100 K0 RGB R200 G225 B40 HEX #C6E128 RAL 100 80 80 DULUX 70YY 53/638 ORANGE PANTONE 165 CMYK C0 M70 Y95 K0 RGB R255 G95 B5 HEX #FF5F05 RAL 050 60 80 DULUX 70YR 30/651 LILAC PANTONE 271 CMYK C45 M42 Y0 K0 RGB R155 G130 B210 HEX #9B82D2 RAL 290 60 35 DULUX 05RB 34/258 PURPLE PANTONE 267 CMYK C76 M100 Y0 K0 RGB R80 G20 B145 HEX #501491 RAL 300 30 40 DULUX 23RB 11/349 LIME GREEN 2 PANTONE 390 CMYK C25 M0 Y100 K15 RGB R180 G189 B16 HEX #B4BD10 RAL 100 70 60 DULUX 72YY 47/743 YELLOW PANTONE 124 CMYK C0 M30 Y100 K5 RGB R245 G185 B15 HEX #F5B90F RAL 080 80 90 DULUX 25YY 49/757 CONTACT brand@kcl.ac.uk 10 Government figures estimate that there are over 11 million disabled people in the UK. 2 million of these have visual impairments. Coloured text on a coloured background must be LARGE and BOLD enough to be legible to ALL readers. There should be strong contrast between the text and the background – please see the recommended colour combinations on the left. Red/green combinations must be avoided – 1 in 12 men and 1 in 200 women can’t distinguish between red and green. NB Limit the use of black as a solid background colour to very SMALL areas only. KING’S BRANDING ELEMENT 5 ACCESSIBLE COLOUR COMBINATIONS Do not use colour as the only way of conveying information or identifying content – there must always be sufficient contrast between background and foreground colours for meaningful distinctions to be distinguished, whether the elements are text, icons, repeating shapes or logos. If something is important enough to be seen it needs to be clear to all viewers. You can check for accessibility by uploading images or screenshots to a colour blindness simulator such as www.color-blindness.com PRIMARY PALETTE ON KING’S RED text colour can only be White ON BLACK text colour can be White Yellow Lime Green Sky Blue NEUTRAL PALETTE ON PEARL GREY text colour can be Black King’s Red Midnight Blue Reflex Blue Pebble ON SLATE GREY text colour can be White Yellow Lime Green 1 ON TEAL BLUE text colour can be White Black Yellow Lime Green 1 ON PEA GREEN text colour can be White Black Midnight Blue ON HOT PINK text colour can be White Pearl Grey Lime Green 1 ON POWDER BLUE text colour can be White Black Midnight Blue ON MIDNIGHT BLUE text colour can be White Yellow Lime Green Pearl Grey Orange ON REFLEX BLUE text colour can be White Yellow Lime Green 1 Pearl Grey Orange ON SKY BLUE text colour can be White Black Midnight Blue ON SOFT PINK text colour can be White Black Midnight Blue ON MUSHROOM text colour can be Black King’s Red Midnight Blue Purple Reflex Blue Slate Grey ON PEBBLE text colour can be White Yellow Lime Green 1 Sky Blue Pearl Grey ON SEA BLUE text colour can be White Yellow Lime Green 1 ON LIME GREEN text colour can be Black Midnight Blue Purple Reflex Blue ON ORANGE text colour can be White Black Midnight Blue Purple ON LILAC text colour can be White Black ON PURPLE text colour can be White Yellow Lime Green 1 Orange Sky Blue Pearl Grey ON LIME GREEN 2 text colour can be White Black Midnight Blue Purple Reflex Blue ON YELLOW text colour can be Black Midnight Blue Purple Reflex Blue CONTACT brand@kcl.ac.uk 11 King’s College London The coat of arms has an exclusive role. It is only used as the primary brand designator in its full form on formal and ceremonial items such as examination certificates, formal invitations and graduation materials to lend dignity and status. The coat of arms also acts as a legitimising device on legal and official titles and documents. The current university coat of arms was developed following the mergers with Queen Elizabeth College and Chelsea College in 1985, and incorporates aspects of their heraldry. A warrant for the use of this coat of arms was granted in 1995 by the College of Arms, where a copy is kept on record. The right to use the Royal Crown in our armorial bearings was granted by Her Majesty The Queen. If it appears on its own, the coat of arms should always be used in conjunction with the name ‘King's College London’ beneath it. motto mantling shield helm crest KING’S BRANDING ELEMENT 6 COAT OF ARMS (FORMAL USE) King’s College London King’s College London CONTACT brand@kcl.ac.uk 12 The coat of arms may be used as an illustrative device in contexts where the King's logo is the primary brand designator. In these cases the university name beneath the coat of arms can be dispensed with. When used illustratively the coat of arms may bleed off the item’s edges. It may be coloured to create a watermark effect. When used in conjunction with the King’s logo it should be sized and treated so as to take secondary visual position. When used in conjunction with the King’s logo the coat of arms should be sized to the width of the white King’s logotype within the red logo box. It should be positioned directly beneath the King’s logo and balanced at the opposite edge of the item. KING’S BRANDING ELEMENT 6 COAT OF ARMS (ILLUSTRATIVE USE) used as an illustrative watermark on header panel to logo-branded digital screens used as an illustrative watermark on logo- branded pop-up banners and open day signage used in conjunction with the King’s logo Document title Subtitle Green zone Teal zone Campus tours depart here Register here Paper and e-tickets CONTACT brand@kcl.ac.uk 13 The three hospital shields representing Guy’s, King’s College and St Thomas’ Hospitals may be used in conjunction with the King’s logo to promote the GKT School of Medical Education. Historical background In the case of Guy’s and St Thomas’, the medical (and dental) schools grew out of the hospitals, and they have continued to use the hospitals’ shields for some purposes. In the case of King’s College Hospital however, the Hospital grew out of the College, and the Hospital has therefore in the past used the shield of the College as it was at the time of the Hospital’s founding (ii). The King’s College London coat of arms (i) changed in 1985 following mergers, and a warrant for its use was granted by the College of Arms in 1995. It is therefore appropriate for the current King’s medical and dental schools to reference the College’s current coat of arms (iii) by using the shield (iv). KING’S BRANDING ELEMENT 7 HOSPITAL SHIELDS i) King’s College London coat of arms 1829-1985 ii) King’s College London shield 1829-1985 iii) King’s College London current coat of arms 1985- iv) King’s College London current shield 1985- CONTACT brand@kcl.ac.uk 14 x The three shields must always be used in conjunction with the King’s logo. Artwork: the three shields are supplied grouped together as shown and are available as a vector graphic. Position: either below or above the King’s logo – never alone or to one side. Sizing: to the width of the scotch rule beneath the King’s logotype. They are positioned at the edge of the exclusion zone, calculated by measuring the cap height of ‘LONDON’ in the logotype. Colour: to give prominence to the King’s logo, the three hospital shields always appear in a monochrome tint – see next page for details. KING’S BRANDING ELEMENT 7 HOSPITAL SHIELDS black line indicates (non-printing) exclusion zone 75% black on a white background The shields are positioned either below or above the King’s logo, not to one side. CONTACT brand@kcl.ac.uk 15 75% black over a light uncluttered photographic background To give prominence to the King’s logo, the three hospital shields appear in a monochrome tint. 75% black on a white background 75% black over a light uncluttered photographic background 40% black over a dark uncluttered photographic background 40% of that solid colour on a solid colour background KING’S BRANDING ELEMENT 7 HOSPITAL SHIELDS GKT School of Medical Education Faculty of Life Sciences & Medicine www.kcl.ac.uk/medicine 40% reflex blue on solid reflex blue background 40% black on a dark uncluttered photographic background GKT SCHOOL OF MEDICAL EDUCATION GKT SCHOOL OF MEDICAL EDUCATION Creating medical leaders of the future CONTACT brand@kcl.ac.uk 16 THE DICKSON POON SCHOOL OF LAW FACULTY OF ARTS & HUMANITIES The King’s College London logo must appear on all university merchandise items. The most cost-effective way to buy merchandise is to order red items with a white overprint, or white items with a red overprint, removing the need to print in two colours. This is one of the few exceptions to the rule of not allowing a white logotype in a sea of red. If the item of merchandise itself is a bright red (which must match Pantone 485, the King’s red), then the red box surrounding the King’s logotype may be omitted. Otherwise the red box of the logo must appear at all times. Items of merchandise should conform to the colour scheme detailed in this document. A KING’S DESIGNER should be commissioned to set up and supply the artwork for merchandise so that quality is ensured. Details of the designers and how to commission them are here KING’S BRANDING MERCHANDISE THE DICKSON POON SCHOOL OF LAW CONTACT brand@kcl.ac.uk 17 Only corporately run central social media accounts may use the white capital K from the King’s logo on a solid red ground for their icon. The full logo is not used in this context because it loses definition and does not project a strong, confident impression of King’s. Departmental accounts should be branded with the quartered square icon design. This has a solid red top left quarter containing the white capital K from the King’s logo, which leaves the remaining three quarters of the icon available for a relevant image. Contact brand@kcl.ac.uk to discuss options and have the white K/red panel added to your chosen picture. KING’S BRANDING SOCIAL MEDIA ACCOUNTS corporate Facebook template for departmental accounts Facebook, Instagram, Twitter corporate Twitter CONTACT brand@kcl.ac.uk 18 A solid red app icon with the white capital K from the King's logo can only be used for central, corporately run apps. Apps for individual King’s initiatives should be branded with the quartered design. This has a solid red top left quarter containing the white capital K from the King’s logo, leaving the remaining three quarters of the icon available for a relevant image. This styling follows the structure of the social media icons. Contact brand@kcl.ac.uk or a KING’S DESIGNER to discuss options and have the white K/red panel added to your picture. KING’S BRANDING APP ICONS King’s Mobile app Welcome to King’s app core corporate apps sub-branded layout iPhone Android CONTACT brand@kcl.ac.uk 19 KING’S BRANDING ICON SET academics culture or art gallery fees learning and support power outage single honours view images big ben bush house growth mobile reflective evaluation student numbers bauble gherkin maughan library tower information peer observation service maintenance support human resource north star royal courts of justice maurice wohl clinical neuroscience institute forum, lecture or conference library power restored social event§ visit website double decker bus dna health online courses RSS feed student records christmas tree globe theatre reggie inter- dependence phone to silent service status talk lecture snowflake st paul’s further info like on facebook quiet zone software downloads young carers london eye guy’s colonnades ideas options seminar or workshop study abroad holly strand chapel ceiling internship phone vibrate off service outage target set snowman tower bridge somerset house east wing global major/minor honours reading statistics younger people shard guy’s memorial arch important parenting facilities service disruption support advice ice skate nelson’s column strand quad arch IT phone service restored theatre stocking joint honours politics shopping video arrow documentation awards enlarge accommodation data protection arrows economics clinic care estates alarms off degree award AV projector email collaborations exhibition appointments dialogue or conversation awards launch employment contacts face to face course/teaching session feedback Q i S WWW. This icon set was specifically designed for King’s. You can download the icons in .png format in any King’s colour from Celum, the image library. See page 30. London specific King’s specific