نتائج البحث (218,888)

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War Posters Issued by Belligerent and Neutral Nations 1914-1919

Martin Hardie (editor)

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Las noches mejicanas

Gustave Aimard

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bibliography-1_250921_201931

Giulia De Santis

Resident Doctor Anesthesia and Intensive Care

Bibliography Case Report ESPA Congress 2025 Berlin

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A Traitor's Wooing

Headon Hill

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Latex Foley Catheters Market.pdf

Personal

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new racial.pdf

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The "Democratic Soldier"

Sabine Mannitz

CC BY

Since the end of the Cold War almost all European countries have reformed their armed forces, focusing on downsizing, internationalization and professionalization. This paper examines how these changes in security sector governance have affected the normative model underlying the military's relationship to democracy, using the image of the 'democratic soldier'. Drawing on a comparative analysis of 12 post-socialist, traditional and consolidated democracies in Europe, the different dimensions of the national conception of soldiering are analysed based on the official norms that define a country's military and the ways in which individual members of the armed forces see their role. Cases converge around the new idea of professional soldiering as a merging of civilian skills with military virtues in the context of the military's new post-Cold War missions. Yet despite this convergence, research also shows that specific aspects of national traditions and context continue to influence the actual practice of soldiering in each case. The contradictions that result between these old and new visions of the role of the military and the soldier illustrate the tensions that exist between political goals and defence reform dynamics.

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Georgicon

Virgil

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AljaziraFans

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PERPLEXITY.AI - How Politicians Keep Office Via Victim-Saviour Narratives

PERPLEXITY.AI - How Politicians Keep Office Via Victim-Saviour Narratives

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Hot Pot Stir Crazy.pdf

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Uther and Igraine

Warwick Deeping

PD-US

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Ambrose Gwinett; or, a sea-side story: a melo-drama, in three acts

Douglas William Jerrold

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Time and Causality

CC BY

The problem of how humans and other intelligent systems construct causal representations from non-causal perceptual evidence has occupied scholars in cognitive science for many decades. Most contemporary approaches agree with David Hume that patterns of covariation between two events of interest are the critical input to the causal induction engine, irrespective of whether this induction is believed to be grounded in the formation of associations (Shanks & Dickinson, 1987), rule-based evaluation (White, 2004), appraisal of causal powers (Cheng, 1997), or construction of Bayesian Causal Networks (Pearl, 2000). Recent research, however, has repeatedly demonstrated that an exclusive focus on covariation while neglecting contiguity (another of Hume's cues) results in ecologically invalid models of causal inference. Temporal spacing, order, variability, predictability, and patterning all have profound influence on the type of causal representation that is constructed. The influence of time upon causal representations could be seen as a bottom-up constraint (though current bottom-up models cannot account for the full spectrum of effects). However, causal representations in turn also constrain the perception of time: Put simply, two causally related events appear closer in subjective time than two (equidistant) unrelated events. This reversal of Hume's conjecture, referred to as Causal Binding (Buehner & Humphreys, 2009) is a top-down constraint, and suggests that our representations of time and causality are mutually influencing one another. At present, the theoretical implications of this phenomenon are not yet fully understood. Some accounts link it exclusively to human motor planning (appealing to mechanisms of cross-modal temporal adaptation, or forward learning models of motor control). However, recent demonstrations of causal binding in the absence of human action, and analogous binding effects in the visual spatial domain, challenge such accounts in favour of Bayesian Evidence Integration. This Research Topic reviews and further explores the nature of the mutual influence between time and causality, how causal knowledge is constructed in the context of time, and how it in turn shapes and alters our perception of time. We draw together literatures from the perception and cognitive science, as well as experimental and theoretical papers. Contributions investigate the neural bases of binding and causal learning/perception, methodological advances, and functional implications of causal learning and perception in real time.

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Yorkshire Battles

Edward Lamplough

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Starburst_DataDemocratization_DataMesh_Ebook.pdf

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Maple 4

Jo Ann

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Princess Polly At Play

Amy Brooks

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AljaziraSupport

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Menu

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Hiilikaivoksessa

Jules Verne

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Les Éthiopiennes ou Théagènes et Chariclée, tomes 1-3

Heliodoros

PD-US

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Historia de las Indias (vol. 5 de 5)

Bartolomé de las Casas

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Zionism and Anti-Semitism

Max Simon Nordau

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Zionism, by M. Nordau.--Anti-Semitism in Europe, by G. Gottheil.

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Keys to Play

CC BY-NC-ND

How do keyboards make music playable? Drawing on theories of media, systems, and cultural techniques, Keys to Play spans Greek myth and contemporary Japanese digital games to chart a genealogy of musical play and its animation via improvisation, performance, and recreation. As a paradigmatic digital interface, the keyboard forms a field of play on which the book’s diverse objects of inquiry—from clavichords to PCs and eighteenth-century musical dice games to the latest rhythm-action titles—enter into analogical relations. Remapping the keyboard’s topography by way of Mozart and Super Mario, who head an expansive cast of historical and virtual actors, Keys to Play invites readers to unlock ludic dimensions of music that are at once old and new.“Keys to Play is full of novel ideas, provocative observations, and brilliant aperçus. Whether our interests lie in audiovisual media, aesthetics, performance, improvisation, compositional technique, notation, theory, or historiography, Moseley shows us how much the field at large has to gain from taking play seriously. In a word: stunning.” ALEXANDER REHDING, Harvard University“Moseley’s game-changing book puts a new and versatile set of tools at our disposal. Wonderfully allusive and erudite, Keys to Play will open new horizons for music scholars of all kinds.” ELISABETH LE GUIN, University of California, Los Angeles“A dazzling and daring book: an intellectual symphony, a virtuosic boss run, a vigorous expedition in media-musical archaeology, and an exquisite love letter to the vitality of interdisciplinary play.” WILLIAM CHENG, author of Sound Play: Video Games and the Musical Imagination“Keys to Play offers a new approach to central episodes in the narrative of European art music refracted through histories of the keyboard, digital games, and improvisation. It is at once provocative, bracing and, yes, profoundly playful.” BENJAMIN WALTON, University of CambridgeROGER MOSELEY is Assistant Professor of Music at Cornell University.

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Paroni von Münchhausenin retket ja seikkailut

Rudolf Erich Raspe

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Your Gateway to Unique Products Awaits at Russianmarket.to

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FEAR APPEAL E MESSAGE FRAMING

CC BY-NC-ND

Our health is largely linked to our actions, habits and lifestyles. This implies greater personal and responsibility and, at an institutional level, the possibility and the obligation to act to prevent diseases and promote a healthy behaviour. Persuasive communication is one of the main tools for pursuing this goal. In fact, it has proven effective in promoting a change in attitudes, intentions and behaviours. Given these assumptions, the research investigates the possibility of simultaneously using two of the most effective communication strategies (fear appeal is message framing), evaluating which combination is more persuasive in promoting important preventive behaviour, such as the use of sunscreen.

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PERPLEXITY.AI - Victim-Saviour Political Mind Games

PERPLEXITY.AI - Victim-Saviour Political Mind Games

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Politics and Cultures of Liberation

CC BY-NC

Politics and Cultures of Liberation: Media, Memory, and Projections of Democracy focuses on mapping, analyzing, and evaluating memories, rituals, and artistic responses to the theme of “liberation.” The contributors offer a wide range of diverse intercultural perspectives on media, memory, liberation, (self)Americanization, and conceptualizations of democracy. Readership: This book is crucial for scholars and students of transnational studies, media studies, literature, history, and cultural studies who are interested in socio-cultural and political constructions of Europe and “America.”

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DELL EMC PowerEdge DES-4122 Dumps.pdf

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Math task 3.pdf

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