Left to right from the top: lololol (Sheryl Chung and Xia Lin), Future Tao Workout #3: Sound | Animistic Apparatus Seminar 2: Art is Addressing Spirits | Kira Muratova, The Asthenic Syndrome Holly Argent, Group Action with KK | Marwa Arsanios, Have you Ever Killed a Bear or Becoming Jamila (The labour of image making) | Cooper Battersby & Emily Vey Duke, You Were an Amazement on the Day You Were Born (Berwick New Cinema Competition ♜) 10 Saturday 21 September 10:00 The Gymnasium 11:00 Maltings Main House 13:30 Maltings Henry Travers Future Tao Workout #3: The Asthenic Syndrome The labour of Sound Kira Muratova image making lololol (Sheryl Chung and Filmmaker in Focus: Kira Muratova Marwa Arsanios Xia Lin) USSR | 1989 | 153 mins | Russian with Artist in Profile: Marwa Arsanios Events | Animistic Apparatus English subtitles 52 mins | Multiple languages with Sound ar tist Sher yl Muratova’s most celebrated English subtitles Cheung’s Internal Motivations film, the epic The Asthenic At a remove from cinema’s is a collective listening and Syndrome, winner of the Silver and television’s alluring veneer, improvisation session for energy Bear at the 1990 Berlinale, has there exists an exploited class circulation between people and been called ‘a magnificent of worker hidden behind the their environments. Participants fresco’ and an ‘apocalypse.’ scenes. In Amateurs, Stars and explore different relationships Creating vivid images of desper- Extras or the labor of love (2019), between sound and energy. ate characters determined Marwa Arsanios provides an Working with people from the to survive, she captures and inversion of this dynamic, cast- festival, the workshop aims to divines the state of the USSR on ing ‘amateurs’ and ‘extras’ as open Taoist-informed ideas to the eve of its collapse. A searing central characters. Meanwhile, more universal imaginations and portrait of individual malaise and Have you Ever Killed a Bear applications. collective apathy, full of poly- or Becoming Jamila (2014) phonic elements, the film stuns exposes the labour of perfor- 10:30 The Gymnasium the viewer with shock therapy, mance through an exami- destroying every illusion. nation of Algerian freedom Animistic Apparatus fighter Jamila Bouhired and her Seminar 2: Art is 11:30 Maltings Henry Travers representation in the 1966 film Addressing Spirits The Battle of Algiers. Events | Animistic Apparatus Group Action with KK Q&A with filmmaker Marwa Arsanios Hear tales of what happens Holly Argent when the projector light beam Propositions 14:15 Maltings Main House goes outside into animistic Interleaving the archive spaces. In this storytelling (Group Action with KK) is a Berwick New Cinema session, George Clark, Sheryl performative lecture by Holly Competition ♜ Cheung, Xia Lin, Mary Pansanga, Argent bringing together 89 mins | Multiple languages with Julian Ross and others recount a spoken narrative, photo - English subtitles their recent experiments with graphic transparencies on an History is what’s happen- projecting and performing at overhead projector, live video- ing. It’s constantly unfurling potent sites in proximity with feed projection and a screen- never static and always in flux. spirits in Thailand and Taiwan. ing of films by Polish artistic Rather than being resigned to it, duo KwieKulik, active in Warsaw it’s incumbent upon us to shape bet ween 1971–1987. The and mould it into the gooey, cinema is used as a pedagogical slimy substance that we want space to share a new narrative our world to resemble. The time around the works of KwieKulik, is now, the place is everywhere, incorporating research trips to all at once... Warsaw, historical moments of Films by Dani ReStack & Sheilah resistance, and reflections on ReStack, Cooper Battersby & Emily the term ‘art worker’ in contem- Vey Duke, Adam Khalil, Zack Khalil porary economies. & Jackson Polys, Anya Tsyrlina & Sid Iandovka and Heidrun Holzfeind. Q&A with filmmakers Emily Vey Duke, Anya Tsyrlina & Sid Iandovka and Heidrun Holzfeind 11 Berwick-upon-Tweed Berwick Train 3 Station 4 e r ad Pa W al la ce 16 Ca Gr stl ee eg n at e a te rg Chapel Street ke al W B a n k Hi Be rw Church Street ll ic kT ow are n W qu al 13 ls nS 10/11/12 M ar y lde gate Go Woolmarket Eastern Lane 14 et tre 2 Hide Hill West S 9 B an kH ill 1 The Maltings B r id g Silver Street e Stre et dgate ge D ri v e r s L rid Foul Ford B San ed we an e lT ya Ro ge 17 en re rid Qu P al ac e S t r e e t ay Palace G dB Ol W alls ick rw Be 9 8 Venues 15 1. The Maltings 2. Bankhill Ice House 3. The Straw Yard Cinema Fireworks (Archives) O’ Pierrot Apichatpong Weerasethakul | 7 mins Tanoa Sasraku-Ansah | 25 mins 5 4. Berwick Museum & Art Gallery 5. The Gymnasium 6. The Magazine Beyond the Field (part of Museums Northumberland) Double Ghosts Preemptive Listening Matt Stokes | 12 mins George Clark | 60 mins Aura Satz 7. Coxon’s Tower 8. New Tower 9. The Main Guard Central Region, 2019 Camera Trap Douma Underground Tanatchai Bandasak | 18 mins Chris Chong Chan Fui | 10 mins Tim Alsiofi | 11 mins 6 Ravensdowne 10. Town Hall 11. Town Hall Old Gaol 13. Town Centre Cinématon Council Chambers Railtrack Songmaps & Jalan Jati (Teak Road) Gérard Courant | 174 hours Now at Last! The Migrant Ecologies Project Singapore Ben Rivers | 40 mins 12. Bugs and Beasts Before the Law Bambitchell | 30 mins Palace Street East 14. 59 Marygate 15. Magdalene Fields Golf Club Kaleidoscope Festival Club Bean-Bag cinema & hands-on Friday and Saturday till late n making activities for families BFMAF recommends 1. The Maltings Kitchen 2. Bridge Street Traders 3. The Barrels 7 4. The Lookout 17. Quayside 5. Northern Soul Kitchen A Lullaby to the Sorrowful Mystery Lav Diaz | 485 mins 6. The Corner House 16. Visitor Centre Friday 20 September, 21:30 7. Northern Edge Coffee Bar [INSERT TITLE HERE]: A Surrealist Gaming Experience 8. Castlegate Chippy Berwick Youth Project & Film Bee | 3 Mins Saturday 21 September 15:15 Maltings Henry Travers 17:00 Maltings Henry Travers 19.45 Maltings Henry Travers A Hundred Faces Lionel Soukaz: Celestial Wives for a Single Day Militant Desire of the Meadow Mari Christian Ghazi Essential Cinema Aleksey Fedorchenko Essential Cinema | Artist in Profile: France | 55 mins Fantastika Marwa Arsanios French with English subtitles Russia | 2012 | 106 mins | Russian and Lebanon | 1971 | 64 mins Lionel Soukaz is a pivotal Mari with English subtitles Arabic with English subtitles figure in European queer cinema: The Meadow Mari are a Christian Ghazi’s incendi- a filmmaker, collaborator with Finno-Urgic ethnic group living ary, avant-garde masterpiece queer theorist Guy Hocqueng- on the left bank of the Volga ends with the send-off, “I don’t hem and organiser of the first River in central Russia, some- care when or how I will die, as festivals of Cinémas Différents times called ‘the last authentic long as there are armed men in France. Combining the pop pagans in Europe’. Across twen- who will continue the march, cultural ironies of Jack Smith ty-three short chapters, Celes- shaking the earth with their and Kenneth Anger with protest tial Wives of the Meadow Mari uproar so that the world won’t cinema, his films target the norms presents a catalogue of Mari sleep heavily over the bodies of heterosexual and homosexual fairytales and folklore, depict- of the laborious, miserable and culture alike, calling for the end ing in painterly tableaux a culture oppressed men.” The Leba- of identity and the free reign of driven by ritualistic apprecia- nese documentarian’s films desire. Writer/curator Paul Clin- tion for female beauty and femi- were so politically volatile that ton presents two short works by nine sexuality. Vibrant colours, authorities burned them all, Soukaz with an illustrated lecture. breathtaking cinematography except for a single 35mm print and a gentle sensibility strike a of A Hundred Faces which was 19:30 Maltings Main House harmony between scenes vari- smuggled out of Syria and ously tender and grotesque. returned to the filmmaker. The Halt Selected by Artist in Profile Marwa Lav Diaz 22:00 The Gymnasium Arsanios, who will introduce the film Berwick New Cinema Features Philippines | 2019 | 283 mins | Tagalog lololol (Sheryl Chung 16:30 Maltings Main House with English subtitles and Xia Lin) & George The Halt is set in a phan- Clark Performance Berwick New Cinema tasmagoric dystopian future Events | Animistic Apparatus Competition ♛ where madmen control Manila This new collaborative 86 mins | Multiple languages with after massive volcanic eruptions performance will assemble English subtitles have plunged Southeast Asia materials from the local environ- Ricocheting from point to into darkness. Berlin, Venice ment with the artists personal point, this might lead to discover- and Locarno Award winning archives from a destroyed 35mm ing new people, ideas and forms director Lav Diaz’s latest film film of mythic Naga serpent to of communication, breeching is a potent sci-fi epic. Hold- studies of plant life. Activating familiar spaces, close and far. Or ing a mirror to present-day the artists shared interests in is it perhaps the eternal return, despots and invasive surveil- ecology, models of assembly reconnecting us with family, lance, it concentrates power in and ways to reframe ritual prac- compatriots or community? the hands of a solitary young tices from ceremonial film projec- Films by Miko Revereza, Ayo Aking- woman. Spinning a tale that tion, Tai Chi and group viewing bade, Daisuke Kosugi and Jenny Brady. urges recovery from collective and listening. Q&A with filmmakers Miko Revereza, cultural amnesia, The Halt is an Ayo Akingbade, Daisuke Kosugi and immersive and truly one-of-a- Jenny Brady kind experience. Introduction by filmmaker Lav Diaz There will be a 15 minute interval during the screening 14 Left to right from the top: Christian Ghazi, A Hundred Faces for a Single Day | Ayo Akingbade, Dear Babylon (Berwick New Cinema Competition ♛) | Lionel Soukaz, Royal Opera (Lionel Soukaz: Militant Desire) | Lav Diaz, The Halt | Aleksey Fedorchenko, Celestial Wives of the Meadow Mari George Clark, Taiwan Experiment For Better Vegetables (lololol (Sheryl Chung and Xia Lin) & George Clark Performance) 22:00 Magdalene Fields Golf Club Events Festival Club: Miss World + DJ HTSHELL Perennial BFMAF favourite DJ HTSHELL returns to spin global funky sounds: blistering hotwave, sloppy disco workouts, anarcho-house anthems and Soviet floor-fillers. Edinburgh’s all-female DJ collective, MISS WORLD bring their party to Berwick - a musical beauty pageant of all sounds and genres. 15 Left to right from the top: Marwa Arsanios (Seminar: Marwa Arsanios) | Vojtěch Jasný, When the Cat Comes | Kira Muratova, Passions Elise Florenty & Marcel Türkowsky,Back to 2069 (Berwick New Cinema Competition ♚) | Zlatko Bourek, The Cat (Fairytale Shorts) Zinzi Minott, Fi Dem II (Windrush Legacies and Experimental Forms) 16 Sunday 22 September 10:30 Maltings Henry Travers 12:00 Maltings Henry Travers 14:30 Maltings Henry Travers Seminar: Passions Fairytale Shorts Marwa Arsanios Kira Muratova Fantastika Events | Artist in Profile: Marwa Arsanios Filmmaker in Focus: Kira Muratova 43 mins | Multiple languages with From research to writing, Ukraine/Russia | 1994 | 112 mins English subtitles through performance and film, Russian with English subtitles Fairytales and fables form this seminar follows the differ- Passions is a turning point in the fulcrum of these short films. ent stages of building a work. Muratova’s filmography, mark- Zlatko Bourek’s psychedelic-era Marwa Arsanios will open up ing the final transition from more animation The Cat is a day-glo different aspects of her practice or less ‘narrative’ films to ones adaptation of Aesop’s ‘Venus focusing on the textual, articu- where the plot is less important and the Cat’, in which a man lating the tensions that emerge than the form, which is always falls in love with a cat-turned- from processes of reading, writ- free and innovative. This film is woman. US independent film- ing and performing. She will also her manifesto on the ‘unbeara- maker Anna Biller handmade talk about the different method- ble emptiness of being’. While costumes, sets, props and music ologies she uses for her research Muratova could be compared to for Fairy Ballet, an adaptation of and how the filmic apparatus is Federico Fellini, this the only film her theatre production. Chilean used as a tool for research. in which she both fully reveals papier-mâché animation Strange and at the same time under- Creatures is a modern fable for 11:45 Maltings Main House mines the ‘Felliniesque’ nature the climate change era, in which of her cinema. forest animals discover humans When the Cat Comes are the truly strange creatures. Vojtěch Jasný 14:00 Maltings Main House Fantastika Czechoslovakia | 1963 | 100 mins | Berwick New Cinema 16:00 Maltings Henry Travers Czech with English subtitles Competition ♚ Magician Oliva arrives in 85 mins | Multiple languages with Windrush Legacies and a small town with the beauti- English subtitles Experimental Forms ful artiste Diana and a magi- No human is an island. Two Rabz Lansiquot cal tomcat. When the cat’s short films of grand vision— Propositions sunglasses are removed, it and great difference—follow This screening and conver- unveils the true characters of the their lone protagonists as they sation, programmed by Rabz adult humans around him: liars negotiate between inner and Lansiquot, pairs dancer Zinzi become tinged with purple, the outer worlds. From the barren Minott’s durational film works unfaithful turn yellow, thieves but hauntingly militaristic island Fi Dem (2018) and Fi Dem II turn grey and the love-struck of Lemnos to a verdant Portu- (2019) with a seminal work from turn red. Fearing that they may guese forest, both humans rear- the workshop era of the 1980s lose their positions in light of range fugitive blocks of cunning to consider lineages of Black such transparency, several local and experience to find their British experimental film. Minott powerbrokers steal the tomcat. point of view. produces new additions to Fi This fantastical comedy won Films by Leonor Noivo and Elise Flor- Dem every Windrush Day as a the Cannes Special Jury Prize enty & Marcel Türkowsky. commitment to the Windrush in 1963. Q&A with filmmakers Leonor Noivo, generation, and a continued Elise Florenty and Marcel Türkowsky investigation of Blackness, diaspora and the heritage of her family. 17 Sunday 22 September 16:30 Maltings Main House 20:00 Maltings Henry Travers Eternal Homecoming Rights of Man Kira Muratova Juan Rodrigáñez Filmmaker in Focus: Kira Muratova Closing Film | Berwick New Ukraine | 2012 | 114 mins | Russian with Cinema Features English subtitles Spain | 2018 | 75 mins A woman is paid a surprise Multiple languages with English subtitles visit by her long-forgotten class- See page 3 for details. mate, who needs her advice. An outrageously burlesque mise- en-scène is repeated many times over, each in a different place and performed by new actors. Muratova asked the big stars of Russian cinema and stage to collaborate on this movie with amateur actors from her previous films, in exploring the possibilities of aesthetic trans- formations between the world of the past and our world today. 18:00 Maltings Main House The Little Girl Who Sold the Sun Djibril Diop Mambéty Essential Cinema Senegal | 1999 | 45 mins | Wolof with English subtitles The Little Girl Who Sold the Sun follows Sili, a girl traversing Dakar’s many obstacles with her crutches. After starting to work as a newspaper vendor, she quickly runs afoul of territorial boys who see her as a competi- tor. Djibril Diop Mambéty’s final film is handled with gentle light- ness and grace, providing incon- trovertible evidence of his place not only as a master of African cinema, but as a pivotal figure in the history of cinema. Top to bottom: Kira Muratova, Eternal Homecoming Djibril Diop Mambéty, The Little Girl Who Sold the Sun Juan Rodrigañez, Rights of Man 18 Exhibitions Bankhill Ice House The Straw Yard Animistic Apparatus: Fireworks O’ Pierrot (Archives) Apichatpong Weerasethakul Tanoa Sasraku Mexico/Thailand | 2014 | 7 mins United Kingdom | 2019| 25 mins Fireworks (Archives) is an offering to the With a focus on the social impact of costume— potent spirits of Apichatpong Weerasethakul’s referencing 1920s Black American theatre and home region, shot in the sculpture park of a little- stories woven into the visual structure of tradi- known nonconformist temple in the northeast of tional British textiles—O’ Pierrot emerges as the Thailand. Two figures silently cross the frame in a product of Tanoa Sasraku’s four-month resi- nocturnal site filled with stone animals. Flashes dency as part of The New Flesh, based at Acad- of light and dense darkness mix with archival emy Costumes in South-East London. Through photographs of executed revolutionaries. This the design and fabrication of her own costumes, place, Weerasethakul says, is a manifestation theatrical set and props, Sasraku engages in a of revolt. retelling of Kenneth Anger’s avant-garde, queer fairytale Rabbit’s Moon. Berwick Museum & Art Gallery The Gymnasium Beyond the Field Animistic Apparatus: Double Ghosts Matt Stokes George Clark United Kingdom | 2019 | 12 mins Chile/Taiwan/France | 2018 | 60 mins In Beyond the Field, Matt Stokes uses folk instru- Double Ghosts is a multi-part exhibition which ments to create the sounds produced by fauna pres- traverses the Pacific drawing on historical frag- ent in the landscape of Berwick-upon-Tweed in the ments, traces and ghosts from the coasts of Chile mid-1700s. This was during the Agricultural Revolu- to a mountain cemetery in Taiwan. Exploring the tion when the flower-rich meadowlands described status and potential of unrealised and fragmented by writers surveying the Tweed Valley were being histories, the exhibition draws together 35mm film, drained and replaced with crops. The shift in farming sound recordings, script fragments, photography practices altered local biodiversity, affecting the plants, and archival material filmed and gathered in Chile, insects, birds and mammals present in the area. France and Taiwan. 19 Exhibitions The Magazine Coxon’s Tower Preemptive Listening Animistic Apparatus: Central Region Aura Satz Tanatchai Bandasak United Kingdom | 2019 | 30 mins Thailand | 2019 | 18 mins Aura Satz’s Preemptive Listening project Commissioned by Animistic Apparatus to make focuses on sonic obedience and disobedience a video responding to Southeast Asian animistic through the trope of the siren. The Fork in the Road practices of communicating with spirits, Tanatchai comprises trumpet improvisor Mazen Kerbaj’s Bandasak draws inspiration from the presence of composition of a new siren sound using circu- prehistoric standing stones in the highlands of Laos. lar breathing, and actor/activist Khalid Abdalla Central Region combines dissolves and superimposi- speaking on the siren as the emblematic sound of tions with ambient sound, evoking the spectral way in resistance, oppression and lost futures during the which standing stones in Sam Neua—though appear- Arab Spring. Following the film, a sound installa- ing as inert ruins randomly scattered throughout the tion proposes a speculative re-imagining of emer- landscape—powerfully demarcate potent territories gency signals. of the undead and the nonhuman sovereign. New Tower The Main Guard Animistic Apparatus: Camera Trap Douma Underground Chris Chong Chan Fui Tim Alsiofi Thailand | 2019 | 10 mins Lebanon/Syria | 2018 | 11 mins Camera Trap is a comparative video using ‘With the barrel bombs falling on Ghouta, the moving images made a hundred years apart. The Eastern suburbs of Damascus, civilians sought shel- first half looks at Muybridge as both animal and ter in the basements of their homes. I was one of landscape photographer, compared with the them, holding on to my camera. I tried to film what I second half which works with current animal couldn’t express in words.’ camera/video traps from the rainforests of Sabah Tim Alsiofi’s unflinching document of people (Malaysian Borneo). A comparison of domesti- sheltering in a city under siege reaffirms the impor- cated and wild animals. Caged zoo animal sounds tance of transparency and immediacy in document- to animals in the rainforests. Camera equipment ing crucially important scenes of unfolding history uses then and now. through moving images. 20 Exhibitions Town Hall Council Chambers Town Hall Old Gaol Now, at last! Animistic Apparatus: The Migrant Ben Rivers Ecologies Project, Two Installations United Kingdom | 2019 | 40 mins Singapore | 2009–19 Ben Rivers’ magnificent film of a sloth doesn’t Railtrack Songmaps is a multimedia assemblage encourage lazy viewing. Rather, it’s an active, of relations between people and birds along the rail- engaging and engrossing experience. Cherry the tracks at Tanglin Halt, a historic quarter of urban sloth clambers up her favourite tree in the Costa Singapore undergoing social and environmental Rican forest, hangs from it, and in turn the time we change. This iteration releases the stories, bird calls experience as viewers becomes suspended as and Malay pantun poetry into Berwick’s old jail cells. each breath, every movement becomes a theatrical Teak Road contains hand-animated print-frag- drama unfolding before our eyes. Perhaps implicitly ments of a teak bed found in a Singapore junk store. poking fun at the term ‘slow cinema’, Rivers instead The film traces material, genetic, historic and poetic gives us an exquisite example of ‘sloth cinema’. journeys of this bed to the site of the original tree through DNA tracking technology. Town Hall Old Gaol Town Centre Bugs and Beasts Before the Law Cinématon Bambitchell Gérard Courant Canada/Germany | 2019 | 33 mins France | 1978–2019 | 174 hours Bugs and Beasts Before the Law explores the Cinématon is a major film work composed by history and legacy of ‘animal trials’ in medieval Gérard Courant since 1978. The film consists of Europe, in which animals were put on trial for vari- silent, three-and-a-half minute portraits of artistic ous crimes and offenses, ranging from trespassing and cultural personalities, numbering over 3,000 and thievery, to assault and murder. This history to date. The person being filmed can do whatever of colonial law-making forged political and some- she/he wants. Taken together, they constitute an times profane relationships between humans and archive of international art, film, theatre and enter- animals. Bambitchell’s essayistic film reimagines tainment scenes of the past four decades. Jean- common perceptions of legal history and, in doing Luc Godard, Julie Delpy, Terry Gilliam, Babette so, produces a world where past and present, fiction Mangolte and Sergei Parajanov star alongside a and non-fiction, human and animal fuse. cast of thousands. 21 Children & Young People Berwick Youth Project Visitor Centre Kaleidoscope 59 Marygate, Berwick [INSERT TITLE HERE]: Open Friday 20 – Sunday 22 A Surrealist Gaming Experience September, 11:00 – 17:00 Working with moving image collective Film Kaleidoscope is a beanbag cinema present- Bee and experimenting with a sequence of Berna- ing a rolling programme of animated films from dette Mayer’s surrealist writing exercises, Berwick Cinekid Festival Amsterdam. Hands-on making Youth Project have created an uncanny computer activities will be led by artists Katie Chappell and game character, an existentialist chicken piece Chloe Smith. Children must be accompanied by from a 20 nugget share box. This lo-fi film reflects an adult at all times the group’s close reading of screencasts of popu- lar video game intros uploaded to Youtube. The work will be available to view during the Festival at the Visitor Centre and on BFMAF youtube channel from Thursday 19 September. After School Film Club: A Town Called Panic School Screenings Thursday 20 September, 15:30 Thursday 19 September, 10:00 (Years 11 +) Join Cowboy and Indian on their misadven- A screening of fantastical shorts selected and tures to the centre of the earth! introduced by Herb Shellenberger and followed A Town Called Panic will be screened after by an artist-led discussion. Plus an optional visit school on Thursday at the Kaleidoscope shop (59 around the exhibition installations. Marygate). Places are free but should be booked via bfmaf.org or at the Maltings Box Office Tuesday 1 October, 10:00 (Years 7 and 8) Friday 4 October, 10:00 (Years 3 and 4) All events are free. To book your class into any of the above screenings please contact Chloë Smith at chloe@bfmaf.org 22 Schedule Thursday 19 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 00:00 Maltings Brief Holy Berwick New Cinema Opening Film: Main House Encounters Days Competition ♞ Cemetery Maltings Propositions: Henry Travers Aura Satz Other Venues Future Tao Exhibition Opening: Workout #1 Double Ghosts & O’ Pierrot The Gymnasium The Gymnasium / The Straw Yard Exhibitions Friday 20 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 00:00 Maltings Getting to Know Un rêve plus The Long Who is Afraid Berwick New Cinema the Big Wide World long que la nuit Main House Farewell of Ideology? Competition ♝ + Letter to America + Hatsukoi Maltings Animistic Apparatus Seminar 1 Folk Propositions: I Was Henry Travers Legends Julia Feyrer Home, But Future Tao Workout #2 Moral Other Venues A Lullaby to the Sorrowful Mystery Quayside Bangkok Sounds The Gymnasium Festival Club Magdalene Exhibitions Fields Golf Club Saturday 21 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 00:00 Berwick New Cinema Maltings Competition ♜ Main House The Asthenic The Halt Syndrome Berwick New Cinema Competition ♛ Maltings The labour of Lionel Soukaz: image making Militant Desire Henry Travers Celestial Wives of the Meadow Mari Propositions: A Hundred Faces Holly Argent for a Single Day Other Venues Future Tao lololol (Sheryl Chung Workout #3 and Xia Lin) & George Clark Performance Animistic The Gymnasium Apparatus Seminar 2 Festival Club Magdalene Exhibitions Fields Golf Club Sunday 22 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 00:00 Maltings Berwick When the Eternal Closing Film: Main House Cat Comes New Cinema Competition ♚ Homecoming Rights of Man Maltings Seminar: Propositions: Henry Travers Marwa Passions Fairytale Shorts Rabz Lansiquot Arsanios The Little Girl Who Sold the Sun Other Venues Exhibitions 15th Berwick Film & Media Arts Festival Thursday 19 – Sunday 22 September 2019 Festival Exhibition Programme: Free bfmaf.org Open Thursday 19 – Sunday 22 September, 10:00 – 17:00 @berwickfilmfest #BFMAF2019 Festival Passes Full Festival Pass: £40 (Access to the complete 2019 cinema programme) Day Passes: £14 (Access to the 2019 cinema programme on the day of your choice) Individual Film Tickets: £8.50 Pay-what-you-can Tickets: £8.50 / £4 / £1 In order to ensure BFMAF 2019 is accessible for all, we have a sliding scale ticket price for individual screenings at The Maltings. You can choose what you pay based on your circumstances. We will not ask for any proof / ID, we just ask that you are honest. Please check bfmaf.org/visit us for more details. All full price tickets and passes can be purchased on line from bfmaf.org or in person at The Maltings Box Office. Pay-what-you-can Tickets are only available in person from The Maltings box office. Please note that The Maltings charges a £1 booking fee on all transactions. Funders Sponsors and Supporters The Joicey Trust Berwick Film & Media Arts Festival is an independent charitable company limited by guarantee. Company number: 05622380. Registered Charity Number: 1174274. Address: Berwick Film & Media Arts Festival, The Maltings, Eastern Lane, Berwick-upon-Tweed, TD15 1AJ Berwick Film & Media Arts Festival is an independent charity, and a member of Arts Council England’s National Portfolio. The Festival fundraises for the entirety of its cinema and visual arts programme, as well as its outreach and education activity. To find out how you can make a donation to support BFMAF, please contact us at info@bfmaf.org, or by phone +44 (0) 1289 303 355. Please note that all information is correct at time of going to print and may be subject to alteration. Tickets are subject to avail- ability. The certifications used in the programme are a mix of BBFC classifications and recommended age ratings suggested by the Festival, and are certified 12A unless otherwise noted.
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