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If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: Peter Jameson A Modern Romance Author: Gilbert Frankau Release Date: July 17, 2019 [EBook #59936] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK PETER JAMESON *** Produced by David T. Jones, Al Haines, Alex White & the online Distributed Proofreaders Canada team at http://www.pgdpcanada.net NEW BORZOI NOVELS FALL, 1920 MOON-CALF By Floyd Dell HUNGER By Knut Hamsun Translated from the Norwegian by George Egerton, with an introduction by Edwin Björkman. SEVEN MEN By Max Beerbohm YOUTH AND THE BRIGHT MEDUSA By Willa Cather HAGAR’S HOARD By George Kibbe Turner THE GATE OF IVORY By Sidney L. Nyburg DEAD MEN’S MONEY By J. S. Fletcher THE LOUDWATER MYSTERY By Edgar Jepson THE LONG, DIM TRAIL By Forrestine C. Hooker A MATING IN THE WILDS A MATING IN THE WILDS By Ottwell Binns PETER JAMESON A Modern Romance By Gilbert Frankau New York Alfred · A · Knopf 1920 COPYRIGHT, 1920, BY GILBERT FRANKAU Published April, 1920 Second Printing April, 1920 Third Printing August, 1920 Fourth Printing November, 1920 PRINTED IN THE UNITED STATES OF AMERICA To the Average Man and Woman of the English-Speaking Peoples CONTENTS Foreword. One. The Home and the Office. Two. Nirvana, Limited. Three. The Crest of the Wave. Four. Crisis. Five. Decision. Six. Playing at Soldier. Seven. Alarums and Excursions. Eight. Dissension. Nine. Two Excuses for Failure. Ten. Guns, Counting-Houses, and Counter-Espionage. Eleven. Men and Horses. Twelve. Concentrations. Thirteen. Prepare for Action! Fourteen. Attack! Fifteen. Forward. Sixteen. Action Left! Seventeen. The Suicide Club. Eighteen. Respite. Nineteen. The City of Fear. Twenty. The Home Front. Twenty-one. The Dross and the Gold. Twenty-two. “Sunflowers.” Twenty-three. ”Beer” Battery. Twenty-four. In the Night. Twenty-five. The Last Ounce. Twenty-six. Broken Men. Twenty-seven. The New Science. Twenty-eight. Womancraft. Twenty-nine. The Lifting of Shadows. Thirty. The Commencement of Dreams. Thirty-one. Out of It. Thirty-two. End—Or Beginning? Epilogue. Peter Jameson: A Modern Romance FOREWORD § 1 If you take the Central London Tube to the Bank Station; fight for your place in the lift; climb the tortuous staircase to Lombard Street; pass along that narrow, money-glutted thoroughfare, where scarlet-vested, top-hatted bank-messengers take dignified way from the sign of the Phoenix to the swinging doors of the Crédit Lyonnais: if, crossing Gracechurch Street below the clock of the London & South-Western Bank, you enter less-aristocratic Fenchurch Street and take the first zig-zag turning on your left, you will find—hidden between a stationer’s shop and a grocer’s—two swing doors, each with a brass name-plate from which the black lettering, “P. JAMESON AND COMPANY, CIGAR IMPORTERS,” has been almost erased by forty years of incessant polishing. And if you care to penetrate yet farther round that gray curving Lime Street, past the church of St. Andrew Undershaft, into the heart of Havana cigardom, St. Mary Axe, you will still find—clustered round the maroon marble of the Baltic Exchange—the warehouses of “Schornstein & Co.,” of “Beresford & Beresford,” of “Samuel Elkins & Son,” and others with whom Peter traded, intrigued, lunched and gossiped, between the years 1903 and 1914. But you will not find, search the City as you will, Peter Jameson, sometime senior partner in Peter Jameson & Company, and chairman of Nirvana Limited, Manufacturers of High-grade Cigarettes. Because—whatever war may have accomplished of good or evil to us other millions whom it caught up into its vortex—to Peter it came like a great cleansing storm, terrifying in its violence, unfathomable in its purposes, but bearing him at the last, past many rocks of doubt and fear, to sure harbourage, to certainty of body and of soul—and, better even than these, to Love. This, in so far as one man may tell another’s story, is the tale of that voyaging. § 2 Three families—the Jamesons, the Gordons, and the Baynets—are principally concerned in this story. All three were originally English yeomen; country, not county folk; probably peasants—in the best sense of the word. In the Jamesons and the Gordons there is an admixture of exotic Hebraic blood: that of the Señora Elvira de Miranda y Miraflores, who married a Captain Bradley of the British West India Regiment, then stationed in Jamaica, and had by him two daughters, one of whom married Peter’s father in 1880, and the other—some three years later—John Gordon, father of Peter’s cousin, Francis Gordon. The Baynet stock is pure English. Peter’s grandfather—Peter the First—deserted the country for the town at the beginning of the great manufacturing age (about 1840); married a “cit’s” daughter; tried his luck in the City; couldn’t stand it; and wandered out to the West Indies, trading first at Georgetown, Demarara, then in Bridgetown, Barbados; and finally settling down in the then Spanish colony of Cuba, where he bought a small estate near Guanabacoa, and grew tobacco—more for a hobby than a living, as he was a person of few wants, and tolerably careless about most things except his son, Peter the Second, whom he had educated in England, and to whom—on his death in the late seventies—he bequeathed the sum of £3,000, the verandah’d hacienda, and some hundred acres of not very saleable land. It was on the Royal Mail steamer to Havana that our Peter’s father—thinking more of the newly acquired heritage and how best to turn it into cash, than of matrimony—first met Captain and Mrs. Bradley (née Miranda y Miraflores) returning with their two flapper-daughters to Kingston, Jamaica. . . . To cut a long story short, Peter the Second sold the tobacco-farm; found himself in love with Tessa Bradley; followed her to Jamaica; married her; realized that the interest on his capital could not possibly support them in comfort; and returned to England in the spring of 1882 with his wife, his wife’s sister (who found garrison-life in the tropics hardly to her taste), and twenty cases of Señor Larranaga’s very best “Principes” in which he had invested a considerable amount of money, and of which he subsequently disposed, owing to the machinations of his brokers and ignorance of the imported cigar trade, at a very unsatisfactory profit. But Peter the Second—like his son Peter the Third, hero of this story—was an obstinate devil who disliked being beaten, especially over money. Taking—from an old school friend, John Gordon (who may have had ulterior motives in granting the facilities), a little room in the big, dingy offices of Gordon’s Limited, General Merchants, he imported another consignment of Havana cigars; had them sampled; hired a brougham; and hawked (he was, although he had married an officer’s daughter, by no means a snob) his sample-boxes round the West End tobacconist shops until he had disposed of his second shipment at a very different figure to that received on the first. So began the firm of “P. Jameson & Company, Cigar Importers,” which—aided by the financial support of John Gordon (who married Dolores Bradley very shortly after that second shipment had been disposed of) and the boom-crop of 1884—soon needed offices of its own, two clerks, a country salesman, and all the paraphernalia of a regular business. It was not, of course—never would be— a huge affair like Gordon’s, who dealt the world over and in every conceivable commodity from quinine to molasses—still it was a solid, money-making, not too arduous concern; and, moreover, both Peter’s father and his salesman, Tom Simpson, whom he subsequently took into junior partnership, needed considerably less to live on than the profit which it earned. § 3 Peter the Third, our Mr. Jameson, was not born until his parents had been married nearly four years: John Gordon’s son, Francis, antedating him by about a week. In both of them, you can trace the Miraflores strain fairly clearly. They are both of them of medium height; stocky rather than tall. Both have the same curious eyes which seem to change colour—from gray to darkest black—with their thoughts. Both are small-handed, small-footed, rather determined about the nose, dark-haired, intelligent-headed. But life—and war, which is the same thing —has dealt with them so differently that, nowadays, you would have great difficulty in finding more than a fugitive likeness. You would say, and perhaps rightly, that Peter is less, Francis more, the Miraflores. Dolores Gordon, despite her husband’s twelve thousand a year, presented him with no more children; but Tessa Jameson had another son—Peter’s brother Arthur—born in 1888. Meanwhile, both businesses flourished: Gordon’s Limited, the larger; Jameson & Co., the sounder—providing John Gordon with a rather elaborate mansion in Curzon Street, West (to which he would return, late, tired and neurotic from the new offices in London Wall), and the Jamesons with a solid, rather tyrannous edifice in Lowndes Square, Kensington, wherein Peter’s father found comfortable refuge from the reflector-lit warehouse in Lime Street. By the late nineties, Peter the First’s few thousand pounds had grown—thanks largely to the sole agency for Beckmann cigars (of which more later)—into a fairly comfortable fortune, so that when John Gordon suggested to Peter the Second that both Peter the Third and Francis Gordon had better be sent to Eton College, money did not stand in the way. The two cousins (Peter’s brother Arthur went to a less exalted establishment) did not distinguish themselves greatly at school. Francis was rather too flamboyant, Peter too self-concentrated, for easy friendships. However, Peter managed to get both his “Boats,” his “House Colours,” and Corporal’s stripes on his Volunteer tunic before he left: while Francis undoubtedly acquired there—in some mysterious way of his own—the beginnings of that literary technique in which he is now beginning to be acknowledged past-master. From Eton, Peter went straight into the business. He had always found idleness From Eton, Peter went straight into the business. He had always found idleness intolerable, and Jameson’s seemed—regarded as “something to do”—made to his hand. To Francis and other Etonian acquaintances, the choice appeared an amazing one: but the boy’s father—lonely since his wife’s death about a year before, and conscious that his other son Arthur, whatever else he might become, would never be a business man—both understood and stimulated this desire for work. § 4 Peter’s entry into Jameson’s, early in 1903, synchronized with the formation of the Havana Tobacco Company—commonly known as “The Trust”; and the attempt by J. B. Duke and his colleagues (who, having fought the English cigarette and tobacco manufacturers to a standstill, were now controlling— almost unknown to the public—eighty per cent. of the world’s smoking-trade) to corner the market in Havana-manufactured cigars. Though a very small affair of outposts when considered in relation to the pitched battles which preceded it, the fight was, at the outset, not without interest to those whose livings were menaced by the billion-dollar corporation controlled from 111 Fifth Avenue, New York. To the boy, fresh from the monastic atmosphere of school, it gave just that touch of romance which his enthusiasm needed. For Jameson’s—as agents of the German-owned but Havana-domiciled concern, Heinrich Beckmann & Co—lined up with the so-called “Independents,” and did doughty battle with tongue and typewriter against the invader. Old Jameson and Tom Simpson, who, by now, had a fourth share in the concern, found the lad’s keenness amusing. Both elderly men—their capital intact and their blood chilled with twenty years of money-making—they did not take the situation very seriously. Even when Beckmanns, greedy for more trade, insisted that both “Beresford & Beresford” and “Samuel Elkins & Co.” should (under certain secret conditions) receive direct shipments of their goods, they only laughed tolerantly at the infringement of a profitable monopoly—leaving indignation to the newcomer. Indignant, Peter certainly was. There had never been an actual contract about the Beckmann brand; but the boy, accustomed to his college code, perceived something in the transaction dishonourable to the other side, weak on his own. Unreasonably as it seemed at the time—reasonably enough as it shows in the light of history—he thus early conceived an instinctive distrust, not only of Beckmanns, but of German business people in general. . . . However, a year in the City effectively replaced the college code by the legal. At the end of eighteen months—the “fight” resolving itself into a mere question of strong competition; each side more or less holding its own, with a slight sentimental balance in favour of those outside “the Ring”—Peter had settled sentimental balance in favour of those outside “the Ring”—Peter had settled down to the complacent routine of office life: ten till five, with an hour off for lunch and two Saturdays out of three absolutely workless. Sport—he was a safe shot, except at snipe for which he lacked the temperament; a good rider; and a really fine hand with the trout-fly—completed his existence. Dissipation, after one or two, experiments, he avoided—not from scruples, but because it bored him. Then, just after his twenty-first birthday, the “old man,” never very strong, caught pneumonia and died within the week. § 5 The death of his father was a vivid grief to Peter. For his mother, he had never experienced more than a lukewarm affection; Arthur had always been her favourite, and Peter—even as a child—had been conscious of the preference. But the “governor,” the “old boy!”—that seemed somehow or other different. They had worked together, talked together, driven home together, drank their port of an evening at the big mahogany table in the Lowndes Square dining- room, had their little rows, made them up again. . . . “Sentimental ass!” the boy said to himself, as he sat alone in the library that first night. But there were real tears in his eyes; tears that only work could dry. And of work, in the days that followed, there was enough. As co-executor, with Simpson, for his father’s estate, even Peter found himself sufficiently occupied. The business, the Crown lease of the Lowndes Square house, sundry outside investments—all required valuation, tabulation, preparation for probate. Death duties, auditor’s fees, lawyer’s fees—each had to be scrutinized, queried, and ultimately overpaid. Arthur—who, at seventeen, was already wearied of school —demanded an advance of trust-monies; got it; departed for Australia. In the end Peter recognized himself absolute possessor of some £30,000 (practically all in the business); and trustee for the £10,000 in stocks and shares which became his brother’s when he, too, reached twenty-one. “You will be an ass,” said Francis Gordon, newly returned from two years of aimless wandering on the Continent, “if you go on slaving away in that office of yours.” “Can’t stand doing nothing,” Peter had answered, “and, if I wanted to get married, twelve hundred a year wouldn’t be enough.” With both of which ends in mind, he signed a rather peculiar ten years’ partnership deed with Simpson, and resumed his hardly interrupted activities in Lime Street. § 6 That same year, 1905, Francis’s own parents both died, leaving him master undisputed of a five-figure income; and the two cousins very nearly decided on living together, till Peter vetoed the idea on the grounds that “as Francis never got up before lunch or came home to dinner, he didn’t see much sense in the proposed arrangement.” Nevertheless, bachelor existence in that barrack of a house at Lowndes Square, soon began to pall. “I shan’t be dining at home to-night, Smith,” became the almost daily word to the elderly, dignified, parlour maid as she handed our Mr. Jameson his top-hat of a morning; and on the rare evenings when he did dine at home, it was usually in company—business acquaintances, school friends, old cronies of his father’s, or—and this frequently—the Baynets. Heron Baynet, the Harley Street diagnostician who was knighted in the 1918 Birthday List for his research-work in the treatment of shell-shock and other nervous disorders, had been one of the consultants attending Jameson senior in his illness. He had taken an instinctive liking to the young man; asked him to call. Peter, accepting the invitation, met a married daughter, Violet; a son in the Army; and Patricia—tall, blond, twenty-one, dignified, rather reserved in her speech, tolerably contemptuous of the average young man, cultivating alternately the critique of pure reason at home and the outside edge at Prince’s skating-rink. . . . Twelve months after their first meeting, in March, 1906, these two married. A marriage of affection, kindred tastes and mutual respect. A marriage which appealed to them (both had a strong, youthful contempt for sentiment) as “eminently reasonable.” A marriage into which both entered with the definite certainty that there would be no passion, no misunderstandings, no petty economies, no vital divergences of opinion. A marriage which—as most marriages—ended by utterly confuting all their original ideas about it. § 7 Followed two years of palship; at the end of which their first daughter, Evelyn, was born. Peter, who had hoped for a son, felt disappointment; showed it, perhaps a little too plainly: thereby heightening his wife’s love for the kiddie. But the disappointment faded; the easy relationship renewed itself. About this time, Ivan Turkovitch became a frequent visitor to the Lime Street warehouse. A quaint man—born in some nameless province of Austria-Hungary; speaking English with an amazing accent; small; paunchy; tawny-bearded; very neat in his clothes, in his habits,—he had come to England with nothing but his wits; and built up in some subterranean manner the struggling firm of “I. Turkovitch, manufacturers of Nirvana Cigarettes.” Turkovitch, an artist in his way, loved that business; cared less for its financial harvest than the joy of running it—with the inevitable result that, being as extravagant in his factory as he was economical in his home, he invariably found himself short of capital. Peter liked listening to the little man when he talked about his “vork peoples”; visited the factory, for the first time from curiosity, for the second time out of sheer interest. His own business existence at Jameson’s had settled down into a pretty humdrum affair. As senior partner by right of capital he drew a steady £3,000 a year; leaving Simpson to do the inside work and contenting himself with the selling end, which—as it meant pitting his brains against other people’s—rather amused him. But when Turkovitch finally broached the point towards which he had been finessing, he found anything but a languid young capitalist to deal with. Peter Jameson was quite willing to put up the money, five thousand pounds of it if necessary (considerably more than the Hungarian either required or expected), but on one condition only—that, as majority shareholder, he should control the business. Turkovitch, even in those early days, found Peter,—with his ideas of press- advertising, of new machinery, of up-to-dateness generally,—rather terrifying: but in the end, pressed by many long-suffering creditors, he yielded. To Peter, the new concern grew swiftly from a mere plaything into a passion. He felt, for the first time, the real zest of commerce, the creative joy of it. This was no inherited money-making machine; but a task that needed a man’s every no inherited money-making machine; but a task that needed a man’s every thought, all his energy: uphill work, worthy of accomplishment. Gradually it drew him, from Lime Street, from his shooting, from his riding, from his fishing, from his home. So that the coming of his second daughter, Primula, seemed to him less of a disappointment than an extraneous incident vastly concerning to Patricia, but to himself little more than item of interest. Superficially the palship between husband and wife still existed; but the woman began to feel herself, more and more, an accessory and not a necessity to this absorbed young husband of hers. His real love, she felt, was—would always be, unless some miracle happened—Nirvana. For the plant, irrigated and irrigated again with gold, began to grow; promised a great harvest. There were difficulties of course; but these only served to intensify Peter’s ardour. Tobacconists wouldn’t stock Nirvana—tobacconists must stock Nirvana, he would advertise until they were forced to. The export trade was hopeless, because one couldn’t get a reliable export-traveller—he, Peter Jameson, would do that part himself: and travel he did, from Christiania to Lisbon, from Aden to Shanghai, from Buenos Aires to Valparaiso. . . . So the thirty thousand pounds in Jamesons dwindled to twenty thousand; and the five thousand in Nirvana rose to ten. But already, they were “round the corner,” covering expenses. True that most of the capital was represented in the balance- sheet by that intangible mystery “Goodwill and trademarks”; true that Turkovitch grumbled and Sam Bramson, “Pretty” Bramson, the newly engaged sales-manager, required more and more travellers for the home-trade, seemed to do less and less work himself; true that old Tom Simpson began to shake his head at so much voyaging and successfully urged a heavy life-assurance: still— it grew, it grew; and Peter, working fourteen hours between the two businesses, felt success very near, gloried in it. . . . Meanwhile that resplendent person, Francis Gordon, wrote a “novel in verse” which excited some comment; married for caprice; lost his wife; wandered off, a not too disconsolate widower, round the world; lost most of his income; fell in love; renounced love; renouncing, found his vocation; and returned to England shortly before the opening chapter of this our romance, which now begins. To my American readers.—“Eton College” is what we call a “public school.” Boys go at the age of 12-13 and leave at the age of 18-19. Originally founded for “poor scholars”—it has now some thousand students who pay fees of about £300 per annum each. Gilbert Frankau.