RON SHAHAR: Eleven Israeli couples went to the biggest TV game in the world. Only three are left in the race. After crossing more than 30,000 km in nine different countries, tonight the race will come to an end. RON SHAHAR: Tonight they will be launched for the last time to the grand finale of the race for a million. Only one of them, the winning couple, will win a million shekels. HaMerotz LaMillion, the grand finale, immediately begins. INTRO RON SHAHAR: This is Singapore City, the city of the future of the Far East. From here, from the Skypark of the Marina Bay Sands Hotel, the teams will now launch for the last and most fateful time of all. Bar and Inna, who came in first place, set off first. BAR AND INNA, DEPARTING IN FIRST PLACE BAR: Good morning to the final three of HaMerotz LaMillion, you will start the morning of the grand final at a pier on the Singapore River. You must go to the river dock, where the bumboats are waiting for you. RON SHAHAR: The morning of the grand final will be opened by the teams at the pier on the Singapore River. From here they will board the traditional bum-boats that will take them to the other side of the river. There the next clue awaits them, and a particularly hot test of courage. BAR: Come on. INNA: Come on, come on. C-BAR: I'm really really really proud to say that the journey we went through was arduous and difficult, but in spite of everything we made it and I'm proud of us as women, as friends, as Bar and Inna, as the basic girls, as the girls with the strongest feelings here, as the very stable relationship . BAR: It was the hardest road in the world to reach it, we have to keep it. C-BAR: And this is a powerful moment and this, there is no greater experience than the one I could go through with Inna since I knew her and most likely until it ends. ANAELLE AND AKIVA, DEPARTING IN SECOND PLACE AKIVA: Good morning to the final three of HaMerotz LaMillion. C-ANAELLE: After so much effort and so many deliberations, whether it was from a religious point of view or whether it was from a human point of view, we constantly had difficulties and we reached very very dark places and sometimes we didn't even see how we were getting out of this story. C-AKIVA: The only thing that can give you the feeling that it was worth it is the pride of saying "I succeeded, I did it", and that gives you the reward for everything, it gives the... C-ANAELLE: Just not understandable, like they were... C-AKIVA: This great feeling of satisfaction. I did it. OREN: Come on. ALON: Come on, the final. OREN: This is ours. ALON AND OREN, DEPARTING IN THIRD PLACE C-ALON: The very race, the reality it poses, allowed both of us to experience the extremes of each and every one of us. Both in the unending, infinite strengths, and also in weaknesses, also in difficulty. ALON: Say hello to all, but a hello of kings, as we know. C-ALON: The race creates some kind of intimacy, this intimacy creates familiarity, and this familiarity is a very, very broad base. You see something that is not two individuals, but a whole much larger than the two individuals. INNA: Listen, this is going to be the tightest day ever. BAR: I know. INNA: You must not lose energy, even when you see a couple passing you, even when you see a couple next to you. C-INNA: It is clear to us that the differences between us will be minimal, that everything can turn around. ANAELLE: It was not caught. AKIVA: Everything we have to give must be given today. ANAELLE: Not understood. AKIVA: Everything. C-AKIVA: We are tense... C-ANAELLE: But we- AKIVA: Awesome. The whole race drains into one moment that passes you by like a movie, everything you've been through. ALON: Akiva and Anaelle seem a bit out of focus to me, we should take advantage of that. We have to be focused and get the job done. C-OREN: Our feeling is that we need to give a serious fight here to win the race. C-ALON: No one is going to give up. People are going to give.. C-OREN: Till the end. C-ALON: To the last drop of blood to win. C-BAR: And these are the couples who actually have to prove who is the best of all. And the best man wins. C-BAR: Me and Inna are two girls, young, who came to test and show the value of their friendship and to test how strong they can be in this game. I think we are shattering a lot of stigmas about how a friendship should be run, that there is rivalry, jealousy, ego, trying to outdo each other. Our connection has already passed from years ago the friendship connection, the "best friends", the "let's meet for coffee" of all kinds. Mine and Inna's connection is a connection of souls. There is a relationship here that is more like sisters than friends. Bar, are you succeeding? Inna, Inna, Inna… INNA: And don't forget what we are worth. BAR: You don't forget. INNA: What no one believed and we believed. C-INNA: They underestimated us and will continue to underestimate us until the last moment, no one really, like, believes that Inna and Bar are capable. C-ANAELLE: I think that what strengthens our love for each other is exactly the same thing that strengthens my relationship with God, this is actually the test. God forbid! I am standing here instead of being with my daughter, instead of loving her. C-ANAELLE: The fact that I constantly put our faith in the place of a test and in the end I get stronger from it, it strengthens my faith. And I think that throughout the race He was just with us. Really. What crazy help from heaven! I couldn't believe it was happening. Well done! I said, God my lips will open. I took one and it opened. You get it? I have chills all over. C-AKIVA: What we had in front of... me at least, all the time in front of our eyes is "Know where you came from and where you are going and to whom you will be accountable to”. C-ANAELLE: So we want very badly and we pray very badly and we ask very badly and it seems very very good to us and it also works out very well for us that we will take, but we want to leave room for God to do what is best in his eyes. C-ALON: My insight from this race...that I have a brother. This is an insight. I really left with the feeling of two strangers and I come back with the feeling of... I'm sorry for the expression, fucking two brothers. I am not built for this race, I will do it every time...I will get out of these crises just for you, I will collect myself and I promise you that... Here is the flag of the race. Here is the flag of the race. This is a section that should be the most exciting, so you, the flag of the race...that's the difference, the emotional compared to this, the gay to the straight, he won't understand, all the speeches cutting the flames. Brother, brother, are you normal? Dead on you, dead. You killed my ear, you just made me ring. Sorry, sorry. If mom saw this, what would she say? She would have a heart attack. Why do I need this thing and why did they go and that's it and I'm sick and three months... Do you want to kill me? And why do I need it? And I'm in the hospital. But she was proud of us. ALON: Must do it. We came in third place yesterday, we were not focused, rookie mistakes, the ABCs, must be reduced. OREN: Today we take our time without pressure. C-OREN: This process I went through with Alon during the time we experienced it together gave me the feeling and the understanding that this is how life should be conducted, and if you open the door, then many people want to come in and help and be involved in your life. The reason we, Oren and Alon, are in the finals, primarily because we learned to get along with each other, which was not a completely trivial thing. We are both very opinionated people, coming from places of...wanting things to happen the way they want. That's why we are in the final. First place montage C-OREN: What we need to do to win the race will be done. I don't have any other feeling at all, any other experience. It is clear to me that we will stand on this mat. COMING UP NEXT… Skip BAR AND INNA, CURRENTLY IN FIRST PLACE BAR: The year is 2012, the year of the dragon for the Chinese. RON SHAHAR: The year 2012 is the year of the dragon for the people of China. The legendary fire-breathing dragon is a symbol of strength, power and perfection. As a tribute to the Year of the Dragon the teams must now arrive at the Hong San See Temple. Here they will have to face a challenge of spitting and swallowing fire. Welcome to the Temple of Fire. RON SHAHAR: One of the partners will now have to put out a burning torch of fire using only the mouth. The other partner will have to fill his mouth with flammable liquid, spray the liquid in the air and burn the paper cover of the clue box. Only after they pass the fire test will the next clue be revealed. INNA: Wow, how beautiful! C-INNA: We arrived at such a magnificent and powerful temple. C-BAR: We enter the mission, which is like entering a festival. We see a crazy dragon with hysterical music and full of dancing people. C-INNA: And there is such an atmosphere that sharpens the whole feeling that it's like it's the final, it's already the end. Skip BAR: Oh my god. C-BAR: When we saw what we had to do it really felt like a test of courage that we had to pass in order to move forward. INNA: What? C-INNA: I stopped feeling the pulse out of fear. I really really really...I was anxious. Skip C-BAR: He tells me, take care to exhale, blow air out... C-INNA: God forbid your tongue might catch fire. C-BAR: He tells me, because your mouth might catch fire if you don't do it, so don't forget to just do it. Well, onward to the task. INNA: Come on, Barchuk, good luck. You got this. BAR: Obviously. INNA: I'm here next to you. BAR: Done. Ready? BAR: Yes. Skip C-BAR: Both me and Inna. I don't give up, no matter how hard it will be, in the end I will do it. I can't sleep at night thinking that there was something I wanted to do and I didn't do it because it seemed a bit difficult. And neither can she, certainly. We are two machines in these parts. INNA: Come to me... BAR: Watch out for the dragons. C-INNA: For me, I define a strong couple according to the objective results. C-BAR: There is no such thing as luck, especially not in the finals and semi-finals. There are no lucky streaks here. This is net performance. INNA: Champion. BAR: Go. INNA: Wow, Bar, how scary. BAR: As they called you back then in the Czech Republic. C-INNA: You can really burn your face, your hair, your eyelashes. It's important to hold the towel here, nonchalantly, he tells me, if your face burns, put a towel on it, it's wet. It will surely help me, won't it? Didn't say anything, burning face... C-BAR: No, everything is fine. C-INNA: What’s the worst that could happen? BAR: Cookie, good luck, my mami. INNA: Thanks, my mami. Skip BAR: Put it in your mouth. C-INNA: The taste of the fuel was like gasoline or something like that. Like my car in the worst condition doesn't smell like that. Skip BAR: One more time, one more time. INNA: I need the fuel. C-INNA: I really really really feel that I deserve to be at this point. I think I gave it everything I had, really, like a poof, in a spit. Everything this race seemed to want to take from me is...it took, it extorted from me. INNA: More fuel. BAR: Wipe your mouth first, wipe your mouth. no pressure. Come closer, Inna, you are allowed more. Concentrate. BAR: Good! Good, good. C-BAR: It's like you get up in the morning, Inna, you... they blow an opening whistle and bring you the envelope, and you become an animal, you become something completely different. Things come out of you that could never come out of you in normal life. It's the juice of the juice of your psychic and mental abilities that just comes out. BAR: Mami, well done. BAR AND INNA, CURRENTLY IN FIRST PLACE BAR: You must now reach the world's largest Ferris wheel. DISCLAIMER: What you will read below is not just what Ron said but has extra sentences added. I had to explain the whole thing more clearly. I’m still not sure I got the whole thing right. It’ll probably make more sense later. RON SHAHAR: The teams must now reach the largest Ferris wheel in the world, which rises to a height of 165 meters. Here, without any explanation, they will have to find among the many confusing items in the carriage what the next task facing them will be and what objects they will have to take to carry it out. The clue they are looking for, a chair, is repeated in different forms throughout the carriage. One of the many tiny pieces of paper scattered around the floor has “chair” written on it, but there are many different chairs present in the carriage. To identify which one the couples must use a magnifying glass and an ultraviolet light strewn among all the other items to scan each for a message written in invisible ink. The couples must now find out for themselves that they will have to take one of the chairs and a megaphone which both have "Take Me" written on them in invisible ink, and in addition they will have to scan with the tablet device present among the items in the carriage, a QR code address underneath one of the other chairs "You must reach the Guinness chair", which will hint at the next task. The carriage of the Ferris wheel completes a rotation in 30 minutes. Only after they discover all the clues can they get off the wheel with the chair and the megaphone and get the next clue. BAR: The Ferris wheel's cabin completes one revolution in half an hour. This is exactly the amount of time you will have to solve the mystery. INNA: Mother, Bar, yoo. BAR: Okay, come on. Skip INNA: Come on, Bar. Skip BAR: We have one whole round to figure out the clue from the memorabilia, and it's not going to be easy. INNA: If we don't find it in the first round, we can lose our place. BAR: Exactly, that's the point. C-BAR: We went through a difficult mental experience. Our arrival at the various places was mixed with crazy difficulty. BAR: You have to think radically ahead, open your mind. It is not easy. C-BAR: It is important for us to prove to ourselves that despite everything we can do it. AKIVA: As a tribute to the Year of the Dragon you will now have to go to Hong San See Temple. ANAELLE AND AKIVA, CURRENTLY IN SECOND PLACE ANAELLE: Yoo, Shoshi. C-ANAELLE: What is this feeling of a final, of a holiday. We're in a fairytale now, and it's awfully fitting for our fairytale, the dragon. If we get the million, there will be a happy ending to our fairytale. AKIVA: Shosha, quickly, quickly. Skip ANAELLE: God forbid. C-AKIVA: Here it comes. It has arrived and there is not much time. You have to do what you have to do. It's time to show everything we've got. Today the other places have no meaning except for the first place. Today, second is last. ANAELLE: Shoshi, is this real fire? AKIVA: It looks like real fire. Good luck, honey. ANAELLE: Thanks, Shoshi. AKIVA: Come on, heroine. C-AKIVA: We start from second place, but with a very small gap of ten minutes. We know it is possible and, with God's help, we will bypass those who need to be bypassed and...we will...build a house for Yali. ANAELLE: Okay. Ready? C-ANAELLE: I told myself, enough, I have to detach from the fear, and now there is no, as if wasting time on the fear is simply unnecessary. I need to concentrate now on the task and leave the fear in another room. C-AKIVA: This race leads you to see your partner doing crazy things. that on a day-to-day basis I would never let her do that, but...and that's only in the context of the race. In private life I will tell you there is no chance. C-ANAELLE: Don’t try this at home. C-AKIVA: No. AKIVA: Well done, what a champion. ANAELLE: Hold it outwards. C-AKIVA: In the final, you don't introduce the factor of fear. The final is not the place to start arguing with yourself. You have to fly forward. ANAELLE: Shoshi, you are a champion. Wow, how I feel like, what fun... your hands, wipe your face. AKIVA: Yes. ANAELLE: Oh, what fun. Skip ANAELLE AND AKIVA, CURRENTLY IN SECOND PLACE AKIVA: You must now reach the largest Ferris wheel in the world, which rises to a height of 165 meters. Skip ANAELLE: Get in, get in. C-AKIVA: When I pray to the Holy One, blessed be He, I always ask Him for something, what I want, and at the end I say, but if it's really what's best for me, because I see a very small area. I'm seeing a very narrow view of my place in the world right now. Skip (pass) C-AKIVA: We sometimes have to understand that what we ask for is not necessarily the right thing and what is good, but what we think is good. And you should always keep modesty and understand that what we understand of God’s plan is terribly limited. Skip BAR: Here, this is it. Come on, go. It’s crazy. 165 metres. BAR AND INNA, CURRENTLY IN FIRST PLACE BAR: Our carriage is coming. BAR: Okay. The flag of Singapore is here, there are also items from China. INNA: What is this watch? A fan. BAR: It's something we have to put together from the objects. If we don't put things together, we won't understand what we need... INNA: Why can't it be something specific? BAR: Because it isn't. C-BAR: A clue awaits us inside the trailer. The clue is very not obvious. INNA: What do you do with balloons? BAR: Inflate. C-BAR: No one really understands how hard it is to get into this trailer, see piles of crap, piles, and try to figure out what they want from you. INNA: There is a really huge zoo in here. C-BAR: In fact, what the mission requested... was one of the things that Inna and I are... constantly weak in, which is to understand, from everything that's sitting there... No, it's not even funny, it's like, there's nothing to do, it's a poverty certificate, and that's what there is, to understand from everything that's sitting there… C-INNA: The mission that was hardest for me and Inna, to understand. INNA: Bar, she's doing a somersault, the doll. BAR: Well? AKIVA: Forward, forward, forward, forward. Come on. ANAELLE AND AKIVA, CURRENTLY IN SECOND PLACE AKIVA: Maybe he says something. C-AKIVA: We got into the carriage and there were lots of things there. While we were so flipping through and going through the things I saw a pen. I tried to open the pen. I said, walla, a pen, I need a pen, we'll use it, we'll write. AKIVA: I'm a genius! I found this one...it writes in cryptic writing. C-AKIVA: If you write and shine an ultraviolet light on it, you can see what you wrote. So I said, it's not just that this pen is here, we probably need to find the clue with the help of this pen. BAR: Ya Allah, we will soon be coming down. Not good, not good for us. Not good for us at all. C-INNA: The wheel, each rotation of it is half an hour. INNA: Are we down soon? BAR: We're down soon, yes. Wow, wow. C-INNA: If you didn't make it and you need another round, you're half an hour behind the couples, which is huge, huge, huge, huge in the final. BAR: No, no, it's not happening. INNA: We finished a round. BAR: Yes, Shit. No, this isn’t real. INNA: Yoo, yoo, yoo, yoo. It is also so typical of us. BAR: The hint is here, Inna. INNA: The hint is here. BAR: The clue is here. ALON AND OREN, CURRENTLY IN THIRD PLACE ALON: You now have to get to Hong San See Temple. Come on, come on, come on, war! Come on! Skip ALON: Wow, doesn't suit me at all. Yoo. OREN: Take a look. ALON: Are there fire extinguishers here? Come on, follow me. ALON: Not for me. Are there fire extinguishers here? Are there fire extinguishers? C-ALON: I immediately made sure of the existence of ambulances, of fire extinguishers, made sure that there were reassessments. I think the guy is serious, but it's stressful. ALON: Come on, let's start. OREN: This is nonsense. ALON: Fire extinguishers. Talk to mom, take care if something happens to me...come on, go. Skip (Two, one, ready?) C-ALON: It was clear to me that, as it were, in this final act of... of the final I must give everything and all my abilities at 150 percent. OREN: Alon, you got this. Faster. Forwards, Alon! C-ALON; I am confident, with Oren with me, that the task...that we will be able to get through the task. He gives me some kind of feeling of security and it's...full. OREN: Yoo! ALON: Yes! Come on, Oren. C-OREN: I am very proud of Alon. He always seems a bit weak to me, and here I find someone who, as soon as he gets involved, then he gives it his all. We are successful also thanks to him no less than we are successful thanks to me in this thing. ALON: Oren, make it into small drops. Come on, Oren, one... C-OREN: I'm not ready to give up under any circumstances, but I was a little afraid that...maybe my eyebrows will burn, because I have such protruding eyebrows, it's a bit dangerous. ALON: Aim. Why so high? OREN: I will do lower now. ALON: Well, well, well, what a waste of time. C-OREN: Blowing...nothing. Doesn't even make it, I think, to the board, although... C-ALON: But a fire cloud of this size comes out. 20 cm wide. C-OREN: Because I probably squirt sideways and not straight. C-ALON: I was next to you, like, I felt like a wave of fire. Where did you spit, I didn't understand at all from all these stories. ALON: With this one! ALON: You’re stuck, well. Oren, in this movement. Allah, war! Allah, work. Come on, Oren, come on, come on, it's a waste of time, this is the opportunity, we finish it in a minute. Almost. Oren, go a little lower. ALON: Oh. Great, you played her. C-ALON: Oren, at a good time, burned the entire temple and also managed to burn the sheet of paper. ALON AND OREN, CURRENTLY IN THIRD PLACE ALON: You must now reach the world's largest Ferris wheel. C-ALON: When you find a person by your side who is optimistic, who pushes forward, who...says, today we are going to take this final, it is very giving...beyond a push, also creates commitment. ALON: Brother, what a dragon, a dragon. Skip (We are in the race) OREN: We have an opportunity here, this is our opportunity. We missed all our chances, but here we won't miss our chance. ALON: We finish, we never give up, until the last moment. OREN: Until we stand on the carpet. ALON: Anything can happen, anything. INNA: It should be something along the lines of a chair, Bar, there are three chairs here. A large chair, a smaller chair, four sizes of chair. BAR: What does it mean? What does that mean, should we spot something from here? What does it mean? The chair is the direction. What do we do at the meeting? INNA: Drinking coffee, talking... BAR: Maybe it’s the very act of sitting? I do not know. AKIVA: I found something. Cryptic writing. ANAELLE: M…me… Take me. ANAELLE: Take me? Here, there is another sticker. What’s this? AKIVA: Take me. Shosha, there is another sticker here. ANAELLE: Okay. AKIVA: QR code. C-AKIVA: I turned the chair, I saw a QR code. AKIVA: Maybe there is the QR code app here. C-AKIVA: I remembered that there is such an application, which scans the QR code, so I said, let's try, what do we care? At worst we will know what his price is. TRANSLITERATOR’S NOTE: They say barcode whenever they mean QR code, all the teams. This pains me greatly so I’ve changed it, but it has the unintended side effect of slightly ruining this joke. AKIVA: Found it. Where is the QR code? There it is. You have to get to the Guinness chair. The Guinness chair. Shosha, these things should come with us. ANAELLE: The take mes? AKIVA: Take mes. ANAELLE: Shall I take the chair? ANAELLE: Yes. C-ANAELLE: Shoshi, listen, I have to tell you, your mind is terribly creative. To those who see it from the side, it seems not obvious that they take ultraviolet light on the one hand, on the other hand connect it with something else, make some kind of compound together and something comes out of it. You had this analytical thought, like it was a mathematical formula. Skip ANAELLE AND AKIVA, CURRENTLY IN FIRST PLACE ANAELLE: Route Info, how many people can sit on one chair? RON SHAHAR: Singapore holds a unique Guinness record, 1058 people sat here on one single chair. As a tribute to the Singaporean record the team members will now have to seat 58 people on one single chair. We were generous, giving up the 1000. The couple, equipped with a chair and their megaphone, must go to the mall in the "Marina Bay Sands" complex, where they will have to find 58 people who will agree to sit on each other's laps, with the first one sitting on the chair and all the others actually sitting on their knees. Only after 58 volunteers have sat and waved the couple's flags will they receive the next clue. TRANSLITERATOR’S NOTE: This record has since been broken several times over the years, the current one held by a Japanese group of vocational schools, at 2387 people/. ANAELLE: A tribute to a unique Guinness record. AKIVA: Do you realize this is the final? It's about a million shekels now. ANAELLE: Yes. AKIVA: It could be decided in a minute or two. A million shekels. C-ANAELLE: Everything can turn around until the 90th minute. This difference, between being among the first or among the last, is simply a matter of seconds. COMING UP NEXT… Sorry to take the wind out of your sails, but this isn’t foreshadowing a clue-giver Final Memory Challenge. I actually have…no idea wtf this is meant to be…some sort of bizarre tribute of sorts. See how many you remember. I’m proud to say I got all of them instantly except for the Krakow car-lifting challenge giver who I needed to pause the footage and think for a while about. I actually think EVERY SINGLE CLUEGIVER in the whole season is present here, so kudos for respecting all of them producers. Well, not all of them, but still, props for giving even the most minor ones some time to shine. Skip OREN: This is a task where perhaps our advantage can be manifested a little more. ALON: Right. This is our creative, out-of-the-box line of thinking. OREN: There is some sort of catch in the matter, you need... ALON: Thought pattern. OREN: Like the witches’ room really, who had to think to sweep or something like that. ALON: Yes, I hope she still goes on, that Bar and Inna will continue to look for the lanterns in the Ferris wheel while we arrive. TRANSLITERATOR’S NOTE: Wow, that’s a really specific callback to something that far back in the season. INNA: Wait, maybe we should see something from here, Bar. BAR: I don't know if you need to see anything. INNA: Maybe you'll try to see for me, my vision is really not sharp. ALON: Here, this is the marked spot. Come on. Go, go. Run, run, up the stairs. Where are the stairs? C-ALON: By and large, I'm quiet about this task because I have Oren. Give him two items, in four minutes he finds the context for you, it's not...I just need to...ground him, lower him to the ground. Simplify. ALON: Come on, Oren. OREN: Onwards. ALON AND OREN, CURRENTLY IN THIRD PLACE ALON: Simple, simple. As your sister-in-law says. OREN: Let's get the bags off, first. Grounded. ALON: Grounded. ALON: Anybody copy? That we don’t also leave lanterns here. ANAELLE AND AKIVA, CURRENTLY IN FIRST PLACE ANAELLE: What a fast walk. AKIVA: Need to find it fast. ANAELLE: I saw, I saw, I saw, left, left. AKIVA: Any chance we're alone here? ANAELLE: Are we the first? C-AKIVA: When we arrived we realized that we were in first place, now we just have to maintain it. We managed to make the overtake. Come on. C-ANAELLE: We knew that we would just really kill ourselves and do everything to succeed in this mission because no matter what, we are first and we have good chances now, more than ever, we are so close to being in first place. Skip ANAELLE: Akiva, speak to these too! C-AKIVA: The task was to collect fifty-eight Singaporeans, sit them on a chair. Skip C-ANAELLE: As a tribute to the Guinness record that was in Singapore. ANAELLE: (French) It's a competition, for a million. Skip AKIVA: My name is... Shoshi. Shoshi, Akiva, it's too complicated. You are welcome. C-ANAELLE: Shoshi, that talent of the businessman in you, it came out prominently. No, no, I'm not kidding you. Because Akiva has an interest...he speaks to people at eye level. Skip ANAELLE: Where is your boss? We will talk to him. Skip C-ANAELLE: Talking to them, like, modestly but at eye level, and then a person says, walla, I'll do something for him, it's not that humiliating. Because he is talking to a person, listen, this is a very important task, we have to make a Guinness record, sit on each other. It's not ridiculous at all. What is the problem? And he gives you a feeling like, if you do it for him, fine, you'll be a man. Skip C-AKIVA: I always sold something. In first grade I sold pencils. In the second grade I sold balloons. In the third grade I sold pogs. Skip C-AKIVA: In the 7th grade I already had a kiosk, at school, I would come with cans and coolers and...in the 9th grade I was kicked out of the yeshiva (Jewish religious education institution) for selling explosives, a crime. Well, there is a statute of limitations. AKIVA: This is a great mitzvah. Skip C-AKIVA: By the way, I am looking for a partner, seriously, in business. C-ANAELLE: For that we need the million. Read the numbers yourself BAR: Blow up the balloons, sweep with this, sit on this. C-BAR: There were many, many families of objects. There were families of objects that were musical instruments, there were objects that were actually dolls and of small children that needed to be operated, there were things that were more in the area of intelligence, which was a letter and a translation. INNA: How does it go here, first words and then complete sentences? What is this letter? BAR: It doesn't seem logical to me to look up all these words in a dictionary. INNA: What, what should be done, let's go according to the alphabet, what, well... BAR: Which alphabet, what alphabet? INNA: That of the Chinese. OREN: What did we find here on the wheel? ALON: We're five, six minutes coming back down, period. Our chance is over, Oren. Cute, I'm, like, if Bar and Inna do it, then I'm a kugelgar. OREN: They won’t do it. ALON: Find this thing. Can live here, even thirty years they will sit in this trailer and they will not find it. INNA: Something fell off me, Bar. BAR: Bring it, bring it...what fell off you? INNA: I dropped something. Okay, Bar, here it is, come on, look at it. BAR: Come on, bring it. INNA: Chair, chair. BAR: Okay, it’s written chair. A chair. But it's something related to the chair. It seems to me that there is a situation... INNA: Take me. INNA: Hey, there's something here too. BAR: Bring this pen. What is written? INNA: Take me, also. BAR: It’s also Take me? BAR: Scan. Ah, it’s “Scan me”. INNA: Scan me? To scan it is to search all over it. BAR: No, but it seems to me that it is from the language of scanning, from the language of scanning. In my opinion, it should be scanned with something. Let’s scan it with this, somehow. BAR: You have to get to the Guinness chair. BAR: Yoo, I don’t believe it. INNA: Okay, what should we take? BAR: This we take. Wait, let's not miss, because if we miss one, we go back up. C-BAR: In any case, because of our normal pressure, and especially mine, I simply, I simply took, everything I saw I put in the bag, I said, maybe we will need it, maybe it will be something to continue, maybe it will be some kind of task. BAR: Come on, go, go. Skip BAR AND INNA, CURRENTLY IN SECOND PLACE BAR: Together with the passers-by, you will pay tribute to a unique Guinness record achieved in Singapore. How many people can sit on one chair? INNA: Come on, come on, run. Bar, in my opinion we need to get the people from now on. BAR: No, no, you have to go to marked places. There. INNA: Nobody told you that you can't come there with the people already with you. Bar, people will get carried away with us, let's convince them to do it. BAR: Inna, listen to me for a second. It's a shopping center after all. C-BAR: Inna tells me, come on, let's do it faster, we'll already carry people away. Now, I tell her, Inna... it's there, like what is needed, to carry people away from here? C-INNA: No, no, sorry, sorry, sorry. C-BAR: Please, please, the floor is yours. INNA: Let's...let's do - let's stand there in the center and say, we are from The Amazing Race. BAR: Inna, come on. leave you C-BAR: Inna, does it make sense to you to take people from a kilometer away, a million people, with you to the mall? What is this? C-INNA: Not a million, at least some, you understand, we'll get there and we'll already have some sort of advantage. C-BAR: I can't believe you still believe that, Inna. BAR: I understand that's what you're thinking, but Inna, it doesn't make sense for people to go through everything with us.. INNA: No, fine, I hope I'm wrong, really. C-INNA: You're right, I was wrong. ALON: We started going down, cutie. Yo, Oren! Another round. Yoo, and you stink...death! What a thing, I'm putting deodorant on you now. Why don't you put deodorant on? OREN: I have a natural body odor, women love it. ALON: You are stuck. Stuck. Mrs.“Boat” and her two parents, three stuck. We lose another round, we are already at the peak. C-ALON: And the wheel continues and time runs out and you don't know where the other couples are and we haven't seen either Bar or Inna or Akiva and Anaelle...I...don't know what's going on. ALON: Well, I turned everything around. Let's see now what it is, this thing. OREN: Wait, wait. Ah, maybe we should shine with that light. Wait, write...wait, wait...there is something here, written something here. ALON: It says you're stuck, nothing written here! OREN: Written! Don't you see it's written? Take me. C-ALON; Illuminate with the infrared and what is written? It was yellow on top of such white, very clear, take me. ALON: This is not what we have become. Here's more... C-ALON: Suddenly I see a note, also like this, white, a white sticker, the same sticker as was on the black chair. ALON: Take me also. This is the answer. This is it. OREN: Wait, maybe something in the chairs? ALON: Let's see now what it is, this thing. With the pen. Here! OREN: It says, scan me, scan me. Ah, here, here, here, here. Yes, there is a scanner here. Come, come, come. No, give it to me. Here. ALON: You have to get to the Guinness chair. C-OREN: We scan it and see that it gives us some sort of sentence... C-ALON: Guinness chair. C-OREN: The Guinness chair. ALON: Take me. Well, but what do we do with the "take me"? OREN: Which items should you take? Take me. Maybe binoculars, maybe map? ALON: What maybe? Well, so we take these. OREN: Ah, this is the instruction page, which is probably in Chinese...we have to take it, find it...that will explain to us where to go. ALON: Come on, you carry all of Singapore on your back because of the "take me"! I have to fucking take this! OREN: I don't think so, because it's "take me"... ALON: I can not take it anymore. It cracks my head and there is a stench here, rot, I can't. Can not. I take it. OREN: Well, take it. ALON: Like fools we will leave...both third place and in the middle of Singapore because we don't know the QR code! Come on, let's go down. This is what is done, this is the decision. OREN: Yes? With this chair? ALON: Yes, with the chair. Put it in. C-ALON: We decided to get together to make decisions immediately because, another one more round, no matter what, we are not going out. We can’t do another half hour round now. ALON: I will also take the small chair to be more precise. I'll shove it in your bag. OREN: No. No, it says "scan me", well, don't exaggerate. ALON: I want you to come out festive with this, we'll confuse everyone. OREN: Enough, stop for a minute. ALON: That's how you should confuse. Exactly. C-ALON: We left like fools, whistles, with that, all the couples had already left. We didn't confuse anyone. C-OREN: Except ourselves. C-ALON: Except ourselves. ALON AND OREN, CURRENTLY IN THIRD PLACE BAR AND INNA, CURRENTLY IN SECOND PLACE INNA: Come, come. BAR: Come on. We will look for marked routes. Here, Inna, come on. Inna! INNA: What? BAR: Akiva and Anaelle. Skip C-INNA: When we arrive we already see Anaelle and Akiva, which raises the pressure gauge, it's a feeling that the race is slipping through your fingers at any given moment. Skip C-INNA: I was in such a frenzy, that I seemed to have already...started to swallow words. Skip ALON AND OREN, CURRENTLY IN THIRD PLACE ALON: Go, my brother, go. Who's here? OREN: Bar and Inna. ALON: Only Bar and Inna? C-OREN: When we arrive we actually see the two couples, Akiva and Anaelle and Bar and Inna, at advanced stages of the mission. Skip C-ALON: We actually have to assemble some sort of human chair. C-OREN: That the first... C-ALON: The black chair, that's what we brought from the well-known Ferris capsule, and fifty-eight people who have to sit together on...look, look, look, so that the viewer will understand. C-OREN: What, do you think I will sit, that you will sit on my legs? C-ALON: Do you want me to sit? C-OREN: It is also a question. C-ALON: No, sit down, no... C-OREN: Will you sit on my lap? C-ALON: It's not good, it sounds to me. But look, it's not understood like that. C-OREN: Here like this. No, you need to lift up a bit, I can't with that. Like this. C-ALON: In this way, a human chain of fifty-eight. C-OREN: Come on, get off already. C-ALON: Give it to me, you stuck...fifty-eight people at the Marina Bay area..sit down, straighten your bangs after all that... Skip (participate) C-ALON: We are on the prowl, in the well-known tactic of being nice...and attracting the people that way. ALON: Oren, they accepted. Skip OREN: Alon, Alon, come up, come up, come up. Skip OREN: I'm coming! I'm coming! ALON: Wave! Skip C-OREN: The Asians are terribly disciplined people. Once you told them "come" and pulled them, that, they stay and wait, won't move. Skip (voice) OREN: How slow you are, go take them off... C-ALON: Think, they catch you in the mall, would I be ready? Like, if they catch me in the mall, sit me on some legs of some girl and I have to wait, like... C-OREN: Wave the flag. C-ALON: To wave the flag, like? And wait for them to count the fifty... I was sure that as we continued the mission... C-OREN: People will leave! C-ALON: People drop us. C-OREN: Not one person left us. C-ALON: They were told to stand. You told them "sit like this", sit like this, wait. AKIVA: One line. ANAELLE: We are strict, we have fifty-nine. Come on, come on, Akiva, poor people. Quick, Akiva, she is in pain. C-ANAELLE: It's terribly, terribly problematic, because one is sitting on the chair but the rest are standing in the air and they're not... I don't know if they do exercise all day, and to hold on to their feet, like that, while half sitting is a physical effort... C-AKIVA: Squatting, this is called the squatting position. C-ANAELLE: Squatting position, it's not pleasant. AKIVA: We need to be up front. You are sitting on him! ANAELLE: Okay, okay. Skip ANAELLE AND AKIVA, CURRENTLY IN FIRST PLACE AKIVA: Route Info. You have to pass between two buildings while supporting each other and walking on ropes 200 meters high. RON SHAHAR: In the last mission of the race, the teams will be required to make a daring transition between two skyscrapers while supporting each other and walking on ropes. They will perform this final task from the 55th floor of the Marina Bay Sands hotel of tourist resort developer Sheldon Adelson. In the first stage they will have to go against each other giving each other maximum support. There is no guide rope so all they will have is each other. As they get closer to the other building, the distance between the two ropes will increase and they will have to exert more effort to maintain stability. In the second stage, when they reach the halfway point, they will have to bring an orchidaceae flower from there, a hint to the location of the final end point of the race. A fall from the ropes will force them to start all over again. Only a couple that manages to go back and forth together and bring the orchidaceae flower will win the next clue. AKIVA: This task will give you a new perspective on your relationship and prove how much you deserve a million. ANAELLE: Come on, Shoshi, come on, succeed. C-ANAELLE: We knew we had to be our best and had to do everything we could, just think ahead, and we knew that everyone would give everything they had and everything they didn't have, together. Like, it was clear to us that everyone wanted it, everyone worked hard, everyone would give two hundred percent of themselves. Skip OREN: Alon, we have! Skip ALON: Start seating them! OREN: Start sitting, you can only sit on the chair. Skip ALON: Are you ready? OREN: Okay? ALON: Okay. Skip ALON: Oren, Oren! ALON; We overtook them. Skip ALON AND OREN, CURRENTLY IN SECOND PLACE OREN: Akiva and Anaelle finished ten minutes before us, no more. You have to go between two buildings as you support each other and walk on ropes 200 meters high. C-OREN: Good news, we... C-ALON: The best news. C-OREN: That we suddenly see that we have made some kind of change and we move to the second place now suddenly. ALON: Come on, come on! C-ALON: Here, in fact, it was a turning point for me, that here I begin to smell that there is a situation that this story can be closed in our favour. Skip I am the task judge. Skip BAR: No, but they leave me. Keep them from going. Skip INNA: Ours are going full because we are delayed. C-BAR: Keeping them, that they wouldn't leave us, was also a task in itself. There were a lot of people we gathered, because we saw that we had, for example, thirty people, suddenly we look and we see that we have twenty-five, five people ran away. Skip How long time? How long time? C-INNA: Precisely towards the end, like we jump from first place to third place and it's such a stupid feeling. COMING UP NEXT… Another weird tribute ALON: I'm terribly afraid, Oren. No, this task is inhumane. C-ALON: Black in the eyes. I from the street see these tall buildings, I get black, so to pass between the two buildings... I'm not sure what's going to happen. ANAELLE AND AKIVA, CURRENTLY IN FIRST PLACE ANAELLE: So…stressed, yeah. But, now I’m scared. Skip ANAELLE: Yoo, how scary. Don't look at the height, I'm not looking. AKIVA: Wow. C-ANAELLE: It's unbelievable, we're on the roof of the building, the building which the whole finals event has revolved around. ANAELLE: God forbid. AKIVA: Shosha, that's really high. Wow. ANAELLE: Akiva, don't look at the height, don't look at the height. Yoo, how I hate this mission. Skip AKIVA: Give me a hand. ANAELLE: You sh.. you, that? C-ANAELLE: The first step is hysterically scary. ANAELLE: Strong, Shoshi, hug me, maybe? C-ANAELLE: It is not perceived, that we should walk on these threads without holding on to anything. ANAELLE: Wait, Shoshi, I'm scared to death. AKIVA: You, just think that we are in the circus, in the one of the experiment, that we tried. ANAELLE: Shoshi, you lean me too far forward, I'll fall. Backwards. Yo! AKIVA: Sit back yours. That's it, we found the method. ANAELLE: Do not touch me. Don’t touch me. C-ANAELLE: They hang you like that in the middle of nowhere. I, my body was shaking. ANAELLE: Don't push me. AKIVA: I do not. ANAELLE: Just lean back as much as possible. C-ANAELLE: I almost passed out at some point. I just felt like I was going to fall, like Sleeping Beauty. I had no feeling in my shoulders and I had no feeling in my hands. Like my hands, my brain can't tell them to move, do, act. ANAELLE: Mother, I'm about to fall. ALON AND OREN, CURRENTLY IN SECOND PLACE Skip OREN: Alon, you have nothing to fear. You, don't stress about the height. ALON: Give me three seconds. OREN: Alon. C-ALON: Tries to relax, goes to some glass and then looks down, I'm already suffocating, like, you see through the glass the height, it's a crazy height. ALON: Where’s the Rescue? He is not here. I need three seconds to myself. OREN: Alon, what's up? Take a glass, drink some, drink. He drinks the whole bottle, needs three drops. ALON: Let me have three minutes to myself. C-ALON: We drink a Rescue bottle (some flower extract pharmacy thing), take the three second moment, the three second breathing exercise of the Eastern teachings, try to relax. I breathed, I took three, four minutes, I said... C-OREN: I... the clock is ticking. C-ALON: Yes, the clock is ticking. C-OREN: Come on, well. C-ALON: You were actually fine there, you gave me the time I needed. C-OREN: All this calmness, wanting to move forward, I see, Akiva and Anaelle… C-ALON: He contains, he cares, he gives. C-OREN: No, like... C-ALON: Wanted to start and I already wanted to start too. ALON: Mom will die. OREN: Alright, mom, mom, now mom? Am I interested in mom now? I'm interested in us. C-ALON: Just open the door with such a breeze, like height, you feel height. Safety, they tie you up, just in the administrative walk they already tie you up with harnesses and cables. OREN: Look at me, don't look down. ALON: Very scary. OREN: You are connected here to this cable. ALON: I'm so afraid. OREN: You have nothing to fear. ALON: How do you even stand like that, without... OREN: Don't look down, I just told you. Don't look down either, don't look down! C-ALON: It would have been better not to look down, like cars of this size, I'm not kidding, like it's a height...just stand on the sidewalk, like, your balls are already here, I felt here, like this, my two balls are here. OREN: Put your foot down. Well, put your foot down. Beauty. Put the other one. ALON: Do not leave me! OREN: No, no problem, no problem, no problem, I'm not holding you, the cable is holding you, Alon. Lean back. ALON: You’re pulling me. You’re pulling me! OREN: So lean back hard. ALON: Why are you pulling me? OREN: Lean back, sit! Sit back tight. Lean back, lean back. Exactly. Excellent. Excellent. Excellent, my brother. Excellent. C-ALON: Each partner has to walk on a tightrope alone, when he is held and helped, through balance and a game of weights, with his partner. C-OREN: The stabilization is with the other partner. C-ALON: Mutual. OREN: Excellent. Great, I stabilise with your leg. Excellent. ANAELLE: Like this? So look at me, if it's like you're flirting with me. God forbid. Don't leave me, go ahead. Just looking into each other's eyes. C-ANAELLE: We tried several attempts and it just didn't work for us, even if I held him lower, even if we went lower, even if we leaned back, we each leaned more on the rope, it didn't work for us. Skip INNA: Three, four, and… BAR AND INNA, CURRENTLY IN THIRD PLACE BAR: You have to perform a task that has not been seen on TV screens before. This task will give you a new perspective on your relationship and prove how much you deserve a million. Fast. C-INNA: We find ourselves, after leading the race so far, in third place. The third and last. It's not like, in the...in the other parts of the race you say, okay, fine, so I'm not going to get a good place, but I'm going to get there, no big deal. C-BAR: It's also the final, it's not... there's no time here. C-INNA: It's the final, I mean, if you don't come first, you're eliminated. OREN: Excellent. Take me backwards, great. Excellent, excellent. halfway. Don't look, just at me. ALON: Yes. OREN: Excellent. Slowly. Wait, wait. Bring us back, bring us backwards. Excellent. Oh, take us backwards. Skip C-ALON: Tick, we fell! Like, you're hanging between heaven and earth, but this feeling that suddenly...yoo, to experience the...that first fall… BAR AND INNA, CURRENTLY IN THIRD PLACE INNA: Yoo, how scary. BAR: Mother, what is this, mother? INNA: Yoo, Bar. BAR: Come on, come on, we have to reset, Inna, we're not in a safe place. BAR: You must walk together on the two ropes facing each other, during the execution of the task you will be 55 floors above Singapore. BAR: Inna, we don't look down, did you hear? C-BAR: Mother, I have never done such a thing, it doesn't even seem logical to me. I looked, I said how can such a thing be done? BAR: We just need to look each other in the eye. INNA: Yes, only with the eyes. BAR: Only with the eyes, without seeing anything around. INNA: I'm scared to death. C-INNA: I was attacked by anxiety. I really felt that I needed Bar, that without her I wouldn't be able to get through it. BAR: We should really hold each other though. The question is how it will be convenient for us. INNA: So like this. That's how I don't feel safe with you. I think so. BAR: Get up. Up on me. C-BAR: We put the first foot, on the rope, and realized how crazy this task really is. ANAELLE: Without, without actually connecting them, you understand? Akiva, lean, lean. AKIVA: Lean on the wire. You have it? ANAELLE: Yes. AKIVA: Just lean on the wire. C-AKIVA: We see Bar and Inna progressing, we see the brothers. C-ANAELLE: As soon as we saw them, we started to stress. We, our advantage, have lost it. It's like, we're back to square one and we're now equal to all couples. AKIVA: Piece of cake. Shosha, look what it does to my legs. A little bit more. You're ruining my legs. ANAELLE: But are you willing to put up with it, for a million? C-ANAELLE: People can't understand, what is this... rope, that cuts you, like that, it's like a knife, that cuts your flesh and also in your leg at this point, you have exactly a bone. It cuts you to the bone and he's gotten over it several times. ANAELLE: Lean back. Lean back. Yoo. Shit! Wait, wait, wait. BAR: Inna stand straight, straight. INNA: I'm straight. BAR: Stable, do not bend. You don't look anywhere but on my eyes. INNA: Only on your eyes. Tears in the eyes. BAR: Just look at me only on me. And foot. INNA: My turn. BAR: Wait, slowly, slowly. C-INNA: I had some kind of feeling like that, terribly difficult. that I was afraid to show like there was any sign of this fear that I was walking this tightrope. BAR: Get out of here, get out, you're not here anymore. Think about the house. About your mother, how much she loves you. Think about our friendship. How fun it is to be with each other, how amazing the whole journey we've been through. C-BAR: Like meditation, detaching from everything around, the view, the height, the wind and focusing only on each other. BAR: Relax your legs, relax your head, don't think about where you are or what you are doing, think only about who you love, about how good you are in life. C-BAR: I also saw Inna's disintegration in her eyes, she was simply absorbed in a trance and I knew that I had to transcend, rise, rise myself, in order to hold both of us up. BAR: What a princess you are. What a life you've had, where you've arrived. INNA: Bar, don't stop talking to me. C-INNA: She looked me in the eyes, she knew very well what was going through me, I didn't have to tell her, I just told her it was difficult for me and she already knew what to say and she already knew what to do and she already knew... how to strengthen me and what words to use. C-BAR: I'm done with this scene. BAR: Think how good you are now, look at what a stunning place you have reached in your life, think how stunning it will be to return to your parents, Inna, what fun it will be. OREN: Excellent. Look at me. Slowly, slowly, fine. Excellent. ALON: Love you to death. C-ALON: This experience creates intimacy in the sky. Total dependence on your partner. Like, you can't manage here alone, neither he nor I. Physical proximity, we are constantly touching each other, that is, there is a touch, such a hold. ALON: Don't fall, don't fall. C-ALON: There is intimacy and complete interdependence here. For me - the peak of the relationship. AKIVA: When you lean. ANAELLE: Yes? AKIVA: Don't push with your legs so much. Try to stand. ANAELLE: Okay, okay, okay. AKIVA: Try to pull your rope more under you. Try to pull the rope towards you, the problem is with you. You're doing it again. ANAELLE: Shoshi... AKIVA: You're killing my legs, don't you get it? ANAELLE: So you pull back further. What are you doing? AKIVA: My legs are dead. ANAELLE: Shoshi is all suffering. C-ANAELLE: It is very, very difficult to see each other's suffering but there is no one who will now take you, lift you up and make you go through the rope. Only you yourself. AKIVA: Shosha, you mow my legs. ANAELLE: Well, then come on... AKIVA: Wow. ANAELLE: Let's go back to the previous situation. Wait. AKIVA: Wow, you don't understand what you're doing to me. C-AKIVA: Simply, the whole time she was stepping she would cut my leg and my whole leg was torn. AKIVA: Listen to me, listen to me, to me. ANAELLE: Yes. AKIVA: Whatever you do, you lean on the rope, down. ANAELLE: Yes. AKIVA: Instead of leaning on the rope above. Now do you understand what I'm saying? ANAELLE: Okay. AKIVA: It is the rope above that holds you, not the rope below. ANAELLE: Okay. AKIVA: Stop doing that. ANAELLE: Wow, poor Shoshi. AKIVA: Stop it already! ANAELLE: Ai, fuck. AKIVA: Look at my legs, look. ANAELLE: Sorry, Shoshi, don't be mad at me, I don't do it on purpose. AKIVA: Obviously I'm angry with you, I explain to you and you don't listen to me. ANAELLE: He's bringing us back, Akiva. AKIVA: You let your fear take over you. ANAELLE: Akiva, don't shout. No big deal. AKIVA: But look at my legs. ANAELLE: Okay, no big deal. AKIVA: Have you seen them? ANAELLE: Yes, I saw. AKIVA: Are you telling me it's just pain? ANAELLE: Have seen. AKIVA: It's killing my leg, I can't finish it like this. ANAELLE: Alright, don’t yell, Shoshi, alright. BAR: You are a very strong girl. INNA: You too, you know. You are much more than I imagined, I am proud of you. BAR: Know that I love you, really, endlessly and truly every time we fought and every time I was right, you were right, that you were hurt by me, know that...every moment like this was really like a knife in my heart because I really really love you. INNA: And I you. BAR: I really really don't see any form of progress without you. You are an integral part of my life, I love you true love. C-BAR: I loved Inna more, because I suddenly saw in her, something terrible, terrible...an emotion...I don't know how to explain it. Something terribly human in her came out. For the first time in my life I was privileged to see Inna, really, in a petrified state, like and I say I was privileged on purpose, because I saw a side of her that I didn't know before and that's a privilege, when you know someone for so long and you see a side of them that you didn't know. BAR: I am proud of you for everything you do, for where you are, what you have achieved in your life, what you will achieve, and how you are an amazing girl for me, really. INNA: You too, you are very special. C-INNA: I fell in love with Bar there all over again. It's not that I don't know who Bar is, but she was really like, so powerful there, that it...it was unbelievable, like, she held me. BAR: Just so you know, we are a million times braver than I thought. INNA: Yes. BAR: We are strong and have a crazy survival instinct. C-BAR: You had to really love, cherish and really accommodate your partner to such a maximum level, to carry this task. BAR: The way I love you, endlessly. Really. Really. OREN: Excellent. We are stable, slowly. Excellent. Excellent. C-OREN: We've actually got the technique down and we feel like we've really made progress. ALON: Going well. C-OREN: Akiva and Anaelle are generally at the beginning level, Bar and Inna around the middle. C-ALON: We overtook them. C-OREN: We managed to overtake them because of their slowness. INNA: No, no. BAR: Slowly, slowly, slowly, slowly. ALON: Why is it getting harder? Are you walking away from me or is it just me? OREN: No, that's how it is. This is the structure. Take a step. Take a step. C-ALON: Suddenly, like at the very end, you have an ascent, and this ascent is difficult, like, it's stressful. Once again you have to change technique. You have to hold on... C-OREN: No, apart from that, the gap between the two cables also widens. I mean, if we held each other's shoulders before, but then now it's impossible, you have to release your hands more all the time. C-ALON: Be further away. C-OREN: Because in another second you fall. OREN: One more. One more. One more. ALON: You just say one more every second. OREN: One more. One more. Give one more. ALON: Where? OREN: Give one more! ALON: Don't ever yell at me. OREN: Put a foot, put a foot, put your foot. Come up. C-ALON: Not only do you have to move to the other building on the other side of the walk, you have to get an orchid flower, take the orchid flower and bring it back. I mean, it's a two-way movement.