Quels que soient le lieu ou la civilisation que l’on explore, des relations profondes entre religion et art se décèlent. L’art traduit volontiers les aspects des fonctions religieuses, soit dans le cadre organisé d’un rituel, soit plus spontanément, dans l’expression de la foi personnelle ou collective. Les religions font appel aux artistes pour rendre apparent et intelligible l’invisible mais se heurtent souvent à eux en leur imposant des formes. Mais si bien des civilisations ont fait l’objet d’études fouillées sur la manière dont elles articulaient l’art et la religion, force est de constater que très peu de chercheurs se sont attelés à une vue transversale de ces notions. Cet ouvrage s’inscrit dès lors dans une perspective comparative ayant pour but de souligner les diachronies et les spécificités religieuses.
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The cervical dysplasia diagnostics market is projected to experience significant growth, with a compound annual growth rate (CAGR) of over 7% until the year 2031.
After World War II, tracing and documenting Nazi victims emerged against the background of millions of missing persons and early compensation proceedings. This was a process in which the Allies, international aid organizations, and survivors themselves took part. New archives, documentation centers and tracing bureaus were founded amid the increasing Cold War divide. They gathered documents on Nazi persecution and structured them in specialized collections to provide information on individual fates and their grave repercussions: the loss of relatives, the search for a new home, physical or mental injuries, existential problems, social support and recognition, but also continued exclusion or discrimination. By doing so, institutions involved in this work were inevitably confronted with contentious issues—such as varying political mandates, neutrality vs. solidarity with those formerly persecuted, data protection vs. public interest, and many more. Over time, tracing bureaus and archives changed methods and policies and even expanded their activities, using historical documents for both research and public remembrance. This is the first publication to explore this multifaceted history of tracing and documenting past and present.
This doctoral thesis treats the membership law of churches and religious communities. It discusses the questions of which framework is given by national law, in which cases the rights of religious communities diverges from that law and if membership must strictly be voluntary. Following a historical as well as legal classification, this thesis considers the legal relationship of members with Christian, Jewish and Islamic communities in Germany.Das Mitgliedschaftsrecht der Kirchen und Religionsgemeinschaften befindet sich in einem Spannungsfeld von staatlichem und religiösem Recht. Herkömmlich legen die Rechtsordnungen der Religionsgemeinschaften nach Maßgabe ihrer religiösen Grundüberzeugungen fest, wer zur Gemeinschaft gehören soll. Das staatliche Grundrecht der Religionsfreiheit gewährt wiederum jedermann das Recht, Mitglied einer (öffentlich-rechtlichen) Religionsgemeinschaft zu sein oder aber eine bestehende Mitgliedschaft mit „bürgerlicher“ Wirkung zu beenden. Davon ausgehend stellt sich das Problem, wie sogenannte „Inkompatibilitäten“ beider Rechtsordnungen aufzulösen sind. Welchen Rahmen gibt das staatliche Recht den Religionsgemeinschaften für ihr Mitgliedschaftsrecht vor? Lässt sich aus der Religionsfreiheit ein absolutes Freiwilligkeitsgebot herleiten? Wo weichen die Regelungen der Glaubensgemeinschaften hiervon ab und wie können Divergenzen überbrückt werden? Die vorliegende Arbeit untersucht diese Fragen und nimmt dazu nach einer historischen und staatskirchenrechtlichen Einordnung die Rechtsbeziehungen der Mitglieder zu den christlichen, jüdischen und islamischen Religionsgemeinschaften in Deutschland in den Blick.
Welchen Erklärungswert haben klassische ethnologische Kulturtheorien für die Analyse kultureller Globalisierung? Macht der Begriff »Kultur« in einer entgrenzten und hybridisierten Welt überhaupt noch Sinn? Anhand der breit rezipierten Ansätze von Clifford Geertz und Pierre Bourdieu überprüft der Autor die postmoderne These, Globalisierung erfordere eine fundamentale Umstellung der kulturwissenschaftlichen Kategorien. »From the Native's Point of View«? bietet damit nicht nur einen gut lesbaren Vergleich der Konzepte von Geertz und Bourdieu, sondern wirft ein neues Licht auf die ethnologischen Debatten über kulturelle Globalisierung und den Kulturbegriff.
The events of September 11, 2001, have had a strong impact on theory and the humanities. They call for a new philosophy, as the old philosophy is inadequate to account for them. They also call for reflection on theory, philosophy, and the humanities in general. While the recent location and killing of Osama bin Laden, the leader of al-Qaeda, in Pakistan on May 2, 2011almost ten years after he and his confederates carried out the 9/11 attacksmay have ended the war on terror, it has not ended the journey to understand what it means to be a theorist in the age of phobos nor the effort to create a new philosophy that measures up with life in the new millennium. It is in the spirit of hopethe hope that theory will help us to understand the age of terrorthat the essays in this collection are presented. With essays by Christian Moraru, Terry Caesar, David B. Downing, Horace L. Fairlamb, Emory Elliott, Elaine Martin, Robin Truth Goodman, Sophia A. McClennen, William V. Spanos, Zahi Zalloua. Print edition available from Open Humanities Press.
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Digital technology is increasingly impacting how we keep informed, how we communicate professionally and privately, and how we initiate and maintain relationships with others. The function and meaning of new forms of computer-mediated communication (CMC) is not always clear to users on the onset and must be negotiated by communities, institutions and individuals alike. Are chatrooms and virtual environments suitable for business communication? Is email increasingly a channel for work-related, formal communication and thus "for old people", as especially young Internet users flock to Social Networking Sites (SNSs)? Cornelius Puschmann examines the linguistic and rhetorical properties of the weblog, another relatively young genre of CMC, to determine its function in private and professional (business) communication. He approaches the question of what functions blogs realize for authors and readers and argues that corporate blogs, which, like blogs by private individuals, are a highly diverse in terms of their form, function and intended audience, essentially mimic key characteristics of private blogs in order to appear open, non-persuasive and personal, all essential qualities for companies that wish to make a positive impression on their constituents.
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Kompozytorka i pianistka Emanuela. - Emanuela Rabińska - własne piosenki_