Academic institutions are starting to recognize the growing public interest in digital humanities research, and there is an increasing demand from students for formal training in its methods. Despite the pressure on practitioners to develop innovative courses, scholarship in this area has tended to focus on research methods, theories and results rather than critical pedagogy and the actual practice of teaching. The essays in this collection offer a timely intervention in digital humanities scholarship, bringing together established and emerging scholars from a variety of humanities disciplines across the world. The first section offers views on the practical realities of teaching digital humanities at undergraduate and graduate levels, presenting case studies and snapshots of the authors’ experiences alongside models for future courses and reflections on pedagogical successes and failures. The next section proposes strategies for teaching foundational digital humanities methods across a variety of scholarly disciplines, and the book concludes with wider debates about the place of digital humanities in the academy, from the field’s cultural assumptions and social obligations to its political visions. Digital Humanities Pedagogy broadens the ways in which both scholars and practitioners can think about this emerging discipline, ensuring its ongoing development, vitality and long-term sustainability.
Der Kindergarten ist als gesellschaftlicher Bildungsort eine Kontaktzone unterschiedlich religiös und kulturell geprägter Menschen. Insbesondere Elementarpädagog_innen sind von gängigen Homogenisierungssehnsüchten und Pluralisierungsansprüchen herausgefordert. Sie sollen alle Kinder gleich behandeln und jedes Kind in seiner individuellen Identitätsbildung unterstützen. Diesem Spannungsverhältnis widmet sich die vorliegende Studie, indem sie qualitativ geführte Interviews mittels einer postkolonial informierten Diskursanalyse im Hinblick auf Machtverhältnisse, Zuschreibungen und Subjektivierungsvorgänge untersucht. Besonderes Interesse gilt jenen Orten, in denen hegemoniale Normalitätsvorstellungen irritiert werden und diskursive Aushandlungsräume entstehen. Solche Zwischenräume, die sich im Pendeln zwischen Homogenisierung und Pluralisierung einstellen, bergen ein Innovationspotential für aktuelle, migrationsbedingte Fragestellungen, mit denen sich auch Interkulturelle Theologie konfrontiert sieht.
Seit Beginn der Neuzeit expandierte das Moskauer Fürstentum gen Westen und Süden. Zu Zeiten der Romanov-Dynastie umfasste Russland weite Gebiete mit überwiegend nichtrussischer und konfessionell heterogener Bevölkerung. Nach den Teilungen Polens sowie der Eroberung des Kaukasus und Zentralasiens im 18./19. Jahrhundert erhielt das Zarenreich Kontrolle über weitere alte Kulturräume, die es im Zuge der Kolonialisierung ab Mitte des 19. Jahrhunderts zu assimilieren versuchte. Diese Versuche erfolgten nicht zuletzt mittels der Sprachpolitik: Polnisch, Ukrainisch und Litauisch wurden verboten, das Russische sollte im Bildungs- und Behördenwesen im gesamten Imperium dominieren.
In cross-approaches, the themes developed in thisbook bring a fresh look at the forms, uses and stakes of theartistic lexicography in modern times. In a perspective of circulation of concepts and practices, andpermeability of artistic boundaries, the word turns out to be avaluable laboratory of the exercise of artistic practice and a fieldexploring the cultural networks that cross and make Europe. Through the development of a language, the books on art whosepublications are proliferating in the north of the Alps from 1600, are aimed atconstruction of common knowledge for the use of painters and amateurs.Their many translations, published in modern times, testifyalso of their role of diffusion agent in constant adaptation to thereadership to which they are addressed. Understand strategies and processesinvention and transfer of specific terminology toaesthetic expression becomes an important issue. The words, ineffect, are not interchangeable. By succeeding or superimposing,even if they are contradictory, the different senses give thickness andsubtlety to the concept. The journey of a notion in time and space then also contributesto broadening our understanding of a cultural history betweenuniversality and identity within the artistic diversity thatcharacterizes modern Europe. In cross-approaches, the themes developed in thisbook bring a fresh look at the forms, uses and stakes of theartistic lexicography in modern times. In a perspective of circulation of concepts and practices, andpermeability of artistic boundaries, the word turns out to be avaluable laboratory of the exercise of artistic practice and a fieldexploring the cultural networks that cross and make Europe. Through the development of a language, the books on art whosepublications are proliferating in the north of the Alps from 1600, are aimed atconstruction of common knowledge for the use of painters and amateurs.Their many translations, published in modern times, testifyalso of their role of diffusion agent in constant adaptation to thereadership to which they are addressed. Understand strategies and processesinvention and transfer of specific terminology toaesthetic expression becomes an important issue. The words, ineffect, are not interchangeable. By succeeding or superimposing,even if they are contradictory, the different senses give thickness andsubtlety to the concept. The journey of a notion in time and space then also contributesto broadening our understanding of a cultural history betweenuniversality and identity within the artistic diversity thatcharacterizes modern Europe. In cross-approaches, the themes developed in thisbook bring a fresh look at the forms, uses and stakes of theartistic lexicography in modern times. In a perspective of circulation of concepts and practices, andpermeability of artistic boundaries, the word turns out to be avaluable laboratory of the exercise of artistic practice and a fieldexploring the cultural networks that cross and make Europe. Through the development of a language, the books on art whosepublications are proliferating in the north of the Alps from 1600, are aimed atconstruction of common knowledge for the use of painters and amateurs.Their many translations, published in modern times, testifyalso of their role of diffusion agent in constant adaptation to thereadership to which they are addressed. Understand strategies and processesinvention and transfer of specific terminology toaesthetic expression becomes an important issue. The words, ineffect, are not interchangeable. By succeeding or superimposing,even if they are contradictory, the different senses give thickness andsubtlety to the concept. The journey of a notion in time and space then also contributesto broadening our understanding of a cultural history betweenuniversality and identity within the artistic diversity thatcharacterizes modern Europe.Dans des approches croisées, les thématiques développées dans cetouvrage apportent un regard neuf sur les formes, usages et enjeux de lalexicographie artistique à l’époque moderne. Dans une perspective de circulation des concepts et des pratiques, et deperméabilité des frontières artistiques, le mot se révèle être unprécieux laboratoire de l'exercice de la pratique artistique et un champd'exploration des réseaux culturels qui traversent et font l’Europe. À travers l'élaboration d'un langage, les livres sur l'art dont lespublications se multiplient au Nord des Alpes à partir de 1600, visent à laconstruction d'un savoir commun à l'usage des peintres et des amateurs.Leurs nombreuses traductions, publiées dès l'époque moderne, témoignentégalement de leur rôle d'agent de diffusion en constante adaptation aulectorat auquel ils s'adressent. Comprendre les stratégies et les processusd'invention et de transfert d’une terminologie spécifique àl’expression esthétique devient alors un enjeu important. Les mots, eneffet, ne sont pas interchangeables. En se succédant ou se superposant,même s'ils sont contradictoires, les différents sens donnent épaisseur etsubtilité au concept. Le voyage d'une notion dans le temps et dans l'espace contribue alors aussià un élargissement de notre compréhension d'une histoire culturelle entreuniversalité et identité au sein de la diversité artistique quicaractérise de l'Europe moderne. Dans des approches croisées, les thématiques développées dans cetouvrage apportent un regard neuf sur les formes, usages et enjeux de lalexicographie artistique à l’époque moderne. Dans une perspective de circulation des concepts et des pratiques, et deperméabilité des frontières artistiques, le mot se révèle être unprécieux laboratoire de l'exercice de la pratique artistique et un champd'exploration des réseaux culturels qui traversent et font l’Europe. À travers l'élaboration d'un langage, les livres sur l'art dont lespublications se multiplient au Nord des Alpes à partir de 1600, visent à laconstruction d'un savoir commun à l'usage des peintres et des amateurs.Leurs nombreuses traductions, publiées dès l'époque moderne, témoignentégalement de leur rôle d'agent de diffusion en constante adaptation aulectorat auquel ils s'adressent. Comprendre les stratégies et les processusd'invention et de transfert d’une terminologie spécifique àl’expression esthétique devient alors un enjeu important. Les mots, eneffet, ne sont pas interchangeables. En se succédant ou se superposant,même s'ils sont contradictoires, les différents sens donnent épaisseur etsubtilité au concept. Le voyage d'une notion dans le temps et dans l'espace contribue alors aussià un élargissement de notre compréhension d'une histoire culturelle entreuniversalité et identité au sein de la diversité artistique quicaractérise de l'Europe moderne. Dans des approches croisées, les thématiques développées dans cetouvrage apportent un regard neuf sur les formes, usages et enjeux de lalexicographie artistique à l’époque moderne. Dans une perspective de circulation des concepts et des pratiques, et deperméabilité des frontières artistiques, le mot se révèle être unprécieux laboratoire de l'exercice de la pratique artistique et un champd'exploration des réseaux culturels qui traversent et font l’Europe. À travers l'élaboration d'un langage, les livres sur l'art dont lespublications se multiplient au Nord des Alpes à partir de 1600, visent à laconstruction d'un savoir commun à l'usage des peintres et des amateurs.Leurs nombreuses traductions, publiées dès l'époque moderne, témoignentégalement de leur rôle d'agent de diffusion en constante adaptation aulectorat auquel ils s'adressent. Comprendre les stratégies et les processusd'invention et de transfert d’une terminologie spécifique àl’expression esthétique devient alors un enjeu important. Les mots, eneffet, ne sont pas interchangeables. En se succédant ou se superposant,même s'ils sont contradictoires, les différents sens donnent épaisseur etsubtilité au concept. Le voyage d'une notion dans le temps et dans l'espace contribue alors aussià un élargissement de notre compréhension d'une histoire culturelle entreuniversalité et identité au sein de la diversité artistique quicaractérise de l'Europe moderne.
1900-talet sgs ibland vara familjejordbrukets rhundrade. Trots att landsbygden frndrades i grunden framstlls ofta sjlva bondefamiljen bestende av man, hustru och barn som intakt. Alla jordbruk drevs dock inte av familjer av den traditionella sorten. Ett alternativ var att tv eller flera av barnen tillsammans vertog grden, fortsatte bo ihop och frblev ogifta. Men hur vanliga var sdana syskonjordbruk? Hur fungerade de och vilka var motiven bakom syskonens levnadsval? Med hjlp av hushllsanalyser, statliga utredningar och intervjuer tecknar historikern Martin Dackling i Istllet fr ktenskap fr frsta gngen historien om syskonjordbruken. Han visar att de varken var ovanliga eller utgjorde kvarlevor frn ett ldre bondesamhlle. Frn att tidigare knappt ha existerat blev det frn slutet av 1800-talet allt vanligare att brder och systrar drev grdar ihop och under 1930- och 1940-talet var de ett mycket vanligt inslag p svensk landsbygd. Efter 1950 blev de dock successivt allt ovanligare. I boken frs en diskussion om varfr syskonjordbruken uppstod och Dackling pekar bde p kulturella, sociala och ekonomiska delfrklaringar. En viktig omstndighet var ocks att de flesta syskonen frblev ogifta. Krleksrelationer saknades inte, men gifterml var svrt att kombinera med flera hemmaboende syskon. Krleks- och syskonrelationerna stod i ett komplicerat frhllande till varandra och p mnga grdar blev syskonjordbruk ett alternativ till ktenskap. *** The 20th century is sometimes said to be the century of the family farm. Although the countryside changed fundamentally, the farming family - consisting of husband, wife and children - is often seen as intact. However, all farms were not driven by families of the traditional type. One alternative was that two or more of the children took over the farm together, continued to live in the same household and remained unmarried. But how common were such sibling farms? How did they work and what were the motives behind the siblings' choice to live together? Based on household analyzes, government reports and interviews, historian Martin Dackling in Instead of marriage sketches the history of the sibling farms. He shows that they were neither unusual nor remains of an older peasant society. From the beginning of the 19th century, it became increasingly common for brothers and sisters to take over the farm together and in the 1930s and 1940s sibling farms were a common feature of Swedish countryside. However, after 1950 they became increasingly unusual. The book discusses why the sibling farms arose and Dackling points to cultural, social and economic explanations. An important circumstance was also that most of the siblings remained unmarried. Love relations were not missing, but marriage was difficult to combine with siblings living in the same household. Love relations and sibling relations were in a complicated correlation with each other, and on many farms, living with siblings became an alternative to marriage.
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Title; Contents; Introduction; Quis Desiderio ...?; Ramblings in Cheapside; The Aunt, the Nieces, and the Dog; How to Make the Best of Life; The Sanctuary of Montrigone; A Medieval Girl School; Art in the Valley of Saas; Thought and Language; The Deadlock in Darwinism --Part I; The Deadlock in Darwinism--Part II; The Deadlock in Darwinism--Part III; Endnotes.
Leading researchers and practitioners identify the best practices in using mobile technologies to promote healthy behaviours and reduce unhealthy ones.
Managing payroll in the USA can be complex, with compliance, accuracy, and employee satisfaction at stake. The Best Payroll Management Solution helps businesses automate salary calculations, ensure tax compliance, and provide flexible payment options. With features like direct deposits, detailed reporting, HR integration, and strong security, it streamlines operations for SMBs and enterprises alike. Choosing the right solution saves time, reduces errors, and supports business growth. At RCSPLUSA
Volume 3: From the exodus to the death of Moses
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Regarded as sacred scripture by millions, the Book of Mormon -- first published in 1830 -- is one of the most significant documents in American religious history. This new reader-friendly version reformats the complete, unchanged 1920 text in the manner of modern translations of the Bible, with paragraphs, quotations marks, poetic forms, topical headings, multichapter headings, indention of quoted documents, italicized reworkings of biblical prophecies, and minimized verse numbers. It also features a hypothetical map based on internal references, an essay on Book of Mormon poetry, a full glossary of names, genealogical charts, a basic bibliography of Mormon and non-Mormon scholarship, a chronology of the translation, eyewitness accounts of the gold plates, and information regarding the lost 116 pages and significant changes in the text.The Book of Mormon claims to be the product of three historical interactions: the writings of the original ancient American authors, the editing of the fourth-century prophet Mormon, and the translation of Joseph Smith. The editorial aids and footnotes in this edition integrate all three perspectives and provide readers with a clear guide through this complicated text. New readers will find the story accessible and intelligible; Mormons will gain fresh insights from familiar verses seen in a broader narrative context. This is the first time the Book of Mormon has been published with quotation marks, select variant readings, and the testimonies of women involved in the translation process. It is also the first return to a paragraphed format since versification was added in 1879.
Since the end of the 19th century when the prominent Norwegian mathematician Sophus Lie created the theory of Lie algebras and Lie groups and developed the method of their applications for solving differential equations, his theory and method have continuously been the research focus of many well-known mathematicians and physicists. This book is devoted to recent development in Lie theory and its applications for solving physically and biologically motivated equations and models. The book contains the articles published in two Special Issue of the journal Symmetry, which are devoted to analysis and classification of Lie algebras, which are invariance algebras of real-word models; Lie and conditional symmetry classification problems of nonlinear PDEs; the application of symmetry-based methods for finding new exact solutions of nonlinear PDEs (especially reaction-diffusion equations) arising in applications; the application of the Lie method for solving nonlinear initial and boundary-value problems (especially those for modelling processes with diffusion, heat transfer, and chemotaxis).